Empfehlungen basierend auf "The Yield"

Cristabel Seagrave has always wanted her life to be a story, but there are no girls in the books in her dusty family library. For an unwanted orphan who grows into an unmarriageable young woman, there is no place at all for her in a traditional English manor. But from the day that a whale washes up on the beach at the Chilcombe estate in Dorset, and twelve-year-old Cristabel plants her flag and claims it as her own, she is determined to do things differently.With her step-parents blithely distracted by their endless party guests, Cristabel and her siblings, Flossie and Digby, scratch together an education from the plays they read in their freezing attic, drunken conversations eavesdropped through oak-panelled doors, and the esoteric lessons of Maudie their maid.But as the children grow to adulthood and war approaches, jolting their lives on to very different tracks, it becomes clear that the roles they are expected to play are no longer those they want. As they find themselves drawn into the conflict, they must each find a way to write their own story...'Pure heaven, from first word to last' Sunday Times'Utterly captivating' Elizabeth Day'A wonder' Daily Mail'A tour de force' Sarah Winman, author of Still LifeThis is the story of an old English manor house by the sea, with crumbling chimneys, draping ivy and a library full of dusty hardbacks. It's the story of the three children who grow up there, and the adventures they create for themselves while the grown-ups entertain endless party guests: the worlds they imagine from books they aren't supposed to read, and the lessons they learn from eavesdropping through oak-panelled doors.This is the story of a whale that washes up on a beach, whose bones are claimed by a twelve-year-old girl with big ambitions and an even bigger imagination. An unwanted orphan who grows into an unmarriageable young woman, chafing under the confines of her traditional upbringing and fiercely determined to do things differently.But as the children grow to adulthood, another story has been unfolding in the wings. And when the war finally takes centre stage, they find themselves cast, unrehearsed, into roles they never expected to play.They raised themselves on stories. Now it's time for them to write their own...'One of those big chunky stories that swallows you whole' The Times'Beautifully compulsive ... The Whalebone Theatre will feel like a much-loved book even if you're reading it for the first time' Red Magazine'A book that will be loved unreasonably and life-long' Francis Spufford, author of Light Perpetual'Pure heaven, from first word to last' Sunday Times'Utterly captivating' Elizabeth Day'A wonder' Daily Mail'A tour de force' Sarah Winman, author of Still LifeThis is the story of an old English manor house by the sea, with crumbling chimneys, draping ivy and a library full of dusty hardbacks. It's the story of the three children who grow up there, and the adventures they create for themselves while the grown-ups entertain endless party guests: the worlds they imagine from books they aren't supposed to read, and the lessons they learn from eavesdropping through oak-panelled doors.This is the story of a whale that washes up on a beach, whose bones are claimed by a twelve-year-old girl with big ambitions and an even bigger imagination. An unwanted orphan who grows into an unmarriageable young woman, chafing under the confines of her traditional upbringing and fiercely determined to do things differently.But as the children grow to adulthood, another story has been unfolding in the wings. And when the war finally takes centre stage, they find themselves cast, unrehearsed, into roles they never expected to play.They raised themselves on stories. Now it's time for them to write their own...'One of those big chunky stories that swallows you whole' The Times'Beautifully compulsive ... The Whalebone Theatre will feel like a much-loved book even if you're readi

