Empfehlungen basierend auf "The Written World How Literature Shaped History"

A beguiling cultural history of colour, by one of the rising stars of art history The subject of this book is mankind's extraordinary relationship with colour. It is composed of a series of voyages, ranging across the world and throughout history, which reveal the meanings that have been attached to the colours we see around us and the ways these have shaped our culture and imagination. It takes seven primary colours - black, red, yellow, blue, white, purple and green - and uncovers behind each a root idea, based on visual resemblances or properties so rudimentary as to be common to all societies. The book traces these meanings to show how they changed and multiplied, the role that they have played in our culture and history, and how understanding them allows us to see many of the milestones in the history of art - from Bronze Age gold-work to Turner, Titian to Yves Klein - in a new way. It proceeds by stories, which cumulatively tell another, larger one- a history of the world from the black nothing which preceded existence to the birth of our red-blooded species; the gilded gods who animated the world in antiquity to the blue horizons which framed the Age of Discovery; the pristine aspirations of Enlightenment, the technicolour innovation which fuelled the Industrial Revolution and the colour which most embodies the environmental crisis which now faces us.

For four hundred years--from the first Spanish assaults against the Arawak people of Hispaniola in the 1490s to the U.S. Army's massacre of Sioux Indians at Wounded Knee in the 1890s--the indigenous inhabitants of North and South America endured an unending firestorm of violence. During that time the native population of the Western Hemisphere declined by as many as 100 million people. Indeed, as historian David E. Stannard argues in this stunning new book, the European and white American destruction of the native peoples of the Americas was the most massive act of genocide in the history of the world.Stannard begins with a portrait of the enormous richness and diversity of life in the Americas prior to Columbus's fateful voyage in 1492. He then follows the path of genocide from the Indies to Mexico and Central and South America, then north to Florida, Virginia, and New England, and finally out across the Great Plains and Southwest to California and the North Pacific Coast. Stannard reveals that wherever Europeans or white Americans went, the native people were caught between imported plagues and barbarous atrocities, typically resulting in the annihilation of 95 percent of their populations. What kind of people, he asks, do such horrendous things to others? His highly provocative answer: Christians. Digging deeply into ancient European and Christian attitudes toward sex, race, and war, he finds the cultural ground well prepared by the end of the Middle Ages for the centuries-long genocide campaign that Europeans and their descendants launched--and in places continue to wage--against the New World's original inhabitants. Advancing a thesis that is sure to create much controversy, Stannard contends that the perpetrators of the American Holocaust drew on the same ideological wellspring as did the later architects of the Nazi Holocaust. It is an ideology that remains dangerously alive today, he adds, and one that in recent years has surfaced in American justifications for large-scale military intervention in Southeast Asia and the Middle East.At once sweeping in scope and meticulously detailed, American Holocaust is a work of impassioned scholarship that is certain to ignite intense historical and moral debate.

The myth of the peace-loving "noble savage" is persistent and pernicious. Indeed, for the last fifty years, most popular and scholarly works have agreed that prehistoric warfare was rare, harmless, unimportant, and, like smallpox, a disease of civilized societies alone. Prehistoric warfare, according to this view, was little more than a ritualized game, where casualties were limited and the effects of aggression relatively mild. Lawrence Keeley's groundbreaking War Before Civilization offers a devastating rebuttal to such comfortable myths and debunks the notion that warfare was introduced to primitive societies through contact with civilization (an idea he denounces as "the pacification of the past").Building on much fascinating archeological and historical research and offering an astute comparison of warfare in civilized and prehistoric societies, from modern European states to the Plains Indians of North America, War Before Civilization convincingly demonstrates that prehistoric warfare was in fact more deadly, more frequent, and more ruthless than modern war. To support this point, Keeley provides a wide-ranging look at warfare and brutality in the prehistoric world. He reveals, for instance, that prehistorical tactics favoring raids and ambushes, as opposed to formal battles, often yielded a high death-rate; that adult males falling into the hands of their enemies were almost universally killed; and that surprise raids seldom spared even women and children. Keeley cites evidence of ancient massacres in many areas of the world, including the discovery in South Dakota of a prehistoric mass grave containing the remains of over 500 scalped and mutilated men, women, and children (a slaughter that took place a century and a half before the arrival of Columbus). In addition, Keeley surveys the prevalence of looting, destruction, and trophy-taking in all kinds of warfare and again finds little moral distinction between ancient warriors and civilized armies. Finally, and perhaps most controversially, he examines the evidence of cannibalism among some preliterate peoples.Keeley is a seasoned writer and his book is packed with vivid, eye-opening details (for instance, that the homicide rate of prehistoric Illinois villagers may have exceeded that of the modern United States by some 70 times). But he also goes beyond grisly facts to address the larger moral and philosophical issues raised by his work. What are the causes of war? Are human beings inherently violent? How can we ensure peace in our own time? Challenging some of our most dearly held beliefs, Keeley's conclusions are bound to stir controversy.

