Empfehlungen basierend auf "Trauma and the Soul: A psycho-spiritual approach to human development and its interruption"

’An absolutely masterly work’ Stephen FryAlex Ross, renowned author of the international bestseller The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics―an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of writers, artists, and thinkers, including Charles Baudelaire, Virginia Woolf, Isadora Duncan, Vasily Kandinsky, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious anti-Semitism. His name is now almost synonymous with artistic evil.Wagnerism restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. The narrative ranges across artistic disciplines, from architecture to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W. E. B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways,Wagnerism tells a tragic tale. An artist who might have rivalled Shakespeare in universal reach is implicated in an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of intellectual passion, urging us toward a more honest idea of how art acts in the world.

“A masterpiece, a major work of modern art history.” ―Wall Street Journal“Absorbing and lavishly illustrated.” ―New Yorker“If you are interested in modern British art, the book is unputdownable. If you are not, read it. You soon will be.” ―Financial TimesNow available in an attractive paperback, Modernists and Mavericks is Martin Gayford’s impressively researched and well-reviewed chronicle of postwar London painting.Modernists and Mavericks explores the development of painting in London from the Second World War to the 1970s based on an exceptionally deep well of firsthand interviews, with artists such as Victor Pasmore, John Craxton, Lucian Freud, Frank Auerbach, Allen Jones, R. B. Kitaj, Euan Uglow, Howard Hodgkin, Terry Frost, Gillian Ayres, Bridget Riley, David Hockney, Frank Bowling, Leon Kossoff, John Hoyland, and Patrick Caulfield. Gayford also teases out the thread weaving these individual lives together and demonstrates how and why, long after it was officially declared dead, painting lived and thrived in London. Simultaneously aware of the influences of Jackson Pollock, Alberto Giacometti, and the traditions of Western art, from Piero della Francesca to Pablo Picasso and Henri Matisse, the postwar painters were bound together by their confidence that this ancient medium could do fresh and marvelous things, and their urge to explore, in their diverse ways, the possibilities of paint. 100+ illustrations

This groundbreaking classic explores the necessity of connections between our life and soul and developing the main lines of the soul-making process.

s/t: Individuation & the Religious Function of the PsycheA study of the journey to psychological wholeness--a process that Jung described as a conscious encounter between the ego & the archetypal symbols of the collective unconscious. For contemporary people, Edinger asserts, this encounter is equivalent to the discovery of God--& a critically important experience for everyone. 68 halftones.IllustrationsThe inflated egoThe alientaed egoEncoutner with the selfThe search for meaningChrist as paradigm of the individuating egoBeing an individualThe trinity archetype & the dialectic of developmentMetaphysics & the unconsciousThe blood of ChristThe philosopher's stoneIndex

Who was the man behind The Scream, the iconic painting that so acutely expresses the anguish of the twentieth century?Edvard Munch (1863 – 1944) was twenty-eight when he embarked on a lifelong effort to paint his ‘soul’s diary’ – and began a perverse love affair with self-destruction. This intimate and moving life of the Norwegian artist explores his turbulent early years, his time as a recluse, and his intense efforts to paint not what he saw, but what he experienced.

Desire in Language traces the path of an investigation, extending over a period of ten years, into the semiotics of literature and the arts. But the essays of Julia Kristeva in this volume, though they often deal with literature and art, do not amount to either "literary criticism" or "art criticism." Their concern, writes Kristeva, "remains intratheoretical: they are based on art and literature in order to subvert the very theoretical, philosophical, or semiological apparatus."Probing beyond the discoveries of Sigmund Freud, Jacques Lacan, Roman Jakobson and others, Julia Kristeva proposes and tests theories centered on the nature and development of the novel, and on what she has defined as a signifying practice in poetic language and pictural works. Desire in Language fully shows what Roman Jakobson has called Kristeva's "genuine gift of questioning generally adopted 'axioms,' and her contrary gift of releasing various 'damned questions' from their traditional question marks."

In 'The Decay of Lying' Oscar Wilde uses his decadent ideology in an attempt to reverse and therefore reject his audiences' 'normal' conceptualizations of nature, art and morality. Wilde's views of life and art are illustrated through the use of Platonic dialogue where the character Vivian takes on the persona of Wilde. Wilde's goal is to subvert the norm by reversing its values. Wilde suggests to us that society is wrong, not him. Calling on diverse examples - from Ancient Greek sculpture to contemporary paintings - Oscar Wilde's brilliant essay creates a witty, paradoxical world in which the only Art worth loving is that built on complete untruths.

Learning from Las Vegas created a healthy controversy on its appearance in 1972, calling for architects to be more receptive to the tastes and values of "common" people and less immodest in their erections of "heroic," self-aggrandizing monuments.This revision includes the full texts of Part I of the original, on the Las Vegas strip, and Part II, "Ugly and Ordinary Architecture, or the Decorated Shed," a generalization from the findings of the first part on symbolism in architecture and the iconography of urban sprawl. (The final part of the first edition, on the architectural work of the firm Venturi and Rauch, is not included in the revision.) The new paperback edition has a smaller format, fewer pictures, and a considerably lower price than the original. There are an added preface by Scott Brown and a bibliography of writings by the members of Venturi and Rauch and about the firm's work.

In this, his most famous and influential work, Carl Jung made a dramatic break from the psychoanalytic tradition established by his mentor, Sigmund Freud. Rather than focusing on psychopathology and its symptoms, the Swiss psychiatrist studied dreams, mythology, and literature to define the universal patterns of the psyche.In Psychology of the Unconscious, Jung seeks a symbolic meaning and purpose behind a given set of symptoms, placing them within the larger context of the psyche. The 1912 text examines the fantasies of a patient whose poetic and vivid mental images helped Jung redefine libido as psychic energy, arising from the unconscious and manifesting itself consciously in symbolic form. Jung's commentary on his patient's fantasies offers a complex study of symbolic psychiatry and foreshadows his development of the theory of collective unconscious and its constituents, the archetypes.The author's role in the development of analytical psychology, a therapeutic process that promotes creativity and psychological development, makes this landmark in psychoanalytic methodology required reading for students and others interested in the practice and process of psychology.

Volumeÿ2 of the definitive English translation of one of the most important philosophical works of the 19th century, the basic statement in one important stream of post-Kantian thought. Corrects nearly 1,000 errors and omissions in the older Haldane-Kemp translation. For the first time, this edition translates and locates all quotes and provides full index.