'[A] sweet tale about the healing power of kindness' Irish Times In a quiet village in Ireland, a mysterious local myth is about to change everything... One hundred years ago, Anna, a young farm girl, volunteers to help an intriguing American visitor translate fairy stories from Irish to English. But all is not as it seems and Anna soon finds herself at the heart of a mystery that threatens her very way of life. In New York in the present day, Sarah Harper boards a plane bound for the West Coast of Ireland. But once there, she finds she has unearthed dark secrets - secrets that tread the line between the everyday and the otherworldly, the seen and the unseen. With a taste for the magical in everyday life, Evie Woods's latest novel is full of ordinary characters with extraordinary tales to tell. Praise for The Story Collector: 'An engaging story about unsettled grief...the possibility that magic and the fairies are real is dangled tantalisingly before the reader, but not in a way that might make a sceptic roll their eyes' Historical Novel Society 'Woods weaves a great tale of past, present and that timeless other realm, making for a very satisfying read' Sunday Independent Readers have fallen in love with The Story Collector: 'I highly recommend this book if you enjoy historical fiction and want to learn more about Ireland and its folklore history surrounding the faeries.' ⭐⭐⭐⭐⭐ 'Romantic and magical, an adventure to be enjoyed.' ⭐⭐⭐⭐⭐ 'Painted beautifully.' ⭐⭐⭐⭐⭐ 'A bewitching story which I will treasure.' ⭐⭐⭐⭐⭐ 'A mystical treasure that echoes with the fairy world power of Ireland. A mesmerising tale told in two timelines where the past unfolds and ripples like a wave into the future.' ⭐⭐⭐⭐⭐ 'This is the perfect book to read on a winter afternoon in front of the fire.' ⭐⭐⭐⭐⭐ 'A delightful tale of love and loss and magical stories.' ⭐⭐⭐⭐⭐ Previously published as The Story Collector by Evie Gaughan.

“I loved this novel truly, madly, deeply.” ―Nina George, bestselling author of The Book of Dreams and The Little Paris BookshopIn this international bestseller by the award-winning novelist Mariana Leky, a heartwarming story unfolds about a small town, a grandmother whose dreams foretell a coming death, and the young woman forever changed by these losses and her loving, endearingly oddball communityOn a beautiful spring day, a small village wakes up to an omen: Selma has dreamed of an okapi. Someone is about to die.Luisa, Selma’s ten-year-old granddaughter, looks on as the predictable characters of her small world begin acting strangely. Though they claim not to be superstitious, each of her neighbors newly grapples with buried secrets and deferred decisions that have become urgent in the face of death.Luisa’s mother struggles to decide whether to end her marriage. An old family friend, known only as the optician, tries to find the courage to tell Selma he loves her. Only sad Marlies remains unchanged, still moping around her house and cooking terrible food. But when the prophesied death finally comes, the circumstances fall outside anyone’s expectations. The loss forever changes Luisa and shapes her for years to come, as she encounters life’s great questions alongside her devoted friends, young and old.A story about the absurdity of life and death, a bittersweet portrait of small towns and the wider world that beckons beyond, this charmer of a novel is also a thoughtful meditation on the way loss and love shape not just a person but a community. Mariana Leky’s What You Can See from Here is a moving tale of grief, first love, reluctant love, late love, and finding one’s place in the world, even if that place is right where you started.

With five starred reviews, this is an acclaimed novel about sisterhood, family, and the pernicious legacy of racism. Perfect for fans of Tahereh Mafi, Jandy Nelson, and Emily X.R. Pan, with crossover appeal for readers of Brit Bennett’s The Vanishing Half.The Flanagan sisters are as different as they come. Seventeen-year-old Annalie is bubbly, sweet, and self-conscious, whereas nineteen-year-old Margaret is sharp and assertive. Margaret looks just like their mother, while Annalie passes for white and looks like the father who abandoned them years ago, leaving their Chinese immigrant mama to raise the girls alone in their small, predominantly white Midwestern town.When their house is vandalized with a shocking racial slur, Margaret rushes home from her summer internship in New York City. She expects outrage. Instead, her sister and mother would rather move on. Especially once Margaret’s own investigation begins to make members of their community uncomfortable.For Annalie, this was meant to be a summer of new possibilities, and she resents her sister’s sudden presence and insistence on drawing negative attention to their family. Meanwhile Margaret is infuriated with Annalie’s passive acceptance of what happened. For Margaret, the summer couldn’t possibly get worse, until she crosses paths with someone she swore she’d never see again: her first love, Rajiv Agarwal.As the sisters navigate this unexpected summer, an explosive secret threatens to break apart their relationship, once and for all.This Place Is Still Beautiful is a luminous, captivating story about identity, sisterhood, and how our hometowns are inextricably a part of who we are, even when we outgrow them.

