Empfehlungen basierend auf "Wanderers: A History of Women Walking"

The photographs by Annie Leibovitz in Women, taken especially for the book, encompass a broad spectrum of subjects: a rap artist, an astronaut, two Supreme Court justices, farmers, coal miners, movie stars, showgirls, rodeo riders, socialites, reporters, dancers, a maid, a general, a surgeon, the First Lady of the United States, the secretary of state, a senator, rock stars, prostitutes, teachers, singers, athletes, poets, writers, painters, musicians, theater directors, political activists, performance artists, and businesswomen. "Each of these pictures must stand on its own," Susan Sontag writes in the essay that accompanies the portraits. "But the ensemble says, So this what women are now -- as different, as varied, as heroic, as forlorn, as conventional, as unconventional as this."

Is it possible to be a Christian and a feminist?The hot topic of feminism has been well documented and debated in mainstream media and yet, as Christians we come to the conversation from a slightly different vantage point. For starters, we have the benefit of a personal relationship with our creator plus the ultimate handbook in the Bible to work out what is right and just when it comes to equality. So why do many Christians feel the Bible presents a barrier rather than a boost when it comes to championing equality between the sexes?Lauren Windle draws upon her years as a journalist to weave together a wide range of voices on a subject that society has been wrestling with but, in the Church, few are brave enough to probe too deeply for fear of what they might find. This book isn't here to tell you what to think. The views it presents are intended to inform, not form, your opinion on key topics, including: defining feminism, the lessons we teach boys, female preachers, a woman's place in the household, beauty standards and #ChurchToo.Notes On Feminism features contributions from several high-profile women:- Writer and model Katie Piper on true beauty- Olympian Abigail Irozuru on women's bodies- Comedian Cassandra Maria on why people think women aren't funny- Author Tiffany Bluhm on why people don't believe women- Journalist Delphine Chui on why she isn't a feminist.If feminist stirrings feel like a barrier to your faith, let Notes on Feminism help you unpick the confusion and ongoing debate, while keeping God at the centre.

Gail Collins, New York Times columnist and bestselling author, recounts the astounding revolution in women's lives over the past 50 years, with her usual "sly wit and unfussy style" (People).When Everything Changed begins in 1960, when most American women had to get their husbands' permission to apply for a credit card. It ends in 2008 with Hillary Clinton's historic presidential campaign. This was a time of cataclysmic change, when, after four hundred years, expectations about the lives of American women were smashed in just a generation.A comprehensive mix of oral history and Gail Collins's keen research -- covering politics, fashion, popular culture, economics, sex, families, and work -- When Everything Changed is the definitive book on five crucial decades of progress. The enormous strides made since 1960 include the advent of the birth control pill, the end of "Help Wanted -- Male" and "Help Wanted -- Female" ads, and the lifting of quotas for women in admission to medical and law schools. Gail Collins describes what has happened in every realm of women's lives, partly through the testimonies of both those who made history and those who simply made their way.Picking up where her highly lauded book America's Women left off, When Everything Changed is a dynamic story, told with the down-to-earth, amusing, and agenda-free tone for which this beloved New York Times columnist is known.Older readers, men and women alike, will be startled as they are reminded of what their lives once were -- Father Knows Best and My Little Margie on TV; daily weigh-ins for stewardesses; few female professors; no women in the Boston marathon, in combat zones, or in the police department. Younger readers will see their history in a rich new way. It has been an era packed with drama and dreams -- some dashed and others realized beyond anyone's imagining.

Renaissance writer Laura Cereta (1469–1499) presents feminist issues in a predominantly male venue—the humanist autobiography in the form of personal letters. Cereta's works circulated widely in Italy during the early modern era, but her complete letters have never before been published in English. In her public lectures and essays, Cereta explores the history of women's contributions to the intellectual and political life of Europe. She argues against the slavery of women in marriage and for the rights of women to higher education, the same issues that have occupied feminist thinkers of later centuries.Yet these letters also furnish a detailed portrait of an early modern woman’s private experience, for Cereta addressed many letters to a close circle of family and friends, discussing highly personal concerns such as her difficult relationships with her mother and her husband. Taken together, these letters are a testament both to an individual woman and to enduring feminist concerns.

