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Featuring the legendary and groundbreaking poem “Howl,” this remarkable volume showcases a selection of Allen Ginsberg’s poems, songs, essays, letters, journals, and interviews and contains sixteen pages of his personal photographs. One of the Beat Generation’s most renowned poets and writers, Allen Ginsberg became internationally famous not only for his published works but for his actions as a human rights activist who championed the sexual revolution, human rights, gay liberation, Buddhism and eastern religion, and the confrontation of societal norms—all before it became fashionable to do so. He was also the dynamic leader of war protesters, artists, Flower Power hippies, musicians, punks, and political radicals. The Essential Ginsberg collects a mosaic of materials that displays the full range of Ginsberg’s mental landscape. His most important poems, songs, essays, letters, journals, and interviews are displayed in chronological order. His poetic masterpieces, “Howl” and “Kaddish,” are presented here along with lesser-known and difficult to find songs and prose. Personal correspondence with William Burroughs and Jack Kerouac is included as well as photographs—shot and captioned by Ginsberg himself—of his friends and fellow rogues William Burroughs, Neal Cassady, and more. Through his essays, journals, interviews, and letters, this definitive volume will inspire readers to delve deeper into a body of work that remains one of the most impressive literary canons in American history.

This poem - originally published anonymously, written after Wilde's two year's hard labour in Reading prison - is the tale of a man who has been sentenced to hang for the murder of the woman he loved. The Ballad of Reading Gaol follows the inmate through his final three weeks, as he stares at the sky and silently drinks his beer ration. Heart-wrenching and eye-opening, the ballad also expresses perfectly Wilde's belief that humanity is made up only of offenders, each of us deserving a greater charity for the severity of our crimes.

In the summer of 1820, Keats published this collection, his third and final volume of poetry. A few months earlier, he had started coughing up blood; the following February, he would die of tuberculosis in Rome, aged just twenty-five. This volume contains his greatest work, written in an astonishing burst of creative genius in 1819. It includes 'Lamia', his tale of love and betrayal in ancient Corinth; the haunting medieval romance of 'The Eve of St Agnes'; and his six famous odes, now considered among the most famous verse in the language.

From Yehuda Amichai and W. H. Auden to Phyllis Wheatley and Walt Whitman, Hearing God in Poetry invites you to take a closer look at fifty great poems by some of the finest poets in the English language. Some are well known, some deserve to be better known, but all say something distinctive that will lift your spirit.This beautiful Lent book for 2022 offers six poems for every week from Ash Wednesday, leading up to Holy Week, with ten poems specially chosen for Easter. A short reflection from Richard Harries accompanies each poet and the poem, drawing out their spiritual insights and how they communicate God’s presence.Hearing God in Poetry is an ideal Lent book for 2022 for poetry lovers and anyone interested in how some of the world’s finest poets have expressed faith in their work. This book of daily readings will introduce you to some wonderful poetry for Lent and Easter, and give you a deeper understanding and appreciation of these brilliant works of literature. It will also help expand your spirituality to see God’s presence in the world around you as you prepare for Easter.Full of riches, Hearing God in Poetry is a book that you will want to turn to time and time again – whether during Lent or in any other season of the year.

This collection of forty-eight short pieces on Venice showcase Joseph Brodsky at his very best: witty, intelligent, moving and elegant. Looking at every aspect of Venice, from its waterways, streets and architecture to its food, politics and people, Brodsky captures the magnificence and beauty of the city, and recalls his own memories of the place he called home for many winters, as he remembers friends, lovers and enemies he has encountered.Watermark is an unforgettable piece of writing, and a wonderful portrait of a remarkable, unique city.