Winner of the Dublin Literary AwardA Best Historical Novel of the Year at The New York Times Book Review"[An] extraordinary achievement." ―Liesl Schillinger, The Wall Street JournalAcross three generations, three wars, two continents, and the mythic waters of the Mediterranean, one family’s history leads to an inevitable question: What price do our descendants pay for the choices that we make?Naïma knows Algeria only by the artifacts she encounters in her grandparents’ tiny apartment in Normandy: the language her grandmother speaks but Naïma can’t understand, the food her grandmother cooks, and the precious things her grandmother carried when they fled. Naïma’s father claims to remember nothing; he has made himself French. Her grandfather died before he could tell her his side of the story. But now Naïma will travel to Algeria to see for herself what was left behind―including their secrets.The Algerian War for Independence sent Naïma’s grandfather on a journey of his own, from wealthy olive grove owner and respected veteran of the First World War, to refugee spurned as a harki by his fellow Algerians in the transit camps of southern France, to immigrant barely scratching out a living in the north. The long battle against colonial rule broke apart communities, opened deep rifts within families, and saw the whims of those in even temporary power instantly overturn the lives of ordinary people. Where does Naïma’s family fit into this history? How do they fit into France’s future?Alice Zeniter’s The Art of Losing is a powerful, moving family novel that spans three generations across seventy years and two shores of the Mediterranean Sea. It is a resonant people’s history of Algeria and its diaspora. It is a story of how we carry on in the face of loss: loss of country, identity, language, connection. Most of all, it is an immersive, riveting excavation of the inescapable legacies of colonialism, immigration, family, and war.

“A complete knockout. Readers will be thinking of this story long after they finish the final page.” —Adalyn Grace, New York Times bestselling author of Belladonna“Utterly compelling and impossible to put down.” —Rachel Griffin, New York Times bestselling author of Bring Me Your Midnight“I’ve never read a book that felt so much like picking up pieces of a broken heart—powerful, poignant, and true.” —Axie Oh, New York Times bestselling author of The Girl Who Fell Beneath the Sea and XOXOAtlas has lost her way.In a last-ditch effort to pull her life together, she’s working on a community service program rehabbing trails in the Western Sierras. The only plus is that the days are so exhausting that Atlas might just be tired enough to forget that this was one of her dad’s favorite places in the world. Before cancer stole him from her life, that is.Using real names is forbidden on the trail. So Atlas becomes Maps, and with her team—Books, Sugar, Junior, and King—she heads into the wilderness. As she sheds the lies she’s built up as walls to protect herself, she realizes that four strangers might know her better than anyone has before. And with the end of the trail racing to meet them, Maps is left counting down the days until she returns to her old life—without her new family, and without King, who’s become more than just a friend.

In The Diviners, Morag Gunn, a middle aged writer who lives in a farmhouse on the Canadian prairie, struggles to understand the loneliness of her eighteen-year-old daughter. With unusual wit and depth, Morag recognizes that she needs solitude and work as much as she needs the love of her family. With an afterword by Margaret Atwood."Mrs. Laurence's [novel] is both poetic and muscular, and her heroine is certainly one of the more humane, unglorified, unpolemical, believable women to have appeared in recent fiction."—The New Yorker

NATIONAL BOOK AWARD NOMINEE • This "beautifully crafted" (The New York Times Book Review), haunting, profoundly disquieting novel manages to be at once sparse and lush, to combine Biblical simplicity with Gothic intensity and strangeness. It is the story of Kate, despised by her mother, bound to her father by ties stronger and darker than blood. It is the story of her attempted escapes—in detached sexual encounters, at a Southern college populated by spoiled and perverse beauties, and in a doomed marriage to a man who cannot understand what she is running from. Witty, erotic, searing acute, State of Grace bears the inimitable stamp of one of our finest and most provocative writers.

