Empfehlungen basierend auf "Victoria The Queen"

- Presents the most important 20th-century criticism on major works from "The Odyssey through modern literature- The critical essays reflect a variety of schools of criticism- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index- Introductory essay by Harold Bloom

Some of their past the Tudors wanted to remember, other parts they preferred to forget: a new history, a new story, the family behind the myths.The Tudors are a national obsession; they are our most notorious royal family. But, as Leanda de Lisle shows in this gripping new history, beyond the well-worn headlines is a family still more extraordinary than the one we thought we knew.The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’'s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’'s lap, and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty; and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past -- those parts they wished to remember and those they wished to forget.By creating a full family portrait set against the background of this past, Leanda de Lisle enables us to see the Tudors in their own terms, rather than ours; and presents new perspectives and revelations on key figures and events. We see a family dominated by remarkable women doing everything possible to secure its future; understand why the Princes in the Tower disappeared; look again at the bloodiness of Mary’'s reign; at Elizabeth’'s relationships with her cousins; and re-discover the true significance of previously overlooked figures. We see the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline. Tudor tells a family story like no other, and brings it once more to vivid life.

Our bestselling series is fit for a queen!The life of Queen Elizabeth I was dramatic and dangerous: cast out of her father's court at the age of three and imprisoned at nineteen, Elizabeth was crowned queen in 1558, when she was only twenty-five. A tough, intelligent woman who spoke five languages, Elizabeth ruled for over forty years and led England through one of its most prosperous periods in history. Over 80 illustrations bring 'Gloriana' and her court to life.

Since its publication in 1908, Anne of Green Gables has been an enduring bestseller and arguably Canada’s most famous novel. This Norton Critical Edition offers an unrivaled selection of contextual and critical material, edited by two leading Montgomery scholars. “Backgrounds” brings together fourteen relevant excerpts from Montgomery’s journals, letters, and juvenilia along with literary selections from, among others, Sir Walter Scott, Byron, Caroline Oliphant, Henry Wadsworth Longfellow, and Louisa May Alcott. The cultural context of Anne of Green Gables is explored through the writings of Carole Gerson, Kate Wood, and Mary Henley Rubio. “Criticism” is divided into “Early Reviews and Responses” and “Modern Critical Views.” Eight reviews from 1908 to 1942 include Canadian, American, and British assessments. Critical essays are provided by, among others, Northrop Frye, Elizabeth Epperly, T. D. MacLulich, Juliet McMaster, Carol Shields, Margaret Atwood, and Elizabeth Waterston. A Chronology and Selected Bibliography are also included.

A timely survey of this significant British artist and the complexities surrounding his work and reputation todayFamed for his depictions of sun, sea, and sailing during a late Victorian and Edwardian golden age, the British painter Henry Scott Tuke RA (1858–1929) is an intriguing artistic anomaly. Moving between Cornish-based artist colonies and the London art scene, stylistically Tuke presents a fusion of progressive plein airisme, loose impressionistic handling, and a vivid palette, and yet he was fundamentally an academic painter of exhibition nudes. Though consistently successful throughout his lifetime, in the wake of two world wars Tuke’s depictions of bathing boys came to represent a seemingly outmoded epoch. This far-reaching study features new research from leading authorities on Victorian and Edwardian art. Essays tackle questions of wide-ranging artistic influences, experimental art practice, and a varied reception history. Tuke’s repeated portrayal of adolescent male nudes provokes challenging questions about the depiction, exhibition, and reception of the body—especially the young body—both then and now.Published in association with Watts GalleryExhibition Schedule: Watts Gallery, Surrey(June 7–September 12, 2021)Falmouth Art Gallery, Cornwall(September 18–November 20, 2021)

Paperback. Pub Date :2013-12-11 Pages: 3052 Language: English Publisher: WW Norton & Company A best-seller for more than forty years. this is the survey of English literature from the Middle Ages to the twenty-first century. With 274 authors. the Eighth Edition deepens its representation of essential works in all genres. ranging from Seamus Heaneys translation of Beowulf to global twentieth-century classics. Over 75 colour plates and thematic clusters of brief and historically significant texts bring to life the cultural concerns of each period. Concise glosses and annotations. period introductions. biographical headnotes. timelines and selected bibliographies help readers understand and enjoy the rich diversity of English literature.

Michael Millgate's classic biography of Thomas Hardy, was first published in 1982. Much new information about Hardy has since become available, often in volumes edited or co-edited by Millgate himself, and many established assumptions have been challenged and revolutionized by scholarly research. In this extensively revised, fully reconsidered, and considerably-expanded new edition Millgate, the world's leading Hardy scholar, draws not only upon these new materials but upon an exceptional understanding of Hardy gained from long immersion in the study of his life and work. Many large and small aspects of Hardy's life are here freshly illuminated, including his family background, his fumbling self-education as a poet, his difficult relations with his first wife and hers with his family, his sexual infatuations, his secret collaborations with aspiring women writers, his clandestine composition of his own official biography, and the memory-invoking techniques by which he sustained his remarkable creativity into extreme old age. Thorough, authoritative and eminently readable, Thomas Hardy: A Biography Revisited will become the standard life of Hardy for a new generation.