The idea that religion has a dangerous tendency to promote violence is part of the conventional wisdom of Western societies, and it underlies many of our institutions and policies, from limits on the public role of religion to efforts to promote liberal democracy in the Middle East. William T. Cavanaugh challenges this conventional wisdom by examining how the twin categories of religion and the secular are constructed. A growing body of scholarly work explores how the category 'religion' has been constructed in the modern West and in colonial contexts according to specific configurations of political power. Cavanaugh draws on this scholarship to examine how timeless and transcultural categories of 'religion and 'the secular' are used in arguments that religion causes violence. He argues three points: 1) There is no transhistorical and transcultural essence of religion. What counts as religious or secular in any given context is a function of political configurations of power; 2) Such a transhistorical and transcultural concept of religion as non-rational and prone to violence is one of the foundational legitimating myths of Western society; 3) This myth can be and is used to legitimate neo-colonial violence against non-Western others, particularly the Muslim world.

I just got off the sunset train I'm from the Angel Town The Golden West Los Angeles Where the sun shines all year round I left a girlie back there She's the sweetest girl I know She said 'Goodbye' I'll wait for you In the Land of the Bungalow from In the Land of the Bungalow by George F. Devereux (1929) The bungalow, in all its various forms, has existed since the early seventeenth century--from its origin as a Bengalese hut, or "banggolo," made of mud, cow dung, thatch, and bamboo, to later developments as a one-story, square structure surrounded by a collonaded veranda, and the subtlepermutations exhibited in designs such as the Frank Lloyd Wright style "prairie House." Originally created as a peasant dwelling in rural India, and later an accommodation for European travellers and expansive permanent residences for the colonial ruling class who served there, the bungalow hasbecome one of the most frequently adopted house forms throughout the world and the most popular home style in the United States. Architects the world over have extolled the bungalow's merits in their interpretations of its modest style and economy, while romantic notions of this humble abode havebeen conveyed through poetry and song by both temporary sojourners and permanent residents, rejoicing in its simplistic luxury. It is, in fact, the only dwelling which, in both name and form, exists on every continent (the word bungalow has entered eighteen languages). The first work of its kind, this richly illustrated volume takes readers on an engaging tour of the history of the bungalow, explaining the evolution of this architectural wonder, from its inception as a practical dwelling place to its present day incarnation as a suburban home looked upon withaffection and pride. Here, Anthony D. King explores the historical forces, which in producing the bungalow, also shaped the modern world: colonialism and industrialization, capitalism and socialism, urbanization and suburbanization. He argues that a global culture of architectural style can beidentified with the bungalow, one which accords with the development of our international, capitalistic, and urban culture, and that the bungalow "was one of, if not the first, common house types of this culture." Every type of bungalow is discussed, including the American Craftsman and Arts andCrafts cottage styles, the Spanish Colonial and California bungalows that became the basis for suburban sprawl throughout Los Angeles, and the Japanese teahouse style that dominates the Florida landscape. Offering the definitive history of America's most popular house form, this fascinating work provides an engaging look at the charming structure of the bungalow. Indeed, as this unique book shows, one might expect to hear a happy bungalow owner (whether from a bohemian summer bungalow in the woodsof Vancouver or a family home in the suburbs of Jacksonville, Florida) singing a bungalow tune: "Far from the city, Somehow it seems, We're sitting pretty in, Our bungalow, Of dreams."

In this ambitious successor to The Great Derangement, acclaimed writer Amitav Ghosh finds the origins of our contemporary climate crisis in Western colonialism’s violent exploitation of human life and the natural environment. A powerful work of history, essay, testimony, and polemic, Amitav Ghosh’s new book traces our contemporary planetary crisis back to the discovery of the New World and the sea route to the Indian Ocean. The Nutmeg’s Curse argues that the dynamics of climate change today are rooted in a centuries-old geopolitical order constructed by Western colonialism. At the center of Ghosh’s narrative is the now-ubiquitous spice nutmeg. The history of the nutmeg is one of conquest and exploitation—of both human life and the natural environment. In Ghosh’s hands, the story of the nutmeg becomes a parable for our environmental crisis, revealing the ways human history has always been entangled with earthly materials such as spices, tea, sugarcane, opium, and fossil fuels. Our crisis, he shows, is ultimately the result of a mechanistic view of the earth, where nature exists only as a resource for humans to use for our own ends, rather than a force of its own, full of agency and meaning. Writing against the backdrop of the global pandemic and the Black Lives Matter protests, Ghosh frames these historical stories in a way that connects our shared colonial histories with the deep inequality we see around us today. By interweaving discussions on everything from the global history of the oil trade to the migrant crisis and the animist spirituality of Indigenous communities around the world, The Nutmeg’s Curse offers a sharp critique of Western society and speaks to the profoundly remarkable ways in which human history is shaped by non-human forces.

