Empfehlungen basierend auf "The Widows of Winding Gale"

Told partly in rhyme, this account of the adventures of sorcerer Beelzebub Preposteror introduces a host of unusual and compelling characters. By the author of The Neverending Story.

Walter Wangerin's profound fantasy concerns a time when the sun turned around the earth and the animals could speak, when Chauntecleer the Rooster ruled over a more or less peaceful kingdom. What the animals did not know was that they were the Keepers of Wyrm, monster of evil long imprisoned beneath the earth ... and Wyrm, sub terra, was breaking free.

Santa Claus, my dear old friend, you are a thief, a traitor, a slanderer, a murder, a liar, but worst of all you are a mockery of everything for which I stood.You have sung your last ho, ho, ho, for I am coming to take your head. I am coming to take back what is mine, to take back Yuletide...The author and artist of The Child Thief returns with a modern fabulist tale of Krampus, the Lord of Yule and mortal enemy of Santa Claus.One Christmas Eve in a small hollow in Boone County, West Virginia, struggling songwriter Jesse Walker witnesses a strange spectacle: seven devilish figures chasing a man in a red suit toward a sleigh and eight reindeer. When the reindeer leap skyward taking the sleigh, devil men, and Santa into the clouds, screams follow. Moments later, a large sack plummets earthward, a magical sack that will thrust the down-on-his luck singer into the clutches of the terrifying Yule Lord, Krampus. But the lines between good and evil become blurred as Jesse's new master reveals many dark secrets about the cherry-cheeked Santa Claus, and how half a millennium ago, the jolly old saint imprisoned Krampus and usurped his magic.Now Santa's time is running short, for the Yule Lord is determined to have his retribution and reclaim Yuletide. If Jesse can survive this ancient feud, he might have the chance to redeem himself to his family, to save his own broken dreams...and help bring the magic of Yule to the impoverished folk of Boone County.

Laszlo is afraid of the dark.The dark lives in the same house as Laszlo. Mostly, though, the dark stays in the basement and doesn't come into Lazslo's room. But one night, it does.This is the story of how Laszlo stops being afraid of the dark.With emotional insight and poetic economy, two award-winning talents team up to conquer a universal childhood fear.

Sister Fidelma must entreat the chieftain of a Druid clan to allow the construction of a Christian church and school in the region. On their way, she and Brother Eadulf find the slaughtered bodies of 36 young men--all covered with pagan ritual scars. Fidelma must learn who or what is behind the massacre. Martin's Press.

Tolly comes to live with his great-grandmother at the ancient house of Green Knowe and becomes friends with three children who lived there in the seventeenth century. "L.M. Boston's classic is a sophisticated mood piece disguised as a children's ghost story. As young Toseland goes to live with his grandmother in the family's ancestral home, the reader is plunged immediately into the world of Green Knowe. Like Toseland, who actually rows up to his new home in the midst of a flood, we have a hard time finding our bearings. Toseland discovers a funny kind of grandmother awaiting him--one who speaks elliptically of the children and animals she keeps around the house: they might be memories, they might be ghosts. It's never quite clear where real life leaves off and magic begins. Toseland admires a deer: "A deer seems more magic than a horse." His grandmother is quick to respond: "Very beautiful fairy-tale magic, but a horse that thinks the same thoughts that you do is like strong magic wine, a love philtre for boys. With this meshing of the magical and the real, Boston evokes a childlike world of wonder. She compounds the effect by combining gorgeous images and eerily evocative writing. Toseland goes out on a snowy morning: "In front of him, the world was an unbroken dazzling cloud of crystal stars, except for the moat, which looked like a strip of night that had somehow sinned and had no stars in it." The loosely plotted story is given more resonance still through liberal use of biblical imagery and Anglo-Saxon mythology. For those willing to suspend their disbelief and read carefully, the world of Green Knowe offers a wondrous escape." Source: www.amazon.com.

Although his apprenticeship was not done when John Gregory died, Tom Ward spent years learning to fight boggarts, witches, demons, and more and feels prepared to be the new county Spook, but while his youth causes many people to distrust him, Jenny is determined to be his apprentice.

The trilogy about the moles of Duncton Wood reaches its conclusion with the publication of this book. Duncton Wood is a last refuge for moledom's ageing and diseased outcasts, and yet it is here that the Stone Mole has been born, whom Tryfan must prepare for his great task.

An Ancient Evil inaugurates an ingenious new series of historical mysteries by P. C. Doherty, each one using characters from Chaucer's Canterbury Tales. In Chaucer's poem, the pilgrims narrate tales to pass the time during their journey to the sacred shrine of Canterbury; Doherty's pilgrims entertain their companions with stories of mystery, terror, and murder. The Knight's Tale begins with the story of an ancient evil: the destruction of a sinister vampire cult that thrived in the wilderness of Oxfordshire during the reign of William the Conqueror. The tale then leaps two hundred years ahead to Oxford, where students are disappearing and citizens are murdered in a bizarre and brutal fashion. The sheriff of the city and the university authorities are baffled, but Lady Constance, Abbess of the Convent of St. Anne's, believes the murders are connected with the legends of the cult, and petitions the king for help. Two investigators, special commissioner Sir Godfrey Evesden and royal clerk Alexander McBain, arrive in Oxford and begin an investigation. The Archbishop of Canterbury sends unusual assistance in the person of the blind exorcist Dame Edith Mohun who, as a girl, had a horrifying experience with what may have been a remnant of that ancient cult. What this trio discovers and the repercussions for the city and the university form the scarily delightful plot of this novel.

Gravesend, which takes its name from the English town at the mouth of the Thames, revisits the genre of the ghost story and, through fragmentation, juxtaposition, and allusion, powerfully summons the uncanny, the spectral presence. Cole Swensen delves into ancient fables, the Bible, medieval records, Victorian ghost stories, contemporary interviews, and more to explore the effects of the ghostly on our daily lives, at times returning to the notion of "gravesend," implicitly asking if all ends in the grave or if death itself has an end. Swensen's focus on language shapes these visitations--glimp.