"The gift of Oliver's poetry is that she communicates the beauty she finds in the world and makes it unforgettable" ( Miami Herald ). This has never been truer than in Long Life, a luminous collection of seventeen essays and ten poems.With the grace and precision that are the hallmarks of her work, Oliver shows us how writing "is a way of offering praise to the world" and suggests we see her poems as "little alleluias." Whether describing a goosefish stranded at low tide, the feeling of being baptized by the mist from a whale's blowhole, or the "connection between soul and landscape," Oliver invites readers to find themselves and their experiences at the center of her world. In Long Life she also speaks of poets and writers: Wordsworth's "whirlwind" of "beauty and strangeness"; Hawthorne's "sweet-tempered" side; and Emerson's belief that "a man's inclination, once awakened to it, would be to turn all the heavy sails of his life to a moral purpose."With consummate craftsmanship, Mary Oliver has created a breathtaking volume sure to add to her reputation as "one of our very best poets" (New York Times Book Review ).

A unique and invaluable collection of the young Sylvia Plath’s drawings from important and formative years in her life: 1955-1957 Sylvia Plath: Drawings is a portfolio of pen-and-ink illustrations created during the transformative period spent at Cambridge University, when Plath met and secretly married poet Ted Hughes, and traveled with him to Paris and Spain on their honeymoon, years before she wrote her seminal work, The Bell Jar. Throughout her life, Sylvia Plath cited art as her deepest source of inspiration. This collection sheds light on these key years in her life, capturing her exquisite observations of the world around her. It includes Plath’s drawings from England, France, Spain, and New England, featuring such subjects as Parisian rooftops, trees, and churches, as well as a portrait Ted Hughes. Sylvia Plath: Drawings includes letters and diary entries that add depth and context to the great poet’s work, as well as an illuminating introduction by her daughter, Frieda Hughes.

Mass for Shut-Ins is the 117th volume of the Yale Series of Younger Poets, selected by award-winning poet Rae Armantrout.Mary-Alice Daniel confronts tricontinental culture shock and her curious placement within many worlds. African and Western mythic systems and modern rituals originate an ill-omened universe. Here, it is always night, grim night, under absurd moons. Venturing through dreamscapes, hellscapes, and lurid landscapes, poems map speculative fields of spiritual warfare. This collection is controlled chaos powered by nightmare fuel. It animates an utterly odd organism: a cosmology cobbled with scripture, superstition, mass media, mad science. Horrid, holy, unholy—these pages overrun with the unhinged, intrusive thoughts that obsess us all late into nighttime.

For the poet, even the most minute details of the natural world are starting points for flights of the imagination, and the pages of this collection celebrating the four seasons are brimming with an extraordinary range of observation and imagery.Here are poets past and present, from Chaucer, Shakespeare, and Wordsworth to Whitman, Dickinson, and Thoreau, from Keats, Blake, and Hopkins to Elizabeth Bishop, Ted Hughes, Amy Clampitt, Mary Oliver, and W. S. Merwin. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost’s tribute to the evanescence of spring in “Nothing Gold Can Stay” to Langston Hughes’s moody “Summer Night” in Harlem, from the “stopped woods” in Marie Ponsot’s “End of October” to the chilling “mind of winter” in Wallace Stevens’s “The Snow Man,” the poems in this volume engage vividly with the seasons and, through them, with the ways in which we understand and engage the world outside ourselves.

One Of The Best-known And Best-loved Works Of Buddhist Literature, The Dhammapada Forms Part Of The Oldest Surviving Body Of Buddhist Writings, And Is Traditionally Regarded As The Authentic Teachings Of The Buddha Himself, Spoken By Him In His Lifetime, And Memorized And Handed On By His Followers After His Death. A Collection Of Simple Verses Gathered In Themes Such As 'awareness', 'fools' And 'old Age', The Dhammapada Is Accessible, Instructional And Mind-clearing, With Lessons In Each Verse To Give Ethical Advice And To Remind The Listener Of The Transience Of Life. Valerie Roebuck's New Translation Is Accompanied By An Introduction Examining The Language Of The Dhammapada, Its Status As Literature And The School Of Buddhist Teaching From Which It Comes.