Empfehlungen basierend auf "War and Peace"

Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s Russia, Pushkin's verse novel follows the fates of three men and three women. Engaging, full of suspense, and varied in tone, it also portrays a large cast of other characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. Eugene Onegin was Pushkin's own favorite work, and this new translation conveys the literal sense and the poetic music of the original.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Little Clothbound Classics: irresistible mini editions of short stories, novellas, and essays from the world’s greatest writers, designed by the award-winning Coralie Bickford-SmithA Penguin Classics HardcoverFrom a writer widely considered to be one of greatest ever of the form, Anton Chekhov’s short stories offer unforgettable character, crystalline expression, and deep, powerful mystery. Collected here are five of his very best tales, “The Lady with the Little Dog,” “The House with the Mezzanine,” and the trilogy “The Man in the Case,” “Gooseberries,” and “About Love.”

Fyodor Dostoyevsky's powerful meditation on faith, meaning and morality, The Brothers Karamazov is translated with an introduction and notes by David McDuff in Penguin Classics.When brutal landowner Fyodor Karamazov is murdered, the lives of his sons are changed irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, whose mental tortures drive him to breakdown; the spiritual Alyosha, who tries to heal the family's rifts; and the shadowy figure of their bastard half-brother Smerdyakov. As the ensuing investigation and trial reveal the true identity of the murderer, Dostoyevsky's dark masterpiece evokes a world where the lines between innocence and corruption, good and evil, blur and everyone's faith in humanity is tested.This powerful translation of The Brothers Karamazov features and introduction highlighting Dostoyevsky's recurrent themes of guilt and salvation, with a new chronology and further reading.“There is no writer who better demonstrates the contradictions and fluctuations of the creative mind than Dostoyevsky, and nowhere more astonishingly than in The Brothers Karamazov.”—Joyce Carol Oates“Dostoyevsky was the only psychologist from whom I had anything to learn: he belongs to the happiest windfalls of my life.”—Friedrich Nietzsche“The most magnificent novel ever written.”—Sigmund Freud

Andrey Tarkovsky, the genius of modern Russian cinema—hailed by Ingmar Bergman as "the most important director of our time"—died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films—Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre—most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

With the publication of "The Overcoat" in 1842, Nicolai Gogol (1809–1852) inaugurated a new chapter in Russian literature, in which the underdog and social misfit is treated not as a figure of fun or an object of charity, but as a human being with as much right to happiness as anybody else.The compassion, simplicity, and gentle humor with which he treats the poignant quest of a hapless civil servant for the return of his stolen overcoat―and the fantastic yet realistic manner in which he takes revenge on his nemesis, the Very Important Person―mark "The Overcoat" as one of the greatest achievements of Gogol's genius.The five other "Tales of Good and Evil" in this superb collection demonstrate the broad range of Gogol's literary palette in his short fiction: the fantastic, supernaturally tinged "The Terrible Vengeance," the comic portraiture of "Ivan Fydorovich Shponka and His Aunt," the tragic moral realism of "The Portrait" and "Nevsky Avenue," and the rampaging satire and absurdism of his send-up of Russian upper-class stupidity, "The Nose." The stories offer the reader the perfect introduction to the imaginative genius of Gogol, which was to flower so triumphantly in his masterpiece, Deal Souls.

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In nineteenth-century Russia, the wife of an important government official loses her family and social status when she chooses the love of Count Vronsky over a passionless marriage.

Drawing on hundreds of newly available, top-secret KGB and party Central Committee documents, historian Matthew E. Lenoe reexamines the 1934 assassination of Leningrad party chief Sergei Kirov. Joseph Stalin used the killing as the pretext to unleash the Great Terror that decimated the Communist elite in 1937–1938; these previously unavailable documents raise new questions about whether Stalin himself ordered the murder, a subject of speculation since 1938. The book includes translations of 125 documents from the various investigations of the Kirov murder, allowing readers to reach their own conclusions about Stalin’s involvement in the assassination.

In March 1917, Book 4 the willing and unwilling participants of the Russian Revolution try to make sense of their next steps amidst unraveling chaos. One of the masterpieces of world literature, The Red Wheel is Nobel prize-winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution told in the form of a historical novel. March 1917--the third node--chronicles the mayhem, day by day, of the Russian Revolution. Book 4 presents, for the first time in English, the conclusion of this four-volume revolutionary saga. The action of Book 4 is set during March 23-31, 1917. Book 4 portrays a cast of thousands in motion and agitation as every stratum of Russian society--the army on the front lines, the countryside, the Volga merchants, the Don Cossacks, the Orthodox Church--is racked by the confusing new reality. Soldiers start to fraternize across trenches with the enemy. The Grand Duke Nikolai Nikolaevich, the emperor's uncle, arrives at military headquarters to assume the supreme command but is promptly dismissed by the new Provisional Government. Even this government holds no power, for at every step it is cowed and hemmed in by a self-proclaimed and unaccountable Executive Committee acting in the name of the Soviets--councils of workers and soldiers. Yet the Soviets themselves are divided--on whether to call for an end to the war or for its continuation, on whether to topple the Provisional Government or to let it try to govern. Meanwhile, in Switzerland, Lenin quietly dictates his own terms to the German General Staff, setting the stage for his return to Russia.

The first archive-based study of official corruption under Stalin and a compelling new look at the textures of everyday Soviet life after World War IIIn the Soviet Union, bribery was a skill with its own practices and culture. James Heinzen's innovative and compelling study examines corruption under Stalin's dictatorship in the wake of World War II, focusing on bribery as an enduring and important presence in many areas of Soviet life. Based on extensive research in recently declassified Soviet archives, The Art of the Bribe offers revealing insights into the Soviet state, its system of law and repression, and everyday life during the years of postwar Stalinism.