Empfehlungen basierend auf "Thirst"

PULITZER PRIZE FINALIST • NATIONAL BOOK AWARD FINALIST • From the bestselling author of Fruit of the Drunken Tree, comes a dazzling, kaleidoscopic memoir reclaiming her family's otherworldly legacy.A BEST BOOK OF THE YEAR: TIME, NPR, VULTURE, PEOPLE, BOSTON GLOBE, VANITY FAIR, ESQUIRE, & MORE“Rojas Contreras reacquaints herself with her family’s past, weaving their stories with personal narrative, unraveling legacies of violence, machismo and colonialism… In the process, she has written a spellbinding and genre-defying ancestral history.”—New York Times Book ReviewFor Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds. And as the first woman to inherit “the secrets,” Rojas Contreras’ mother was just as powerful. Mami delighted in her ability to appear in two places at once, and she could cast out even the most persistent spirits with nothing more than a glass of water.This legacy had always felt like it belonged to her mother and grandfather, until, while living in the U.S. in her twenties, Rojas Contreras suffered a head injury that left her with amnesia. As she regained partial memory, her family was excited to tell her that this had happened before: Decades ago Mami had taken a fall that left her with amnesia, too. And when she recovered, she had gained access to “the secrets.”In 2012, spurred by a shared dream among Mami and her sisters, and her own powerful urge to relearn her family history in the aftermath of her memory loss, Rojas Contreras joins her mother on a journey to Colombia to disinter Nono’s remains. With Mami as her unpredictable, stubborn, and often amusing guide, Rojas Contreras traces her lineage back to her Indigenous and Spanish roots, uncovering the violent and rigid colonial narrative that would eventually break her mestizo family into two camps: those who believe “the secrets” are a gift, and those who are convinced they are a curse.Interweaving family stories more enchanting than those in any novel, resurrected Colombian history, and her own deeply personal reckonings with the bounds of reality, Rojas Contreras writes her way through the incomprehensible and into her inheritance. The result is a luminous testament to the power of storytelling as a healing art and an invitation to embrace the extraordinary.

Auntie Encarna's House Is The Queerest Boarding House In The World. For Camila, Who Grew Up As A Boy In A Small Town In Argentina, But Now Lives As A Woman, It Is Home. The Queens Around Her Are Her Family: Auntie Encarna, Who Is 178 Years Old; Maria, Who Can't Speak, And Has Feathers Growing Out Of Her Back; And A Host Of Other Glittering Characters. At Night, They Head Together To Sarmiento Park, In The Heart Of The City, A Large Green Lung With A Zoo And A Theme Park. Potential Johns Cruise By In Their Cars, Slowing Down To Inspect The Group Before Selecting One With The Wave Of An Arm. The Chosen Woman Answers Their Call. Night After Night, Nothing Changes. Until, One Freezing Night, Auntie Encarna Hears Crying Coming From The Bushes. A Baby Boy, Lost And Alone. Auntie Encarna Puts Him In Her Handbag And Brings Him Home, Determined To Protect Him. To Be A Mother. But The Forces Of Oppression, Prejudice And Fear Surround The Family And Their Foundling - And Soon The Happiness They Clutched At Begins To Seem Like An Impossible Fairy Tale. -- Source Other Than Library Of Congress.

Allende is a wonderful teller of tales and through the story of "Eva Luna" we enter a sweet but sinister world where fact and fiction merge.

"From pre-Columbian creation myths and the first European voyages of discovery and conquest to the Age of Reagan, here is 'nothing less than a unified history of the Western Hemisphere... recounted in vivid prose.'"--The New Yorker A unique and epic history, Eduardo Galeano's Memory of Fire trilogy is an outstanding Latin American eye view of the making of the New World. From its first English language publication in 1985 it has been recognized as a classic of political engagement, original research, and literary form.

The award-winning biography of an undocumented teen mother's struggle with US immigration: "A rich, novelistic [and] illuminating work of literature" (Michelle Goldberg, The New York Times Book Review). One of Esquire's 50 Best Biographies of All Time In 1987, Aida Hernandez was born in Agua Prieta, Mexico. At the time, the nearby US border was little more than a worn-down fence. Eight years later, Aida's mother took her and her siblings to live in Douglas, Arizona. By then, the border had become one of the most heavily policed sites in America. Undocumented, Aida fought to make her way. She learned English, watched Friends, and, after having a baby at sixteen, dreamed of teaching dance and moving with her son to New York City. Instead, Aida was separated from her son and deported to a Mexican city marked by violence. The daughter of a rebel hero from the mountains of Chihuahua, Aida embarked on a harrowing journey to reunite with her son. But returning to the United States was just the beginning of her quest. Taking us into detention centers, immigration courts, and the inner lives of Aida and other daring characters, The Death and Life of Aida Hernandez reveals the human consequences of militarizing what was once a more forgiving border. Author Aaron Bobrow-Strain brings us into the heart of a violently unequal America, showing that the people caught in today's immigrations wars are flawed, complex humans who deserve justice and empathy. Winner of the 2020 Pacific Northwest Book Award Winner of the 2020 Washington State Book Award Named a 2019 Southwest Book of the Year