In recent decades there has been a complete revolution in the way we read the historians of Greece and Rome. Their works have been shown to be quite different in nature from those of today's historians; instead, their techniques and assumptions have much in common with those of Homer or Virgil. Using these narratives as sources for ancient history has become more problematic than ever before, as we come to understand better how their style (the medium) and content (the message) shape each other. This book briefly introduces this revolution as it affects our reading of Latin historical writing, and then provides authoritative and informative discussions of the three major Latin historians of the classical period: Sallust, Livy, and Tacitus. The focus is on narrative technique and structure, intertextuality, and close reading, and the discussions are as accessible to beginning students as they are useful to experienced teachers.

This third volume of the illustrated adaptation of the internationally bestselling phenomenon, Sapiens: A Graphic History--The Masters of History, tackles the question of the driving force of humanity's fate: is it empire, money, religion--or something else entirely--that unites us? Sometimes history seems like a laundry list of malevolent monarchs, pompous presidents and dastardly dictators. But are they really the ones in the driving seat? Sapiens: A Graphic History--The Masters of History takes us on an immersive and hilarious ride through the human past to discover the forces that change our world, bring us together, and just as often... tear us apart. Grab a front-row seat to the greatest show on earth, and explore the rise of money, religion and empire. Join our fabulous host Heroda Tush, as she wonders: Which historical superhero will display the power to make civilizations rise and fall? Will Mr. Random prove that luck and circumstance prevail? Will Lady Empire convince us of the irrefutable shaping force of conquerors? Or will Clashwoman beat them all to greatness by reminding us of the endless confrontations that seem to forever plague our species? In this next volume of the bestselling graphic series, Yuval Noah Harari, David Vandermeulen and Daniel Casanave continue to present the complicated story of humankind with wit, empathy and originality. Alongside the unlikely cast of new characters, we are rejoined by the familiar faces of Yuval, Zoe, Professor Saraswati, Bill and Cindy (now Romans), Skyman and Captain Dollar. As they travel through time, space and human drama in search of truth, it's impossible not to wonder: why can't we all just get along? This third installment in the Sapiens: A Graphic History series is an engaging, insightful, and colorful retelling of the story of humankind for curious minds of all ages, and can be browsed through on its own or read in sequence with Volumes One and Two.

The ultimate work of historical reference From cavemen to the Cold War, from Alexander the Great to global warming, from warfare through the ages to the great voyages of exploration, The Times Complete History of the World is the book that has all the answers. This is the most comprehensive, authoritative and accessible work on world history available today. It has sold over 2.25million copies and has been translated into 18 other languages since its first publication in 1978. With a narrative scope covering the origins of mankind right through to the turmoil of the 21st century, this book is an unrivalled and breathtaking accomplishment. With over 600 full-colour maps and charts on a wide range of historical subjects and representing the work of a team of professional historians, this new edition continues a tradition of nearly thirty years of excellence, style, authority and cutting-edge design. This edition is also internet-linked. Readers can follow the weblinks in the book to acess the most up to date information permitting further in-depth exploration of key subjects. With fully up-to-date text, including material on Iraq and Afghanistan, terrorism, Israel and the EU, this book, edited by leading modern historian Professor Richard Overy, is broad-ranging and more visually enticing than ever. Updates for the eighth edition include: - New material on the United States - The most up-to-date research on prehistory - Reworked spreads on the Middle East, including a new spread on Iran - Current information on the global economy, the global environment, warfare and world terrorism - New introduction - Short biographies of 100 key figures in world history.

From the mid-nineteenth century until the Second World War, the energies of Rumanian political and intellectual élites were absorbed by the building of their nation. In this comprehensive and scholarly study Keith Hitchins traces these complex processes and explores how Rumania's leaders attempted to transform the ideology of modern nationhood into strong political, economic, and social institutions and to find ways of preserving independence in an international political and economic order dominated by the great powers. As the new Rumania took shape, the threads of historical continuity remained strikingly evident: in government a strong administrative centralization prevailed, despite the maturing of parliamentary institutions and the diversity of political expression; the national economy remained beholden to agriculture, despite the steady growth of industry; and in cultural life traditional values persisted, despite the adoption of modern forms. In foreign relations the most pressing aim was to unite all Rumanians in a single state and to defend its sovereignty within an uncertain international order. In all these endeavours, the measure of achievement was the West. After the Second World War, when the Communist Party came to power, this historical continuity was broken. The experiment in nation-building gave way to a new ideology, and Rumania now turned to the Soviet political and economic model.