Empfehlungen basierend auf "The Young Will Remember"

‘So wise and so well done. It made me wish it were much longer than it is’ Chimamanda Ngozi AdichieFrom the award-winning author of Five Star Billionaire and We, The Survivors comes a whirlwind personal history of modern Asia, as told through his Malaysian and Chinese heritage.If we are lucky we will find writing that grips us with its vitality, beauty and significance - Strangers on a Pier is like that’ Deborah LevyIn Strangers on a Pier, acclaimed author Tash Aw explores the panoramic cultural vitality of modern Asia through his own complicated family story of migration and adaptation, which is reflected in his own face. From a taxi ride in present-day Bangkok, to eating Kentucky Fried Chicken in 1980s Kuala Lumpur, to his grandfathers' treacherous boat journeys to Malaysia from mainland China in the 1920s, Aw weaves together stories of insiders and outsiders, images from rural villages to megacity night clubs, and voices in a dizzying variety of languages, dialects, and slangs, to create an intricate and astoundingly vivid portrait of a place caught between the fast-approaching future and a past that won't let go.

For fans of Jasmine Warga and Thanhhà Lại, this is a stunning novel in verse about a young Taiwanese immigrant to America who is confronted by the stark difference between dreams and reality.Anna can’t wait to move to the beautiful country—the Chinese name for America. Although she’s only ever known life in Taiwan, she can’t help but brag about the move to her family and friends.But the beautiful country isn’t anything like Anna pictured. Her family can only afford a cramped apartment, she’s bullied at school, and she struggles to understand a new language. On top of that, the restaurant that her parents poured their savings into is barely staying afloat. The version of America that Anna is experiencing is nothing like she imagined. How will she be able to make the beautiful country her home?This lyrical and heartfelt story, inspired by the author’s own experiences, is about resilience, courage, and the struggle to make a place for yourself in the world.

Ruth, An Only Child Of Kenyan Immigrant Parents, Lives In An Emotionally Cold Household And Attends The Local Catholic Girl's School On A Scholarship. Maria, A Beautiful Orphan Whose Panamanian Mother Dies By Suicide And Is Taken Care Of By An Ill Aunt, Is Also One Of The Only Other Students Of Color At The School. When Ruth Becomes Drawn Into Maria's Orbit, And They Fall Into An Easy, Yet Intense, Friendship, Ruth's World Opens Up. While Maria Eases Into Her Full Self, Embracing Her Queerness And Her Own Creative Pursuits, Ruth Is Mostly Content To Follow Her Around: To College And Then Into The Early-90s Art World Of New York City. There, The Push And Pull Of Female Ambition And Friendship Tear, And Come Back Together, Over The Years As Maria Finds Success In The Art World And While Ruth Stumbles Along The Fringes Of It While Deciding To Go Down A More Traditional Path Of Marriage. As Their Lives Converge And Diverge, It Culminates In One Final Confrontation. What Does It Mean To Be An Artist? To Be True To Oneself? Marking The Arrival Of A Sensational New Literary Talent, Lonely Crowds Interrogates The Nature Of Friendship, Desire, And Time, Challenging Us To Reckon Honestly With Our Own Ambitions And The Lives We Hope To Lead-- Provided By Publisher.

SHORTLISTED FOR THE WOMEN'S PRIZESet against the backdrop of developing modern China, this mesmerizing literary debut is part coming-of-age tale, part family and social drama, as it follows two generations searching for belonging and opportunity in a rapidly changing world—perfect for readers of Behold the Dreamers, White Ivy, and The Leavers.Shanghai, 2007: Fourteen-year-old Alva has always longed for more. Raised by her American expat mother, she’s never known her Chinese father, and is certain a better life awaits them in America. But when her mother announces her engagement to their wealthy Chinese landlord, Lu Fang, Alva’s hopes are dashed, and so she plots for the next best thing: the American School in Shanghai. Upon admission, though, Alva is surprised to discover an institution run by an exclusive community of expats and the ever-wilder thrills of a city where foreigners can ostensibly act as they please.1985: In the seaside city of Qingdao, Lu Fang is a young, married man and a lowly clerk in a shipping yard. Though he once dreamed of a bright future, he is one of many casualties in his country’s harsh political reforms. So when China opens its doors to the first wave of foreigners in decades, Lu Fang’s world is split wide open after he meets an American woman who makes him confront difficult questions about his current status in life, and how much will ever be enough.In a stunning reversal of the east-to-west immigrant narrative and set against China’s political history and economic rise, River East, River West is an intimate family drama and a sharp social novel. Alternating between Alva and Lu Fang’s points of view, this is a profoundly moving exploration of race and class, cultural identity and belonging, and the often-false promise of the American Dream.

