Empfehlungen basierend auf "The Willow Pattern"

Steve Wheeler is enjoying retired life. He does the odd bit of investigation work, but he prefers his familiar habits and routines. His days of adventure are over: adrenaline is daughter-in-law Amy's business now. Then a dead body, a bag of money, and a killer with their sights on Amy have her sending an SOS to the only person she trusts.

When novelist Owen Quine goes missing, his wife calls in private detective Cormoran Strike. At first, Mrs. Quine just thinks her husband has gone off by himself for a few days-as he has done before-and she wants Strike to find him and bring him home.But as Strike investigates, it becomes clear that there is more to Quine's disappearance than his wife realizes. The novelist has just completed a manuscript featuring poisonous pen-portraits of almost everyone he knows. If the novel were to be published, it would ruin lives-meaning that there are a lot of people who might want him silenced.When Quine is found brutally murdered under bizarre circumstances, it becomes a race against time to understand the motivation of a ruthless killer, a killer unlike any Strike has encountered before... A compulsively readable crime novel with twists at every turn, THE SILKWORM is the second in the highly acclaimed series featuring Cormoran Strike and his determined young assistant, Robin Ellacott.

New York Times bestselling author Deborah Crombie makes her mark with this absorbing, finely hued tale of suspense - a deeply atmospheric and twisting mystery full of deadly secrets, salacious lies, and unexpected betrayals involving the mysterious drowning of a Met detective - an accomplished rower - on the Thames.When a K9 search and rescue team finds a body tangled up with debris in the Thames, Scotland Yard Superintendent Duncan Kincaid finds himself heading an investigation that could end his career. The victim, Rebecca Meredith, was an Olympic rowing hopeful determined to make a comeback. She was also a detective with the Met - a situation that raises a host of political and ethical issues that complicate the case.Aided by his wife, Inspector Gemma James, Duncan and his team discover that both Meredith's rowing colleagues and her ex-husband had reason to want her dead. But when someone tries to kill the search-and-rescue team member who found Rebecca's body, the case becomes even more complex and dangerous, involving powerful interests with tentacles that reach deep into the heart of the Met itself.Surrounded by enemies in friendly faces, pressured to find answers quickly and protect the Yard from rabid media desperate for dirt, his career and reputation on the line, Kincaid must race to catch the killer before more innocent lives are lost - including his own.

A killer is preying on sacred ground....In the sleepy rural town of Painters Mill, Ohio, the Amish and “English” residents have lived side by side for two centuries. But sixteen years ago, a series of brutal murders shattered the peaceful farming community. In the aftermath of the violence, the town was left with a sense of fragility, a loss of innocence. Kate Burkholder, a young Amish girl, survived the terror of the Slaughterhouse Killer but came away from its brutality with the realization that she no longer belonged with the Amish.Now, a wealth of experience later, Kate has been asked to return to Painters Mill as Chief of Police. Her Amish roots and big city law enforcement background make her the perfect candidate. She’s certain she’s come to terms with her past—until the first body is discovered in a snowy field. Kate vows to stop the killer before he strikes again. But to do so, she must betray both her family and her Amish past—and expose a dark secret that could destroy her.

