Empfehlungen basierend auf "War Dances"

What could be a more tempting Christmas gift than a compendium of David Sedaris's best stories, selected by the author himself? From a spectacular career spanning almost three decades, these stories have become modern classics and are now for the first time collected in one volume.For more than twenty-five years, David Sedaris has been carving out a unique literary space, virtually creating his own genre. A Sedaris story may seem confessional, but is also highly attuned to the world outside. It opens our eyes to what is at absurd and moving about our daily existence. And it is almost impossible to read without laughing.Now, for the first time collected in one volume, the author brings us his funniest and most memorable work. In these stories, Sedaris shops for rare taxidermy, hitchhikes with a lady quadriplegic, and spits a lozenge into a fellow traveler's lap. He drowns a mouse in a bucket, struggles to say 'give it to me' in five languages and hand-feeds a carnivorous bird.But if all you expect to find in Sedaris's work is the deft and sharply observed comedy for which he became renowned, you may be surprised to discover that his words bring more warmth than mockery, more fellow-feeling than derision. Nowhere is this clearer than in his writing about his loved ones. In these pages, Sedaris explores falling in love and staying together, recognizing his own aging not in the mirror but in the faces of his siblings, losing one parent and coming to terms - at long last - with the other.Taken together, the stories in The Best of Me reveal the wonder and delight Sedaris takes in the surprises life brings him. No experience, he sees, is quite as he expected - it's often harder, more fraught and certainly weirder - but sometimes it is also much richer and more wonderful.Full of joy, generosity, and the incisive humor that has led David Sedaris to be called 'the funniest man alive' (Time Out New York), The Best of Me spans a career spent watching and learning and laughing - quite often at himself - and invites readers deep into the world of one of the most brilliant and original writers of our time.

A smart, funny, and refreshing memoir from Mark Hoppus, the vocalist, bassist, and founding member of pop-punk band blink-182.This is a story of what happens when an angst-ridden kid who grew up in the desert experiences his parents’ bitter divorce, moves around the country, switches identities from dork to goth to skate punk, and eventually meets his best friend who just so happens to be his musical soulmate.Bassist, songwriter, and vocalist for renowned pop-punk trailblazers blink-182, Mark Hoppus, tells his story in Fahrenheit-182. A memoir that paints a vivid picture of what it was like to grow up in the 1980s as a latchkey kid hooked on punk rock, skateboards, and MTV; Mark Hoppus shares how he came of age and forms one of the biggest bands of his generation. Threaded through with the very human story of a constant battle with anxiety and Mark’s public battle and triumph over cancer, Fahrenheit-182 is a delight for fans and also a funny, smart, and relatable memoir for anyone who has wanted to quit but kept going.

PORCHLIGHT BESTSELLERZibby Owens 2022 Book of the YearA galvanizing, stirring memoir about growing up homeless and in foster care and rising to become a leading advocate for child welfare, recognized by President Obama as an American Champion of Change. “You will fall in love with David Ambroz, his beautifully-told, gut-wrenching story, and his great big heart.” (Jeanette Walls, author of The Glass Castle)“It's impossible to read A Place Called Home and not want to redouble your efforts to fight the systems of poverty that have plagued America for far too long. In this book, David shares his deeply personal story and issues a rousing call to make this a more humane and compassionate nation.”—HILLARY RODHAM CLINTONThere are millions of homeless children in America today and in A Place Called Home, award-winning child welfare advocate David Ambroz writes about growing up homeless in New York for eleven years and his subsequent years in foster care, offering a window into what so many kids living in poverty experience every day.When David and his siblings should be in elementary school, they are instead walking the streets seeking shelter while their mother is battling mental illness. They rest in train stations, 24-hour diners, anywhere that’s warm and dry; they bathe in public restrooms and steal food to quell their hunger. When David is placed in foster care, at first it feels like salvation but soon proves to be just as unsafe. He’s moved from home to home and, in all but one placement, he’s abused. His burgeoning homosexuality makes him an easy target for other’s cruelty.David finds hope and opportunities in libraries, schools, and the occasional kind-hearted adult; he harnesses an inner grit to escape the all-too-familiar outcome for a kid like him. Through hard work and unwavering resolve, he is able to get a scholarship to Vassar College, his first significant step out of poverty. He later graduates from UCLA Law with a vision of using his degree to change the laws that affect children in poverty.Told with lyricism and sparkling with warmth, A Place Called Home depicts childhood poverty and homelessness as it is experienced by so many young people who have been systematically overlooked and unprotected. It’s at once a gripping personal account of deprivation—how one boy survived it, and ultimately thrived—and a resounding call for readers to move from empathy to action.