A devastating essay on loss and the people we love from Chimamanda Ngozi Adichie, the bestselling author of Americanah and Half of a Yellow Sun.'Grief is a cruel kind of education. You learn how ungentle mourning can be, how full of anger. You learn how glib condolences can feel. You learn how much grief is about language, the failure of language and the grasping for language'On 10 June 2020, the scholar James Nwoye Adichie died suddenly in Nigeria.In this tender and powerful essay, expanded from the original New Yorker text, his daughter, a self-confessed daddy's girl, remembers her beloved father. Notes on Grief is at once a tribute to a long life of grace and wisdom, the story of a daughter's fierce love for a parent, and a revealing examination of the layers of loss and the nature of grief.

A Most Anticipated Book of 2023 from: LA Times * Boston Globe * The Millions * LitHub * Shondaland By the New York Times bestselling author of the award-winning AFTERPARTIES comes a collection like none other: sharply funny, emotionally expansive literary essays and linked short fiction exploring family, queer desire, pop culture, and race The late Anthony Veasna So’s debut story collection, Afterparties, was a landmark publication, hailed as a “bittersweet triumph for a fresh voice silenced too soon” (Fresh Air). And he was equally known for his comic, soulful essays, published in n+1, The New Yorker, and The Millions. Songs on Endless Repeat gathers those essays together, along with previously unpublished fiction. Written with razor-sharp wit and an unflinching eye, the essays examine his youth in California, the immigrant experience of his refugee parents, his intimate friendships, loss, pop culture, and more. And in linked fiction following three Cambodian American cousins who stand to inherit their late aunt’s illegitimate loan-sharking business, So explores community, grief, and longing with inimitable humor and depth. Following “one of the most exciting contributions to Asian American literature in recent years” (Vulture), Songs on Endless Repeat is an astonishing final expression by a writer of “extraordinary achievement and immense promise” (The New Yorker). Cambodian American Experience: Step into the world of Cambodian American life in Stockton, California, through the eyes of a groundbreaking author grappling with family, community, and the long shadow of the Khmer Rouge. Linked Short Stories: Follow three cousins as they navigate grief, longing, and a complicated inheritance: their late aunt’s illegitimate loan-sharking business. Humor and Trauma: Explore the connection between humor and trauma through razor-sharp observations on pop culture, race, family, and queer desire. LGBTQ Voices: A soulful and intimate exploration of queer identity and desire, written with the wit and depth that made Anthony Veasna So a literary star.

In the vein of Fleishman is in Trouble and Elif Batuman—an insightful, heartfelt, and hilarious debut coming of age novel exploring cultural diaspora through one teenager’s summer across Berlin, Jerusalem, and Chicago It’s another scorching summer in Chicago, and fifteen-year-old Margarita is spending her vacation as usual, under the not-so-watchful eyes of her aging maternal grandparents. All told, the plucky teen in this compelling family drama would much rather be at home in Germany, exploring Berlin with her best friend, Anna, or with Avi, her doting Israeli father, a cantor at their local synagogue with whom she has shared a special bond ever since her mother, Marsha, abandoned the family. Instead, she’s stuck halfway around the world, homesick and tortured by the sound of her grandparents’ chewing. But when arrangements are made behind her back for her to meet Marsha in Israel before returning to Germany, Margarita is blindsided. She wants no part of this overdue reconciliation with a mother she hardly knows. When her mother fails to show, however, things go awry. Meanwhile, in Germany, Avi tries to fill the hole left by Margarita’s absence with a trip of his own, embarking on a personal journey that highlights their deep father-daughter relationship, both hope-inducing and despairing. Expertly straddling the two narratives of daughter and father, Misophonia is a graceful work of literary fiction exploring the complexities of imperfect family relationships and larger cultural displacement. Translated from the German by Adrian Nathan West

