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Since its first publication in 1890, Oscar Wilde's only novel, The Picture of Dorian Gray, has remained the subject of critical controversy. Acclaimed by some as an instructive moral tale, it has been denounced by others for its implicit immorality. After having his portrait painted, Dorian Gray is captivated by his own beauty. Tempted by his world-weary friend, decadent friend Lord Henry Wotton, he wished to stay young forever and pledges his very soul to keep his good looks. As Dorian's slide into crime and cruelty progresses, he stays magically youthful, while his beautiful portrait changes, revealing the hideous corruption of moral decay. Set in fin-de-siécle London, the novel traces a path from the studio of painter Basil Howard to the opium dens of the East End. The text of this edition is derived from the Oxford English Texts, which prints acritically established version of the first book edition of 1891. Also included is a new, fuller introduction, which considers the difference between the 1890 and 1891 texts, Wilde's range of sources, significant critical approaches to the novel and its reputation since 1891, full explanatory notes that identify Wilde's sources, and an up-to-date-bibliography.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August*Lawrence Wright, author of The End of October, in The Wall Street JournalThe fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.”Praise for A Distant Mirror“Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books“A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal“Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary

With gorgeous full-color illustrations, ornate decorative elements, lettering in metallic ink, and engaging text, The Language of Flowers: A Fully Illustrated Compendium of Meaning, Literature, and Lore for the Modern Romantic is a treasure for flower lovers. A sumptuous, contemporary anthology of 50 of the world's most storied and popular flowers, each of its entries offers insight to the meaning associated with the flower, and is a fascinating mix of foklore, classic mythology, literature, botanical information and popular culture.Following an introduction that provides a short history of the language of flowers, a fad which reached its peak during the reign of Queen Victoria, each uniquely illustrated and designed entry is an enjoyable read full of history and little-known facts. Here is the story of Tulipmania; how the pansy got its "face," and why the most particular pollination process of a certain orchid has made the vanilla bean a very dear commodity. You'll also dicover how Christian Dior's passion for lily of the valley inspired his classic perfume Diorissimo and its extraordinary bottle; why Oscar Wilde had a penchant for wearing green carnations in his lapel; and how Greeks and Romans believed snapdragons could ward off witchcraft, so they planted them at entryways to their homes.With more than a dozen two-page paintings evoking the romance of noteworthy Victorian gardens and symbolic bouquets, a cross-referenced index of flowers and meanings, and suggestions for further reading, this book is a must for lovers of floriology and Victoriana.

An abused child, yet confident of her destiny to reign, a woman in a man's world, passionately sexual—though, as she maintained, a virgin—Elizabeth I is famed as England's most successful ruler. David Starkey's brilliant new biography concentrates on Elizabeth's formative years—from her birth in 1533 to her accession in 1558—and shows how the experiences of danger and adventure formed her remarkable character and shaped her opinions and beliefs.From princess and heir-apparent to bastardized and disinherited royal, accused traitor to head of the princely household, Elizabeth experienced every vicissitude of fortune and extreme of condition—and rose above it all to reign during a watershed moment in history. A uniquely absorbing tale of one young woman's turbulent, courageous, and seemingly impossible journey toward the throne, Elizabeth is the exhilarating story of the making of a queen.

When Victoria was born, in 1819, the world was a very different place. Revolution would threaten many of Europe's monarchies in the coming decades. In Britain, a generation of royals had indulged their whims at the public's expense, and republican sentiment was growing. The Industrial Revolution was transforming the landscape, and the British Empire was commanding ever larger tracts of the globe. In a world where women were often powerless, during a century roiling with change, Victoria went on to rule the most powerful country on earth with a decisive hand. Fifth in line to the throne at the time of her birth, Victoria was an ordinary woman thrust into an extraordinary role. As a girl, she defied her mother's meddling and an adviser's bullying, forging an iron will of her own. As a teenage queen, she eagerly grasped the crown and relished the freedom it brought her. She was outspoken with her ministers, overstepping conventional boundaries and asserting her opinions. And as science, technology, and democracy were dramatically reshaping the world, Victoria was a symbol of steadfastness and security--queen of a quarter of the world's population at the height of the British Empire's reach.

****Amelia Peabody's Egypt was originally published in 2003; minor changes are being made to the July 2017 edition, but it basically the same book****The Egypt that so enticed and enchanted intrepid archaeologist-sleuth Amelia Peabody in the late nineteenth and twentieth centuries was a place of wonder, mystery, danger, and the lure of antiquity. Now, with this monumental volume of Egyptian culture, history, and arcania, readers will be able to immerse themselves in the great lady's world more completely than ever before.Journey through the bustling streets and markets of Cairo a hundred years ago. Surround yourself with the customs and color of a bygone time. Explore ancient tombs and temples and marvel at the history of this remarkable land -- from the age of the pharaohs through the Napoleonic era to the First World War. Also included in Amelia Peabody's Egypt are a hitherto unpublished journal entry and intimate biographies of the Emersons and their friends, which provide a uniquely personal view of the lives, relationships, opinions, politics, and delightful eccentricities of mystery's first family, as well as unforgettable pearls of wit and wisdom from everyone's favorite fictional Egyptologist herself.Containing nearly 600 black-and-white photographs and illustrations, and articles by numerous experts, Amelia Peabody's Egypt sparkles with unforgettable glimpses of the exotic and the bizarre, the unusual and the unfamiliar -- a treasure trove that overflows with Egyptological riches, along with wonderful insights into the culture and mores of the Victorian era, including the prevalent attitudes on empire, fashion, feminism, tourists, servants, and much more.A one-of-a-kind collection that offers endless hours of pleasure for Peabodyphiles and Egypt aficionados alike, here is a tome to cherish; a grand and glorious celebration of the life, the work, and the world of the incomparable Amelia Peabody.

