Empfehlungen basierend auf "Waiting for an Angel"

The newest novel by the author of Akata Witch and the forthcoming Marvel comic book series about Shuri, Black Panther's sister!“The most imaginative, gripping, enchanting fantasy novels I have ever read!” —Laurie Halse Anderson, New York Times bestselling author of SpeakA year ago, Sunny Nwazue, an American-born girl Nigerian girl, was inducted into the secret Leopard Society. As she began to develop her magical powers, Sunny learned that she had been chosen to lead a dangerous mission to avert an apocalypse, brought about by the terrifying masquerade, Ekwensu. Now, stronger, feistier, and a bit older, Sunny is studying with her mentor Sugar Cream and struggling to unlock the secrets in her strange Nsibidi book.Eventually, Sunny knows she must confront her destiny. With the support of her Leopard Society friends, Orlu, Chichi, and Sasha, and of her spirit face, Anyanwu, she will travel through worlds both visible and invisible to the mysteries town of Osisi, where she will fight a climactic battle to save humanity.Much-honored Nnedi Okorafor, winner of the Hugo, Nebula, and World Fantasy awards, merges today’s Nigeria with a unique world she creates. Akata Warrior blends mythology, fantasy, history and magic into a compelling tale that will keep readers spellbound.

Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.Epic in its canvas and intimate in its portraits, Homegoing is a searing and profound debut from a masterly new writer.

Preorder now and receive the stunning DELUXE LIMITED EDITION while supplies last―featuring a special alternate cover design on the hardcover case, gorgeous sprayed edges, and exclusive endpapers. This breathtaking edition is only available on a limited first print run."Her best work yet... about fame and family, culture and change, the power of story, the writer’s life... and robots. This one has it all.” — George R.R. MartinIn this exhilarating tale by New York Times bestselling and award-winning author Nnedi Okorafor, a disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative—a surprisingly cutting, yet heartfelt drama about art and love, identity and connection, and, ultimately, what makes us human. This is a story unlike anything you’ve read before.The future of storytelling is here.Disabled, disinclined to marry, and more interested in writing than a lucrative career in medicine or law, Zelu has always felt like the outcast of her large Nigerian family. Then her life is upended when, in the middle of her sister’s lavish Caribbean wedding, she’s unceremoniously fired from her university job and, to add insult to injury, her novel is rejected by yet another publisher. With her career and dreams crushed in one fell swoop, she decides to write something just for herself. What comes out is nothing like the quiet, literary novels that have so far peppered her unremarkable career. It’s a far-future epic where androids and AI wage war in the grown-over ruins of human civilization. She calls it Rusted Robots.When Zelu finds the courage to share her strange novel, she does not realize she is about to embark on a life-altering journey—one that will catapult her into literary stardom, but also perhaps obliterate everything her book was meant to be. From Chicago to Lagos to the far reaches of space, Zelu’s novel will change the future not only for humanity, but for the robots who come next.A book-within-a-book that blends the line between writing and being written, Death of the Author is a masterpiece of metafiction that manages to combine the razor-sharp commentary of Yellowface with the heartfelt humanity of Tomorrow and Tomorrow and Tomorrow. Surprisingly funny, deeply poignant, and endlessly discussable, this is at once the tale of a woman on the margins risking everything to be heard and a testament to the power of storytelling to shape the world as we know it.

A collection of twelve stories includes the tale of a medical student in hiding with a poor Muslim woman, and a woman who discovers a devastating secret about her brother's death.

About the Author In her award-winning autobiography, Dust Tracks on a Road (1942), Zora Neale Hurston claimed to have been born in Eatonville, Florida, in 1901. She was, in fact, born in Notasulga, Alabama, on January 7, 1891, the fifth child of John Hurston (farmer, carpenter, and Baptist preacher) and Lucy Ann Potts (school teacher). The author of numerous books, including Their Eyes Were Watching God, Jonah's Gourd Vine, Mule sand Men, and Moses, Man of the Mountain, Hurston had achieved fame and sparked controversy as a novelist, anthropologist, outspoken essayist, lecturer, and theatrical producer during her sixty-nine years. Hurston's finest work of fiction appeared at a time when artistic and political statements -- whether single sentences or book-length fictions -- were peculiarly conflated. Many works of fiction were informed by purely political motives; political pronouncements frequently appeared in polished literary prose. Hurston's own political statements, relating to racial issues or addressing national politics, did not ingratiate her with her black male contemporaries. The END result was that Their Eyes Were Watching God went out of print not long after its first appearance and remained out of print for nearly thirty years. Henry Louis Gates, Jr., has been one among many to ask: "How could the recipient of two Guggenheims and the author of four novels, a dozen short stories, two musicals, two books on black mythology, dozens of essays, and a prize winning autobiography virtually 'disappear' from her readership for three full decades?" That question remains unanswered. The fact remains that every one of Hurston's books went quickly out of print; and it was only through the determined efforts, in the 1970s, of Alice Walker, Robert Hemenway (Hurston's biographer), Toni Cade Bambara, and other writers and scholars that all of her books are now back in print and that she has taken her rightful place in the pantheon of American authors. In 1973, Walker, distressed that Hurston's writings had been all but forgotten, found Hurston's grave in the Garden of Heavenly Rest and installed a gravemarker. "After loving and teaching her work for a number of years," Walker later reported, "I could not bear that she did not have a known grave." The gravemarker now bears the words that Walker had inscribed there: ZORA NEALE HURSTONGENIUS OF THE SOUTHNOVELIST FOLKLORIST ANTHROPOLOGIST(1891-1960) In BriefZora Neale Hurston (1891-1960) was a novelist, folklorist, and anthropologist whose fictional and factual accounts of black heritage are unparalleled. She Is the author of many books, including Their Eyes Were Watching God, Dust Tracks on a Road, Tell My Horse, and Mules and Men.