In an extraordinary blend of narrative history, personal recollection, & oral testimony, the author presents a sweeping history of Asian Americans. He writes of the Chinese who laid tracks for the transcontinental railroad, of plantation laborers in the canefields of Hawaii, of "picture brides" marrying strangers in the hope of becoming part of the American dream. He tells stories of Japanese Americans behind the barbed wire of U.S. internment camps during World War II, Hmong refugees tragically unable to adjust to Wisconsin's alien climate & culture, & Asian American students stigmatized by the stereotype of the "model minority." This is a powerful & moving work that will resonate for all Americans, who together make up a nation of immigrants from other shores.

"We Were Dreamers is the superhero origin story of Simu Liu, Marvel Cinematic Universe's first leading Asian superhero, who grew up torn between China and Canada, until he found the courage to dream like his parents before him. Witty, honest, inspiring and relatable, We Were Dreamers weaves together the narratives of two generations in a Chinese immigrant family who are inextricably tied to one another even as they are torn apart by deep cultural misunderstanding. Let's just say, it's really hard to be seen as cool amongst your peers when your parents assign you hours of extra homework every night. And it's similarly hard to admit to those parents, years later, not only that you've lost your respectable accounting job--the one they invested hundreds of thousands of dollars in to prepare you for--but also that you kinda want to be an actor. Going beyond his own experiences, Simu tells the story of his parents' decision to leave him behind to be raised by his grandparents while they sought a future in North America, and of the shock and loss he experienced when the father he hardly even remembered showed up one day to take him away from the only home he had ever known. He offers a no-holds-barred look at the struggles he and his parents experienced as they tried to become a family while dealing with culture gaps, racism and wildly conflicting definitions of success. And he shares many entertaining stories of his own incredible path to success, from the acting gigs he landed through Craigslist ads to dressing up as Spider-Man at kids' birthday parties and serving as Pete Wentz's stunt double on a Fall Out Boy music video. Ultimately, it is Simu's singular determination to make his dreams come true that not only leads him to succeed as an actor but also opens the door to reconciliation with his parents. For by the time he is thirty--the same age his parents were when they immigrated--he recognizes that he and his parents have much in common, most notably their courage to dream, and to dream big. We Were Dreamers is a story about growing up as a third-culture kid, about losing and finding family, and about making your own luck. More than one family's story, it is part of a larger narrative about Asian Canadian culture--a colorful and nuanced tale that is worthy of being told and deserving of a wide readership"--Publisher's description.

"A thought-provoking book about the long journey of the Kyrgyz people to independence" that melds the stories of Chingiz Aitmatov and Azamat Altay (Roza Otunbayeva, former president of the Kyrgyz Republic). After surviving the blitzkrieg of World War II and escaping from three Nazi prison camps, Soviet soldier Azamat Altay fled to the West and was charged as a traitor in his homeland of Kyrgyzstan in Soviet Central Asia. Chingiz Aitmatov became a hero of Kyrgyzstan, propelled by family loss to write novels about the everyday lives of his fellow citizens. While both came from small villages in the beautiful mountainous countryside, they found themselves caught on opposite sides of the Cold War struggle between world superpowers. Altay became the voice of democracy on Radio Liberty, broadcasting back into his shuttered homeland, while Aitmatov rose through the ranks of Soviet society, a quiet rebel whose prose masked ugly truths about Soviet communism. Yet just as they seemed to be pulled apart by the divisions of the Cold War, they found their lives intersecting in compelling ways, joined by a common mission to save their people. "The stories of Chingiz Aitmatov and Azamat Altay are best told together, a herculean task which Jeffrey B. Lilley's Have The Mountain's Fallen? Two Journeys of Loss and Redemption in the Cold War manages deftly . . . Their story―because it is, in essence, a single story―is that of Kyrgyzstan itself, replete with tragedy and sacrifice, hope and triumph."— The Diplomat "A Cold War story that gives hope."—Richard G. Lugar, United States Senator (Ret.)