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Now available from HarperVia in a deluxe paperback edition featuring never-before-seen illustrations by the author, the beloved internationally bestselling historical mystery about a brilliant monk called upon to solve a series of baffling murders in a fourteenth-century Italian abbey“Explodes with pyrotechnic inventions, literally as well as figuratively. Hold on till the end.”—New York Times“Whether you're into Sherlock Holmes, Montaillou, Borges, the nouvelle critique, the Rule of St. Benedict, metaphysics, library design, or The Thing from the Crypt, you'll love it. Who can that miss out?”—Sunday Times (London)Italy, 1347. While Brother William of Baskerville is investigating accusations of heresy at a wealthy abbey, his inquiries are disrupted by a series of bizarre deaths. Turning his practiced detective skills to finding the killer, he relies on logic (Aristotle), theology (Thomas Aquinas), empirical insights (Roger Bacon), and his own wry humor and ferocious curiosity. With the aid of his young apprentice, William scours the abbey, from its stables to the labyrinthine library, piecing together evidence, and deciphering cryptic symbols and coded manuscripts to uncover the truth about this place where "the most interesting things happen at night."First published in 1980, The Name of the Rose became an international sensation, beguiling readers around the world with its mix of history, humor, and intellectual heft. This beautifully designed modern edition, illustrated with exclusive original drawings created by Umberto Eco, will enchant a new generation of readers and entice old fans to fall under its spell once again.

The Instant New York Times Bestseller A Guardian Best Fiction Book Of 2021 An Independent Book Of The Year A White Review Book Of The Year A Lit Hub Best Book Of The Year 'his Best Novel Yet ... A Middlemarch-like Triumph' Telegraph Set In A Historical Moment Of Moral Crisis, Crossroads Is The Stunning Foundation Of A Sweeping Investigation Of Human Mythologies, As The Hildebrandt Family Navigate The Political And Social Crosscurrents Of The Past Fifty Years It's December 23, 1971, And Heavy Weather Is Forecast For Chicago. Russ Hildebrandt, The Associate Pastor Of A Liberal Suburban Church, Is On The Brink Of Breaking Free Of A Marriage He Finds Joyless - Unless His Wife, Marion, Who Has Her Own Secret Life, Beats Him To It. Their Eldest Child, Clem, Is Coming Home From College On Fire With Moral Absolutism, Having Taken An Action That Will Shatter His Father. Clem's Sister, Becky, Long The Social Queen Of Her High-school Class, Has Sharply Veered Into The Counterculture, While Their Brilliant Younger Brother Perry, Who's Been Selling Drugs To Seventh-graders, Has Resolved To Be A Better Person. Each Of The Hildebrandts Seeks A Freedom That Each Of The Others Threatens To Complicate. Jonathan Franzen's Novels Are Celebrated For Their Unforgettably Vivid Characters And Their Keen-eyed Take On The Complexities Of Contemporary America. Now, For The First Time, In Crossroads, Franzen Explores The History Of A Generation. With Characteristic Humour And Complexity, And With Even Greater Warmth, He Conjures A World That Feels No Less Immediate. A Tour De Force Of Interwoven Perspectives And Sustained Suspense, Crossroads Is The Story Of A Midwestern Family At A Historical Moment Of Moral Crisis. Jonathan Franzen's Gift For Melding The Small Picture And The Big Picture Has Never Been More Dazzlingly Evident.

Fully restored edition of Anthony Burgess' original text of A Clockwork Orange, with a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews Edited by Andrew Biswell With a Foreword by Martin Amis 'It is a horrorshow story ...' Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean? A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of exuberant invention which created a new language for its characters. This critical edition restores the text of the novel as Anthony Burgess originally wrote it, and includes a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews, shedding light on the enduring fascination of the novel's 'sweet and juicy criminality'. Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He spent six years in the British Army before becoming a schoolmaster and colonial education officer in Malaya and Brunei. After the success of his Malayan Trilogy, he became a full-time writer in 1959. His books have been published all over the world, and they include The Complete Enderby, Nothing Like the Sun, Napoleon Symphony, Tremor of Intent, Earthly Powers and A Dead Man in Deptford. Anthony Burgess died in London in 1993. Andrew Biswell is the Professor of Modern Literature at Manchester Metropolitan University and the Director of the International Anthony Burgess Foundation. His publications include a biography, The Real Life of Anthony Burgess, which won the Portico Prize in 2006. He is currently editing the letters and short stories of Anthony Burgess.

'... a human being, an intellectual human being who constantly bends the entire force of his mind on the ridiculous task of forcing a wooden king into the corner of a wooden board, and does it without going mad!' A group of passengers on a cruise ship challenge the world chess champion to a match. At first, they crumble, until they are helped by whispered advice from a stranger in the crowd - a man who will risk everything to win. Stefan Zweig's acclaimed novella Chess is a disturbing, intensely dramatic depiction of obsession and the price of genius.

The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus’s novel has been translated into sixty languages and sold more than six million copies. It’s the rare novel that’s as at likely to be found in a teen’s backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it.How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for “The Stranger”, Alice Kaplan tells that story. In the process, she reveals Camus’s achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger.Even then, the book’s publication was far from certain. France was straining under German occupation, Camus’s closest mentor was unsure of the book’s merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship.The initial critical reception of The Stranger was mixed, and it wasn’t until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus’s book— with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation—became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece.Few books inspire devotion and excitement the way The Stranger does. And it couldn’t have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration.

Nine-year-old Bruno knows nothing of the Final Solution and the Holocaust. He is oblivious to the appalling cruelties being inflicted on the people of Europe by his country. All he knows is that he has been moved from a comfortable home in Berlin to a house in a desolate area where there is nothing to do and no one to play with. Until he meets Shmuel, a boy who lives in a strange parallel existence on the other side of the adjoining wire fence and who, like the other people there, wears a uniform of striped pyjamas.Bruno's friendship with Shmuel will take him from innocence to revelation. And in exploring what he is unwittingly a part of, he will inevitably become subsumed by the terrible process.

In Vichy France, 1942, a group of men sit outside an office, waiting to be interviewed. The reason they have been pulled off the street and taken there is obvious enough. They are, for the most part, Jews. But how serious an offence this is, and how they are to suffer for it, is not clear, and they hope for the best. But as rumours pass between them of trains full of people locked from the outside and furnaces in Poland, and although they reassure themselves that nothing so monstrous could be true, their panic rises. Arthur Miller's claustrophobic play of how the inconceivable becomes allowed to pass, Incident at Vichy is one of the most indispensable, moving pieces of art about the Holocaust.

Asked to treat Friedrich Nietzsche for his suicidal despair following a broken love affair, eminent Viennese physician Josef Breuer devises an ingenius approach that would force Nietzsche to apply his own theories to cure himself. Reissue. 15,000 first printing.

When the Bismarck sinks, one of the only German survivors is taken on board a British ship as a prisoner of war. Sent to live on a farm with a host family, the soldier must adapt to a new way of life, in the heart of an enemy country. Gradually, he shows his new hosts that he may be German, but he is a person too, with all the hopes and feelings that entails. So when the time finally comes to go back to Germany, it's an emotional parting, with the German leaving only a carved dog to remember him by. The question is, will the soldier and his new family ever meet again? In 1966, with the world cup coming to Britain, that opportunity may just have come along.

A companion novel to "Slaughterhouse 5", covering similar themes and drawing on the author's experiences as a prisoner of war in Dresden. A black satire, it tells of an American spy in Germany who becomes confused by his own methods as he sends his coded messages by using pro-Nazi radio broadcasts.