Empfehlungen basierend auf "Twenty Years at Hull-House"

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. George Eliot's most ambitious novel is a masterly evocation of diverse lives and changing fortunes in a provincial community. Peopling its landscape are Dorothea Brooke, a young idealist whose search for intellectual fulfillment leads her into a disastrous marriage to the pedantic scholar Casaubon; the charming but tactless Dr Lydgate, whose marriage to the spendthrift beauty Rosamund and pioneering medical methods threaten to undermine his career; and the religious hypocrite Bulstrode, hiding scandalous crimes from his past. As their stories interweave, George Eliot creates a richly nuanced and moving drama, hailed by Virginia Woolf as 'one of the few English novels written for adult people'.

In A Room of One's Own and Three Guineas, Virginia Woolf considers with energy and wit the implications of the historical exclusion of women from education and from economic independence. In A Room of One's Own (1929), she examines the work of past women writers, and looks ahead to a time when women's creativity will not be hampered by poverty, or by oppression. In Three Guineas (1938), however, Woolf argues that women's historical exclusion offers them the chance to form a political and cultural identity which could challenge the drive towards fascism and war.

'Three bicycles. Seven ghosts. A crumbling apartment block on the hill. Fame. Tenderness. The statue of Peter Pan. Silk. Melancholy. The banana tree. A Pandemic. A love story.'From one of the great thinkers and writers of our time, comes the highly anticipated final installment in Deborah Levy's critically acclaimed 'Living Autobiography''I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer on The Cost of LivingFollowing the international critical acclaim of The Cost of Living, this final volume of Deborah Levy's 'Living Autobiography' is an exhilarating, thought-provoking and boldly intimate meditation on home and the spectres that haunt it.'I began to wonder what myself and all unwritten and unseen women would possess in their property portfolios at the end of their lives. Literally, her physical property and possessions, and then everything else she valued, though it might not be valued by society. What might she claim, own, discard and bequeath? Or is she the real estate, owned by patriarchy? In this sense, Real Estate is a tricky business. We rent it and buy it, sell and inherit it - but we must also knock it down.''Wise, subtle and ironic, Levy's every sentence is a masterpiece of clarity and poise... A brilliant writer' Daily Telegraph on The Cost of Living'Extraordinary and beautiful, suffused with wit and razor-sharp insights' Financial Times on The Cost of Living

Armistead Maupin's uproarious and moving Tales of the City novels—the first three of which are collected in this omnibus volume—have earned a unique niche in American literature and are considered indelible documents of cultural change from the seventies through the first two decades of the new millennium.“These novels are as difficult to put down as a dish of pistachios. The reader starts playing the old childhood game of 'Just one more chapter and I'll turn out the lights,' only to look up and discover it's after midnight.”—Los Angeles Times Book ReviewOriginally serialized in the San Francisco Chronicle, Armistead Maupin’s Tales of the City (1978), More Tales of the City (1980), and Further Tales of the City (1982) afforded a mainstream audience of millions its first exposure to straight and gay characters experiencing on equal terms the follies of urban life.Among the cast of this groundbreaking saga are the lovelorn residents of 28 Barbary Lane: the bewildered but aspiring Mary Ann Singleton, the libidinous Brian Hawkins; Mona Ramsey, still in a sixties trance, Michael "Mouse" Tolliver, forever in bright-eyed pursuit of Mr. Right; and their marijuana-growing landlady, the indefatigable Mrs. Madrigal.Hurdling barriers both social and sexual, Maupin leads them through heartbreak and triumph, through nail-biting terrors and gleeful coincidences. The result is a glittering and addictive comedy of manners that continues to beguile new generations of readers.