For the first time in decades, here, in a single volume, is a fresh look at the fabled Tudor dynasty, comprising some of the most enigmatic figures ever to rule a country. Acclaimed historian G. J. Meyer reveals the flesh-and-bone reality in all its wild excess. In 1485, young Henry Tudor, whose claim to the throne was so weak as to be almost laughable, crossed the English Channel from France at the head of a ragtag little army and took the crown from the family that had ruled England for almost four hundred years. Half a century later his son, Henry VIII, desperate to rid himself of his first wife in order to marry a second, launched a reign of terror aimed at taking powers no previous monarch had even dreamed of possessing. In the process he plunged his kingdom into generations of division and disorder, creating a legacy of blood and betrayal that would blight the lives of his children and the destiny of his country. The boy king Edward VI, a fervent believer in reforming the English church, died before bringing to fruition his dream of a second English Reformation. Mary I, the disgraced daughter of Catherine of Aragon, tried and failed to reestablish the Catholic Church and produce an heir. And finally came Elizabeth I, who devoted her life to creating an image of herself as Gloriana the Virgin Queen but, behind that mask, sacrificed all chance of personal happiness in order to survive.    The Tudorsweaves together all the sinners and saints, the tragedies and triumphs, the high dreams and dark crimes, that reveal the Tudor era to be, in its enthralling, notorious truth, as momentous and as fascinating as the fictions audiences have come to love.

THE SUNDAY TIMES BESTSELLER THE TIMES and SUNDAY TIMES BEST MEMOIR OF 2024 ... 'GENIUS' A BOOK OF THE YEAR for the SPECTATOR, MAIL ON SUNDAY, NEW STATESMAN, FINANCIAL TIMES, INDEPENDENT, TELEGRAPH, SUNDAY EXPRESS and THE TABLET. From one of the funniest writers of our time, the award-winning author of One Two Three Four and Ma'am Darling turns his attention to Queen Elizabeth II in an unforgettable and fascinating biography. 'A crown jewel among royal biographies' OBSERVER 'Extraordinarily original, enlightening and fresh' SPECTATOR 'Absolutely fascinating' Ruth Langsford, LOOSE WOMEN 'A very unusual masterpiece' SUNDAY TELEGRAPH 'Brilliantly funny and well-researched' FINANCIAL TIMES Virginia Woolf compared her to a caterpillar; Anne Frank kept pictures of her on the wall of her annex; Jimi Hendrix played her tune; Haile Selassie gave her a gold tiara; Dirk Bogarde watched Death in Venice with her; Andy Warhol envied her fame; Donald Trump offended her; E.M. Forster confessed he would have married her, if only she had been a boy. Queen Elizabeth II was famous for longer than anyone who has ever lived. When people spoke of her, they spoke of themselves; when they dreamed of her, they dreamed of themselves. She mirrored their hopes and anxieties. To the optimist, she seemed an optimist; to the pessimist, a pessimist; to the awestruck, charismatic; and to the cynical, humdrum. Though by nature reserved and unassuming, her presence could fill presidents and rock gods with terror. For close to a century, she inhabited the psyche of a nation. Combining biography, essays, cultural history, dream diaries, travelogue and satire, the bestselling and award-winning author of Ma'am Darling and One Two Three Four: The Beatles in Time presents a kaleidoscopic portrait of this most public yet private of sovereigns. - 'An unconventional tribute that offers a snapshot of almost a century of social history with a mix of royal insanity, and superior anecdotes, from farts and corgis to Paul McCartney and poets laureate' THE TIMES and SUNDAY TIMES BOOKS OF THE YEAR 2024 'An enthralling reverie on memory, identity, coincidence and meaning - testing, teasing, charming, moving and deceptively wise' RORY STEWART 'An entertaining and revealing digest ... fascinating ... Craig Brown has captured something essential about Britain's curious relationship with royalty' TLS 'Completely and utterly brilliant and exquisitely funny and fascinating. This book is, dare I say, majestic. Craig Brown has no peers - I would curtsey to him if I met him' MARINA HYDE 'Wonderfully readable ... At once sympathetic but clear-eyed, kind but sharp' NEW STATESMAN 'Brown is as sharp and dryly funny as his subject' EVENING STANDARD 'You wouldn't think the world needed another book about Queen Elizabeth - but how wrong you'd be. Craig Brown's wholly original and enthralling biography is absolute heaven from start to finish' INDIA KNIGHT 'Craig Brown continues to reinvent the art of biography... utterly fascinating' JASON COWLEY Craig Brown's book One Two Three Four won the Baillie Gifford Prize for Non-Fiction in 2020.