A collection of short stories that memorably capture American life in rural Appalachia by Breece D'J Pancake, the brilliant writer praised by Joyce Carol Oates as "a young writer of such extraordinary gifts that one is tempted to compare his debut to Hemingway's."Breece D'J Pancake cut short a promising career when he took his own life at the age twenty-six. Published posthumously, this is a collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace."Breece D'J Pancake's is an exceptional voice: gritty, mordant, invested with the texture of stroked reality, urgent, and haunting." --Margaret Atwood

THE NATIONAL BESTSELLER“This riveting, courageous memoir ought to be mandatory reading for every American.”  —Michelle Alexander, New York Times bestselling author of The New Jim Crow“l cried reading this book, realizing more fully what my parents endured.” —Amy Tan, New York Times bestselling author of The Joy Luck Club and Where the Past Begins“This book couldn’t be more timely and more necessary.” —Dave Eggers, New York Times bestselling author of What Is the What and The Monk of MokhaPulitzer-Prize winning journalist Jose Antonio Vargas, called “the most famous undocumented immigrant in America,” tackles one of the defining issues of our time in this explosive and deeply personal call to arms.“This is not a book about the politics of immigration. This book––at its core––is not about immigration at all. This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home.After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.”—Jose Antonio Vargas, from Dear America

David Sedaris, the "champion storyteller," (Los Angeles Times) returns with his first new collection of personal essays since the bestselling Calypso Back when restaurant menus were still printed on paper, and wearing a mask--or not--was a decision made mostly on Halloween, David Sedaris spent his time doing normal things. As Happy-Go-Lucky opens, he is learning to shoot guns with his sister, visiting muddy flea markets in Serbia, buying gummy worms to feed to ants, and telling his nonagenarian father wheelchair jokes. But then the pandemic hits, and like so many others, he's stuck in lockdown, unable to tour and read for audiences, the part of his work he loves most. To cope, he walks for miles through a nearly deserted city, smelling only his own breath. He vacuums his apartment twice a day, fails to hoard anything, and contemplates how sex workers and acupuncturists might be getting by during quarantine. As the world gradually settles into a new reality, Sedaris too finds himself changed. His offer to fix a stranger's teeth rebuffed, he straightens his own, and ventures into the world with new confidence. Newly orphaned, he considers what it means, in his seventh decade, no longer to be someone's son. And back on the road, he discovers a battle-scarred America: people weary, storefronts empty or festooned with Help Wanted signs, walls painted with graffiti reflecting the contradictory messages of our time: Eat the Rich. Trump 2024. Black Lives Matter. In Happy-Go-Lucky, David Sedaris once again captures what is most unexpected, hilarious, and poignant about these recent upheavals, personal and public, and expresses in precise language both the misanthropy and desire for connection that drive us all. If we must live in interesting times, there is no one better to chronicle them than the incomparable David Sedaris.

NEW YORK TIMES BESTSELLERIn his unique and engaging voice, the acclaimed actor of stage and screen shares the emotional story of his complicated relationship with his father and the deeply buried family secrets that shaped his life and career.A beloved star of stage, television, and film—“one of the most fun people in show business” (Time magazine)—Alan Cumming is a successful artist whose diversity and fearlessness is unparalleled. His success masks a painful childhood growing up under the heavy rule of an emotionally and physically abusive father—a relationship that tormented him long into adulthood.When television producers in the UK approached him to appear on a popular celebrity genealogy show in 2010, Alan enthusiastically agreed. He hoped the show would solve a family mystery involving his maternal grandfather, a celebrated WWII hero who disappeared in the Far East. But as the truth of his family ancestors revealed itself, Alan learned far more than he bargained for about himself, his past, and his own father.With ribald humor, wit, and incredible insight, Alan seamlessly moves back and forth in time, integrating stories from his childhood in Scotland and his experiences today as a film, television, and theater star. At times suspenseful, deeply moving, and wickedly funny, Not My Father’s Son will make readers laugh even as it breaks their hearts.

Winner of the 1998 Yale Series of Younger Poets competition, Craig Arnold's Shells was acclaimed as "a gifted collection of daring writing" by the contest judge, the distinguished poet W. S. Merwin. The book is an intriguing set of variations on the theme of identity. Arnold plays on the idea of the shell as both the dazzling surface of the self and a hard case that protects the self against the assaults of the world. His poems narrate amatory and culinary misadventures. "Friendships based on food," Arnold writes, "are rarely stable"--this book is full of wildly unstable and bewitching friendships and other significant relations.

Ethan Mordden talks about narrative style, and how he came to write How Long Has This Been Going On? Allan Gurganus reminisces fondly about his childhood love of the Bible and the "music of sermons." David Leavitt muses on the identity of the gay reader - and the extent to which that readership defined a tradition. Andrew Holleran wonders how he might have made The Beauty of Men "more forlorn, romantic, lost" by writing in the first person.

“Friend, asshole, angel, mutant,” singer-songwriter Vic Chesnutt “came along and made us gross and broken people seem . . . I dunno, cooler, I guess.” A quadriplegic who could play only simple chords on his guitar, Chesnutt recorded seventeen critically acclaimed albums before his death in 2009, including About to Choke, North Star Deserter, and At the Cut. In 2006, NPR placed him in the top five of the ten best living songwriters, along with Bob Dylan, Tom Waits, Paul McCartney, and Bruce Springsteen. Chesnutt’s songs have also been covered by many prominent artists, including Madonna, the Smashing Pumpkins, R.E.M., Sparklehorse, Fugazi, and Neutral Milk Hotel.Kristin Hersh toured with Chesnutt for nearly a decade and they became close friends, bonding over a love of songwriting and mutual struggles with mental health. In Don’t Suck, Don’t Die, she describes many seemingly small moments they shared, their free-ranging conversations, and his tragic death. More memoir than biography, Hersh’s book plumbs the sources of Chesnutt’s pain and creativity more deeply than any conventional account of his life and recordings ever could. Chesnutt was difficult to understand and frequently difficult to be with, but, as Hersh reveals him, he was also wickedly funny and painfully perceptive. This intimate memoir is essential reading for anyone interested in the music or the artist.