A MOST ANTICIPATED BOOK • Moonlight meets Purple Hibiscus in this coming of age novel about self-acceptance, sexual awakening, and first love set in a Nigeria on the verge of criminalizing same-sex relationships“Chukwuebuka Ibeh’s writing has a certain delicacy to it, so wonderfully observant, and so beautiful.” —Chimamanda Ngozi Adichie, author of AmericanahObiefuna has always been the black sheep of his family—sensitive where his father, Anozie, is pragmatic, a dancer where his brother, Ekene, is a natural athlete. But when Obiefuna’s father witnesses an intimate moment between his teenage son and another boy, his deepest fears are confirmed, and Obiefuna is banished to boarding school.As he navigates his new school’s strict hierarchy and unpredictable violence, Obiefuna both finds and hides who he truly is. Back home, his mother, Uzoamaka, must contend with the absence of her beloved son, her husband’s cryptic reasons for sending him away, and the hard truths that they’ve all been hiding from. As Nigeria teeters on the brink of criminalizing same-sex relationships, Obiefuna’s identity becomes more dangerous than ever before, and the life he wants drifts further out of reach.Set in post-military Nigeria and culminating in the Same Sex Marriage Prohibition Act of 2013, Blessings is an elegant and exquisitely moving story that asks how to live freely in a country that forbids one’s truest self, and what it takes for love to flourish despite it all.

'Chukwuebuka Ibeh's writing has a certain delicacy to it, so wonderfully observant, and so beautiful' - Chimamanda Ngozi Adichie 'A sublime coming-of-age tale... an extraordinarily composed and deeply felt debut' - Guardian When Obiefuna's father witnesses an intimate moment between his teenage son and the family's apprentice, newly arrived from the nearby village, he banishes Obiefuna to a Christian boarding school marked by strict hierarchy and routine, devastating violence. Utterly alienated from the people he loves, Obiefuna begins a journey of self-discovery and blossoming desire, while his mother Uzoamaka grapples to hold onto her favourite son, her truest friend. Interweaving the perspectives of Obiefuna and his mother Uzoamaka, as they reach towards a future that will hold them both, BLESSINGS is an elegant and exquisitely moving story of love and loneliness. Asking how we can live freely when politics reaches into our hearts and lives, as well as deep into our consciousness, it is a stunning, searing debut. SHORTLISTED FOR THE 2024 WILBUR SMITH ADVENTURE WRITING PRIZE An excellent debut novel - John Boyne A moving debut about love and loneliness - Sunday Times Wonderful, vivid - Patrick Gale

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.Offering insight into the pernicious legacy that continues to haunt us all, black and white, this work is an invaluable contribution to our shared history and culture.

The urgent and unforgettable true story of post-Katrina New Orleans . . .In August 2005, as Hurricane Katrina blew in, the city of New Orleans has been abandoned by most citizens. But resident Abdulrahman Zeitoun, though his wife and family had gone, refused to leave. For days he traversed an apocalyptic landscape of flooded streets by canoe. But eventually he came to the attention of those 'guarding' this drowned city. Only then did Zeitoun's nightmare really begin.Zeitoun is the powerful, ultimately uplifting true story of one man's courage when confronted with an awesome force of nature followed by more troubling human oppression.

'A vital work for our times' IRENOSEN OKOJIE 'Beautiful ... this is prose worth spending time with' MARIE CLAIRE 'A gorgeously deeply humane book' NICOLE DENNIS-BENN 'A vivid, stirring revolution' YRSA DALEY-WARD 'The ink practically hovers off the page' KAVEH AKBAR What makes a family? How is it defined and by whom? Is freedom for everyone? Across Lagos, a rolling cast of unforgettable characters seek out love in all its forms, daring to push all other relationships - with partners, family and friends - to the brink in the process. As they form and break unexpected connections, they reveal how they know each other, have loved each other and had their hearts broken in that pursuit. Stubbornly alive and brazenly flawed, they work to establish themselves in the city's worlds of art, music, entertainment and creativity while reckoning with desire, fear, death and God. Here, we witness their collective and individual attempts to grapple with the necessary fictions that they all carry for survival. This is a shimmering, defiant cross-generational portrait of what it means to be queer in contemporary Nigeria. 'Both deeply earnest and unique' VULTURE 'Unabashedly queer, complicated and occasionally outright hopeful' NPR 'Osunde is brilliant at character, giving the cast rich, knotty backstories that unfold in bursts of revelation' TLS 'Necessary Fiction's Nigerians are inseparable from Nigeria itself: brazen, willful, sexy, dynamic, explosive' MARLON JAMES 'Osunde's writing shines ... It's not just beautiful - it's transformative' BASSEY IKPI