‘An important contribution to our recent history’ ANDREW MARR‘Absorbing and important’ JOAN BAKEWELL‘One of my favourite reads of 2021’ GARETH RUSSELLPoignant and inspiring, Women in the War tells the first-hand stories of ten of the last surviving female members of Britain's 'Greatest Generation'.Whether flying Spitfires to the frontline, aiding code breaking at Bletchley Park, plotting the Battle of the Atlantic or working with Churchill in the Cabinet War Rooms, each of these women made a crucial contribution to the conflict overseas and helped to buttress the home front.Here they recount their remarkable experiences during the Second World War, recalling how their formative years were shaped by danger and trauma, and how friendship and romance fortified their spirits.Drawing on the insight that comes with age, they contemplate how the conflict helped women prove their worth, transforming society and sparking the later battles for equal rights.With a reporter’s eye for detail, Lucy Fisher artfully weaves together moving contemporary interviews with gripping wartime diaries and letters. This is a vivid oral history that will stay with you long after you've put it down.

'I am a woman's rights. I have plowed and reaped and husked and chopped and mowed, and can any man do more than that? I am as strong as any man that is now'A former slave and one of the most powerful orators of her time, Sojourner Truth fought for the equal rights of Black women throughout her life. This selection of her impassioned speeches is accompanied by the words of other inspiring African-American female campaigners from the nineteenth century.One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

A beautifully written and elegantly constructed narrative that explores the intense, complex and far-reaching female friendships among the Surrealists during the 1930s, 1940s and 1950s. The Militant Muse documents what it meant to be young, ambitious and female in the context of an avant-garde movement defined by celebrated men whose educational, philosophical and literary backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s and 1950s, Whitney Chadwick charts five intense, far-reaching female friendships among the surrealists to show how surrealism and the experiences of war, loss and trauma shaped individual women's transitions from beloved muses to mature artists. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe's subversive activities in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the frontline. The book draws on personal correspondence between the women, including the extraordinary letters between Leonora Carrington and Leonor Fini following the imprisonment of Carrington's lover Max Ernst, and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the 1930s during a difficult stay in Paris. This thoroughly engrossing history brings a new perspective to the political context of surrealism, as well as fresh insights on the vital importance of female friendship to artistic and intellectual flowering.

Gender equality and the responsibility of husbands and fathers: issues that loom large today had currency in Renaissance Venice as well, as evidenced by the publication in 1600 of The Worth of Women by Moderata Fonte. Moderata Fonte was the pseudonym of Modesta Pozzo (1555–92), a Venetian woman who was something of an anomaly. Neither cloistered in a convent nor as liberated from prevailing codes of decorum as a courtesan might be, Pozzo was a respectable, married mother who produced literature in genres that were commonly considered "masculine"—the chivalric romance and the literary dialogue. This work takes the form of the latter, with Fonte creating a conversation among seven Venetian noblewomen. The dialogue explores nearly every aspect of women's experience in both theoretical and practical terms. These women, who differ in age and experience, take as their broad theme men's curious hostility toward women and possible cures for it. Through this witty and ambitious work, Fonte seeks to elevate women's status to that of men, arguing that women have the same innate abilities as men and, when similarly educated, prove their equals. Through this dialogue, Fonte provides a picture of the private and public lives of Renaissance women, ruminating on their roles in the home, in society, and in the arts. A fine example of Renaissance vernacular literature, this book is also a testament to the enduring issues that women face, including the attempt to reconcile femininity with ambition.

These posthumous essays by Joan Kelly, a founder of women's studies, represent a profound synthesis of feminist theory and historical analysis and require a realignment of perspectives on women in society from the Middle Ages to the present.

When a Texas debutante bows her forehead to the floor in the famous "Texas dip", society columnists all across the country speculate interminably over what it is that sets Texas women apart. But really, how could they know? Even women born and bred in Texas - the daughters of generations of Texans - can't always answer that question. Prudence Mackintosh comes very close to an answer, though, in this endlessly entertaining book. Writing with both a wry sense of humor and an insider's compassion, she offers us a fascinating, nose-against-the-glass look into the world of privileged, educated, well-married, well-connected, and mostly wealthy white Texas women. What really sets these women apart, Ms. Mackintosh tells us, is the comfortable yet demanding path they follow from their idyllic girlhoods to positions of prominence - either in their own right or as the wives, mothers, and daughters of prominent men. In eleven essays, some of which originally appeared in Texas Monthly magazine, she charts the way stations that mark this path: summer camps in the Texas Hill Country, exclusive private schools like Dallas' Hockaday, sorority membership, and acceptance into the Junior League. Prudence Mackintosh has been both an outsider and an insider in this privileged world, and she knows its ways. Whether she's writing about the elaborate rituals of pledge week in the 1960s, or the ambivalent ties that bind white women and the women of color who work in their homes, or the achievements of such prominent figures as Barbara Jordan, Ann Richards, and Liz Carpenter, her observations are shot through with wit and real insight. Just As We Were may not be the final word on elite Texas women, but no oneelse has described their world with more irony and accuracy than Prudence Mackintosh.