A New York Times Best Book of the Year So Far | Editors' ChoiceNamed a most anticipated book of summer by Vulture | The Boston Globe "One gawps . . . at its breadth and ambition. [The Sisters is] a transnational tour de force." —Alexandra Jacobs, The New York Times Book Review"One of this summer’s most buzzed-about novels." —Nilanjana Roy, Financial Times"A classic story about sibling rivalry . . . One of the best novels I've ever read about the complexities of mixed heritage." —Fredrik Backman, The New Yorker"[The Sisters] generates every kind of heat . . . If you welcome this novel into your mind, it will warm and transform you." —Tess Gunty, National Book Award–winning author of The Rabbit Hutch"Astonishing . . . Every character—every sentence—is startlingly, indubitably alive.” —Katie Kitamura, author of Audition and IntimaciesAn addictively entertaining family saga by a National Book Award finalist.Meet the Mikkola sisters: Ina, Evelyn, and Anastasia. Their mother is a Tunisian carpet seller, their father a mysterious Swede who left them when they were young. Ina is tall, serious, a compulsive organizer. Evelyn is dreamy, magnetic, a smooth talker. And Anastasia is moody, chaotic, a shape-shifting presence, quick to anger.Ina meets her future husband when she’s dragged to a New Year’s rave by her sisters, only to suffer the ultimate betrayal. Evelyn drifts through life before embarking on a wild career as an actress. And Anastasia runs off to Tunisia, where she falls in love with a woman who, years later, will transform her life.Following the sisters from afar is Jonas, the son of a Swedish mother and a Tunisian father. Over the course of three decades, his life intersects with the sisters, from a chance encounter in Tunis to the scene of a fighter jet crash in Stockholm. When Evelyn disappears on a trip to New York, Jonas manages to track her down—and helps her to break the curse that has been looming over the Mikkolas for decades. In the process, a shocking revelation changes everything about who they think they are.Narrated in six parts, each spanning a period ranging from a year to a day to a single minute, Jonas Hassen Khemiri's The Sisters is a big, vivid family saga of the highest order—an addictively entertaining tour de force.

“I can’t remember the last time a novel made me laugh so hard or feel so much tenderness for its characters.” —Leslie Jamison, author of Splinters“Madeline Cash is a voice like no other.” —Lena Dunham“I’ve read entire books that contain less wit and inventiveness than a single one of Cash’s sentences.” —Eric Puchner, New York Times-bestselling author of Dream State“With a big surge of energy, Lost Lambs splits the nucleus of the American family.” —Tony Tulathimutte, author of RejectionRippling with humor, warmth, and style, Lost Lambs is a new vision of the charms and pitfalls of family dysfunction. The Flynn family is coming undone. Catherine and Bud's open marriage has reached its breaking point as their daughters spiral in their own chaotic orbits: Abigail, the eldest, is dating a man in his twenties nicknamed War Crime Wes; Louise, the middle child, maintains a secret correspondence with an online terrorist; the brilliant youngest, Harper, is being sent to wilderness reform camp due to her insistence that someone—or something—is monitoring the town’s citizens.Casting a shadow across their lives, and their small coastal town, is Paul Alabaster, a billionaire shipping magnate. Rumors of corruption circulate, but no one dares dig too deep. No one except Harper, whose obsession with a mysterious shipping container sends the family hurtling into a criminal conspiracy—one that may just bring them closer together.Irreverent and addictive, pinging between the voices of the Flynn family and those of the panorama of characters around them, Madeline Cash’s Lost Lambs is a debut novel of quick-witted observation and surprising tenderness. With it, Cash has crafted a family saga for the twenty-first century, all held together with crazy glue.