This nine-book paperback box set of the classic series features the classic black-and-white artwork from Garth Williams.The nine books in the timeless Little House series tell the story of Laura’s real childhood as an American pioneer, and are cherished by readers of all generations. They offer a unique glimpse into life on the American frontier, and tell the heartwarming, unforgettable story of a loving family.Little House in the Big WoodsMeet the Ingalls family—Laura, Ma, Pa, Mary, and baby Carrie, who all live in a cozy log cabin in the big woods of Wisconsin in the 1870s. Though many of their neighbors are wolves and panthers and bears, the woods feel like home, thanks to Ma’s homemade cheese and butter and the joyful sounds of Pa’s fiddle.Farmer BoyAs Laura Ingalls is growing up in a little house in Kansas, Almanzo Wilder lives on a big farm in New York. He and his brothers and sisters work hard from dawn to supper to help keep their family farm running. Almanzo wishes for just one thing—his very own horse—but he must prove that he is ready for such a big responsibility.Little House on the PrairieWhen Pa decides to sell the log house in the woods, the family packs up and moves from Wisconsin to Kansas, where Pa builds them their little house on the prairie! Living on the farm is different from living in the woods, but Laura and her family are kept busy and are happy with the promise of their new life on the prairie.On the Banks of Plum CreekThe Ingalls family lives in a sod house beside Plum Creek in Minnesota until Pa builds them a new house made of sawed lumber. The money for the lumber will come from their first wheat crop. But then, just before the wheat is ready to harvest, a strange glittering cloud fills the sky, blocking out the sun. Millions of grasshoppers cover the field and everything on the farm, and by the end of a week, there is no wheat crop left.By the Shores of Silver LakePa Ingalls heads west to the unsettled wilderness of the Dakota Territory. When Ma, Mary, Laura, Carrie, and baby Grace join him, they become the first settlers in the town of De Smet. Pa starts work on the first building of the brand new town, located on the shores of Silver Lake.The Long WinterThe first terrible storm comes to the barren prairie in October. Then it snows almost without stopping until April. With snow piled as high as the rooftops, it’s impossible for trains to deliver supplies, and the townspeople, including Laura and her family, are starving. Young Almanzo Wilder, who has settled in the town, risks his life to save the town.Little Town on the PrairieDe Smet is rejuvenated with the beginning of spring. But in addition to the parties, socials, and “literaries,” work must continue. Laura spends many hours sewing shirts to help Ma and Pa get enough money to send Mary to a college for the blind. But in the evenings, Laura makes time for a new caller, Almanzo Wilder.These Happy Golden YearsLaura must continue to earn money to keep Mary in her college for the blind, so she gets a job as a teacher. It’s not easy, and for the first time she’s living away from home. But it gets a little better every Friday, when Almanzo picks Laura up to take her back home for the weekend. Though Laura is still young, she and Almanzo are officially courting, and she knows that this is a time for new beginnings.The First Four YearsLaura Ingalls and Almanzo Wilder have just been married! They move to a small prairie homestead to start their lives together. But each year brings new challenges—storms, sickness, fire, and unpaid debts. These first four years call for courage, strength, and a great deal of determination. And through it all, Laura and Almanzo still have their love, which only grows when baby Rose arrives.

People glorify all sorts of bravery except the bravery they might show on behalf of their nearest neighbours.An epic study of provincial life at a time when England was facing rapid industrialization and increasingly fluid social mobility, Eliot's depiction of the small community of Middlemarch weaves an intricate web of different characters disparate lives as they strive to adapt to the changing world around them. Eliot was one of the first of her female contemporaries to write a novel that dealt with real-life issues and complex yet ordinary human life.

Inspiration for the Netflix Limited Series, Tales of the CityThe fifth novel in the beloved Tales of the City series, Armistead Maupin’s best-selling San Francisco saga.Tranquillity reigns in the ancient redwood forest until a women-only music festival sets up camp downriver from an all-male retreat for the ruling class. Among those entangled in the ensuing mayhem are a lovesick nurseryman, a panic-stricken philanderer, and the world’s most beautiful fat woman. Significant Others is Armistead Maupin’s cunningly observed meditation on marriage, friendship, and sexual nostalgia.

A Room of One's Own grew out of a lecture that Virginia Woolf had been invited to give at Girton College, Cambridge in 1928. Ranging over Jane Austen and Charlotte Bronte and why neither of them could have written War and Peace, over the silent fate of Shakespeare's gifted (and imaginary) sister, over the effects of poverty and chastity on female creativity, she gives us one of the greatest feminist polemics of the century.

This boxed set edition, featuring The Mitford Years Readers Guide, includes: At Home in Mitford, A Light in the Window, These High, Green Hills, and Out to Canaan.

An account of Woolf's life during the period in which To the Lighthouse and The Waves were written. "Her steel-trap mind and elegant prose...make this a most valuable and pleasurable book" (Publishers Weekly). "Volume three is as witty and intelligent as its predecessors" (Atlantic Monthly). Edited by Anne Olivier Bell, assisted by Andrew McNeillie; Index.