THE SUNDAY TIMES BESTSELLER THE TIMES and SUNDAY TIMES BEST MEMOIR OF 2024 ... 'GENIUS' A BOOK OF THE YEAR for the SPECTATOR, MAIL ON SUNDAY, NEW STATESMAN, FINANCIAL TIMES, INDEPENDENT, TELEGRAPH, SUNDAY EXPRESS and THE TABLET. From one of the funniest writers of our time, the award-winning author of One Two Three Four and Ma'am Darling turns his attention to Queen Elizabeth II in an unforgettable and fascinating biography. 'A crown jewel among royal biographies' OBSERVER 'Extraordinarily original, enlightening and fresh' SPECTATOR 'Absolutely fascinating' Ruth Langsford, LOOSE WOMEN 'A very unusual masterpiece' SUNDAY TELEGRAPH 'Brilliantly funny and well-researched' FINANCIAL TIMES Virginia Woolf compared her to a caterpillar; Anne Frank kept pictures of her on the wall of her annex; Jimi Hendrix played her tune; Haile Selassie gave her a gold tiara; Dirk Bogarde watched Death in Venice with her; Andy Warhol envied her fame; Donald Trump offended her; E.M. Forster confessed he would have married her, if only she had been a boy. Queen Elizabeth II was famous for longer than anyone who has ever lived. When people spoke of her, they spoke of themselves; when they dreamed of her, they dreamed of themselves. She mirrored their hopes and anxieties. To the optimist, she seemed an optimist; to the pessimist, a pessimist; to the awestruck, charismatic; and to the cynical, humdrum. Though by nature reserved and unassuming, her presence could fill presidents and rock gods with terror. For close to a century, she inhabited the psyche of a nation. Combining biography, essays, cultural history, dream diaries, travelogue and satire, the bestselling and award-winning author of Ma'am Darling and One Two Three Four: The Beatles in Time presents a kaleidoscopic portrait of this most public yet private of sovereigns. - 'An unconventional tribute that offers a snapshot of almost a century of social history with a mix of royal insanity, and superior anecdotes, from farts and corgis to Paul McCartney and poets laureate' THE TIMES and SUNDAY TIMES BOOKS OF THE YEAR 2024 'An enthralling reverie on memory, identity, coincidence and meaning - testing, teasing, charming, moving and deceptively wise' RORY STEWART 'An entertaining and revealing digest ... fascinating ... Craig Brown has captured something essential about Britain's curious relationship with royalty' TLS 'Completely and utterly brilliant and exquisitely funny and fascinating. This book is, dare I say, majestic. Craig Brown has no peers - I would curtsey to him if I met him' MARINA HYDE 'Wonderfully readable ... At once sympathetic but clear-eyed, kind but sharp' NEW STATESMAN 'Brown is as sharp and dryly funny as his subject' EVENING STANDARD 'You wouldn't think the world needed another book about Queen Elizabeth - but how wrong you'd be. Craig Brown's wholly original and enthralling biography is absolute heaven from start to finish' INDIA KNIGHT 'Craig Brown continues to reinvent the art of biography... utterly fascinating' JASON COWLEY Craig Brown's book One Two Three Four won the Baillie Gifford Prize for Non-Fiction in 2020.

An account of the Lindberghs' wartime years, but most significantly the story of a bond between two extraordinary people. Introduction by the Author; Index; photographs. A Helen and Kurt Wolff Book

Edward II (1284 1327), King of England, Lord of Ireland, and Duke of Aquitaine, was the object of ignominy during his lifetime and calumny since it. Conventionally viewed as worthless, incapable of sustained policy, and significant only for his sporadic displays of ill-directed energy or a stubborn adherence to greedy and ambitious favorites, he has been presented as fit only to be deposed and replaced by someone more worthy of the throne. This definitive biography, the fruit of a lifetime s study, does not present Edward II as a heroic or successful king: his deposition after a turbulent reign of nearly twenty years is proof enough that it went terribly wrong. But Seymour Phillips scrutiny of the multitude of available sources shows that a richer picture emerges, in line with the complexity of events and of the man himself. If Edward II was not a successful king, he was not fundamentally different in many ways from most English monarchs. The biography strikes a deft balance, taking full account of the problems the king faced in England, Scotland, and Ireland and in his relations with France. It also tackles the contentious issue of whether Edward II did not die in 1327, murdered under barbaric circumstances, but lived on as a captive in England and then a wanderer on the Continent. Eight hundred years on, a king s life is properly examined."

A generous and varied selection–the only hardcover edition available–of the literary and political writings of one of the greatest essayists of the twentieth century. Although best known as the author of Animal Farm and Nineteen Eighty-four, George Orwell left an even more lastingly significant achievement in his voluminous essays, which dealt with all the great social, political, and literary questions of the day and exemplified an incisive prose style that is still universally admired. Included among the more than 240 essays in this volume are Orwell’s famous discussion of pacifism, “My Country Right or Left”; his scathingly complicated views on the dirty work of imperialism in “Shooting an Elephant”; and his very firm opinion on how to make “A Nice Cup of Tea.” In his essays, Orwell elevated political writing to the level of art, and his motivating ideas–his desire for social justice, his belief in universal freedom and equality, and his concern for truth in language–are as enduringly relevant now, a hundred years after his birth, as ever.