"Every Flavia de Luce novel is a reason to celebrate."--USA Today   ALAN BRADLEY, AUTHOR OF THE MOST AWARD-WINNING SERIES DEBUT OF ANY YEAR, RETURNS WITH ANOTHER IRRESISTIBLE FLAVIA DE LUCE NOVEL.   "[Alan] Bradley has created one of the most original, charming, devilishly creative and hilarious detectives of any age or any time."--Bookreporter   It's Christmastime, and Flavia de Luce--an eleven-year-old sleuth with a passion for chemistry--is tucked away in her laboratory, whipping up a concoction to ensnare Saint Nick. But she is soon distracted when a film crew arrives at Buckshaw, the de Luces' decaying English estate, to shoot a movie starring the famed Phyllis Wyvern. Amid a raging blizzard, the entire village of Bishop's Lacey gathers at Buckshaw to watch Wyvern perform, yet nobody is prepared for the evening's shocking conclusion: a body found strangled to death with a length of film. But who among the assembled guests would stage such a chilling scene? As the storm worsens and the list of suspects grows, Flavia must ferret out a killer hidden in plain sight. BONUS: This edition includes an excerpt from Alan Bradley's Speaking from Among the Bones.   "[Flavia is] the most intrepid and charming adolescent chemist/detective/busybody in all of rural, post-World War II England."--The Seattle Times   "Quirky and delightful . . . Flavia is a classic literary character who manages to appeal to both young and old readers equally."--Wichita Falls Times Record News   "Bradley's plot twists and turns delightfully."--Fort Worth Star-Telegram   NAMED ONE OF THE BEST MYSTERIES OF THE YEAR BY THE SEATTLE TIMES

"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

A body in the back of a taxi begins an elegantly constructed mystery, perhaps the finest of Marsh's 1930s novels. The season had begun. Débutantes and chaperones were planning their luncheons, teas, dinners, balls. And the blackmailer was planning his strategies, stalking his next victim. But Chief Detective Inspector Roderick Alleyn knew that something was up. He had already planted his friend Lord Robert Gospell at the scene. But someone else got there first...

Uncovering the past… Can be deadly When a body is found buried in the garden of a vacant house, acting police chief Caralee Patterson finds herself investigating a murder that happened thirty years ago. The new property owner, ex-con Will Viveners, refuses to cooperate. But when old secrets are unearthed, Caralee and Will must trust each other to catch a killer who will stop at nothing to keep the truth from coming out…

THE REMORSEFUL DAY'"Where does this leave us, sir?""Things are moving fast.""We're getting near the end, you mean?""We were always near the end."'The murder of Yvonne Harrison had left the Thames Valley CID baffled. A year after the dreadful crime they are still no nearer to making an arrest. But one man has yet to tackle the case - and it is just the sort of puzzle at which Chief Inspector Morse excels.So why is he adamant that he will not lead the re-investigation, despite the entreaties of Chief Superintendent Strange and dark hints of some new evidence? And why, if he refuses to take on the case officially, does he seem to be carrying out his own private enquiries?For Sergeant Lewis this is yet another example of the unsettling behaviour his chief has been displaying of late...THE WENCH IS DEAD'That night he dreamed in Technicolor. He saw the ochre-skinned, scantily clad siren in her black, arrowed stockings. And in Morse's muddled computer of a mind, that siren took the name of Joanna Franks...'The body of Joanna Franks was found at Duke's Cut on the Oxford Canal at about 5.30 a.m. on Wednesday, 22 June 1859.At around 10.15 a.m. on a Saturday morning in 1989 the body of Chief Inspector Morse - though very much alive - was removed to Oxford's John Radcliffe Hospital. Treatment for a perforated ulcer was later pronounced successful.As Morse begins his recovery he comes across an account of the investigation an trial the followed Joanna Franks death... and becomes convinced that the two men hanged for her murder were innocent...

[Read by Frederick Davidson]Little progress had been made by the Thames Valley Police since the discovery of a corpse in a North Oxford flat. The police had no weapon, no suspect, and no motive. But within days of taking over the investigation, Chief Inspector Morse and Detective Sergeant Lewis uncover startling new information about the life and death of the victim, Dr. Felix McClure, late of Wolsey College, Oxford.The trail leads to a staircase in Wolsey College and a former ''scout'' there, one Edward Brooks, who disappears following the theft of a knife from the Pitt Rivers Museum. When another body is discovered, Morse suddenly finds himself with too many suspects, including Brooks' wife, a prostitute, and an enigmatic schoolmistress. Attracted to one of the possible killers, the chief inspector may be too involved for success.It will take much thought, many pints, and not a little anguish before Morse sees the connection between McClure's death and the daughters of Cain.