This in-depth study of Mexican film director Alejandro González Iñárritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda towards a more global focus. Working in the United States and in Mexico, Iñárritu crosses national borders while his movies break the barriers of distribution, production, narration, and style. His features also experiment with transnational identity as characters emigrate and settings change.   In studying the international scope of Iñárritu's influential films Amores Perros, 21 Grams, and Babel, Celestino Deleyto and María del Mar Azcona trace common themes such as human suffering and redemption, chance, and accidental encounters. The authors also analyze the director's powerful visual style and his consistent use of multiple characters and a fragmented narrative structure. The book concludes with a new interview with Iñárritu that touches on the themes and subject matter of his chief works.

The 1970s and 1980s saw the awakening of social awareness and political activism in Mexican-American communities. In San Diego, a group of Chicana women participated in a political theatre group whose plays addressed social, gender, and political issues of the working class and the Chicano Movement. In this collective memoir, seventeen women who were a part of Teatro de las Chicanas (later known as Teatro Laboral and Teatro Raíces) come together to share why they joined the theatre and how it transformed their lives. Teatro Chicana tells the story of this troupe through chapters featuring the history and present-day story of each of the main actors and writers, as well as excerpts from the group's materials and seven of their original short scripts.

This rambunctious first novel by the author of the bestselling Corelli's Mandolin is set in an impoverished, violent, yet ravishingly beautiful country somewhere in South America. When the haughty Dona Constanza decides to divert a river to fill her swimming pool, the consequences are at once tragic, heroic, and outrageously funny. "Walks a precarious edge between slapstick and pathos, never once losing its balance."--Washington Post Book World.

The third in the cycle of novels that began with THE SHADOW OF THE WIND and THE ANGEL'S GAME. THE PRISONER OF HEAVEN returns to the world of the Cemetery of Forgotten Books and the Sempere & Sons bookshop. It begins just before Christmas in Barcelona in 1957, one year after Daniel and Bea from THE SHADOW OF THE WIND have married. They now have a son, Julian, and are living with Daniel's father at Sempere & Sons. Fermin still works with them and is busy preparing for his wedding to Bernarda in the New Year. However something appears to be bothering him. Daniel is alone in the shop one morning when a mysterious figure with a pronounced limp enters. He spots one of their most precious volumes that is kept locked in a glass cabinet, a beautiful and unique illustrated edition of THE COUNT OF MONTE CRISTO. Despite the fact that the stranger seems to care little for books, he wants to buy this expensive edition. Then, to Daniel's surprise, the man inscribes the book with the words 'To Fermin Romero de Torres, who came back from the dead and who holds the key to the future'. This visit leads back to a story of imprisonment, betrayal and the return of a deadly rival.

A threatened mother and relentless detective collide in this mesmerizing novel from a rising voice in literary horror, perfect for fans of Gabino Iglesias, Carmen Maria Machado, Augustina Bazterrica, and Stephen Graham Jones. "House of Spirits meets The Wire in this marvelously strange story of murder and motherhood; a gloriously surreal novel in which magical realism meets police procedural. Jenn Givhan twists your brain and leaves you looking at the world differently for a long time afterward. I have no idea how to describe what I just read, but it was really, really cool." --T. Kingfisher, author of What Moves the Dead A mother's love is the oldest curse Fortuna Miércoles has finally moved her family to a better neighborhood across the Rio Grande, desperate to outrun the curse that's stalked her bloodline since her greatest grandmother crossed the desert with a cactus thorn splitting her throat. But burying a family's violent legacy isn't so easy. Twenty years ago, girls and women vanished into the Albuquerque night, their bones later unearthed on the mesa. The so-called Reaper was never caught. Now, beneath the dormant volcanoes called the Sleeping Sisters, the killings have begun again. Detective Jeanette Palacio has spent decades chasing the ghosts of her murdered cousins--alongside the memory of the other women she couldn't avenge. When a new body turns up in Fortuna's backyard, both women are pulled into a dangerous, ancient plot. Are the Sleeping Sisters awakening--or has someone in Fortuna's family set a trap? Inspired by true events and shot through with a Chicana-Indigenous reimagining of the legend of the headless woman, The Sleeping Sisters is a fevered, feral hymn to motherhood and the monstrous bargains we make to protect those we love.