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This work is a selection from Susan Sontag's early writings about the arts and contemporary culture. First published in 1966, the book quickly became a modern classic and has had enormous influence here and abroad. As well as the title essay, 'On Style' and the famous 'Notes on Camp', the book includes discussion of such figures as Satre, Simone Weil, Genet, Brecht, Beckett, Artaud, and Goddard.

To celebrate the centennial of his birth, the collected plays of America’s greatest twentieth-century dramatist in a Penguin Classics Deluxe EditionIn the history of postwar American art and politics, Arthur Miller casts a long shadow as a playwright of stunning range and power whose works held up a mirror to America and its shifting values. The Penguin Arthur Miller celebrates Miller’s creative and intellectual legacy by bringing together the breadth of his plays, which span the decades from the 1930s to the new millennium. From his quiet debut, The Man Who Had All the Luck, and All My Sons, the follow-up that established him as a major talent, to career hallmarks like The Crucible and Death of a Salesman, and later works like Mr. Peters’ Connections and Resurrection Blues, the range and courage of Miller’s moral and artistic vision are here on full display.Including eighteen plays—some known by all and others that will come as discoveries to many readers—The Penguin Arthur Miller is a collectible treasure for fans of Miller’s drama and an indispensable resource for students of the theatre.The Penguin Arthur Miller includes: The Man Who Had All the Luck, All My Sons, Death of a Salesman, An Enemy of the People, The Crucible, A View from the Bridge, After the Fall, Incident at Vichy, The Price, The Creation of the World and Other Business, The Archbishop’s Ceiling, The American Clock, Playing for Time, The Ride Down Mt. Morgan, The Last Yankee, Broken Glass, Mr. Peters’ Connections, and Resurrection Blues.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The largest collection of poetry ever assembled in English by “the most important Spanish-language writer since Cervantes” (Mario Vargas Llosa)A Penguin Classics Deluxe Edition with flaps and deckle-edged paperThough universally acclaimed for his dazzling fictions, Jorge Luis Borges always considered himself first and foremost a poet. This new bilingual selection brings together some two hundred poems, including scores of poems never previously translated. Edited by Alexander Coleman, it draws from a lifetime's work--from Borges's first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los conjurados, published just a year before his death in 1986. Throughout this unique collection the brilliance of the Spanish originals is matched by luminous English versions by a remarkable cast of translators, including Robert Fitzgerald, Stephen Kessler, W. S. Merwin, Alastair Reid, Mark Strand, Charles Tomlinson, and John Updike.For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Despite growing interest in her philosophy, Simone de Beauvoir remains widely misunderstood. She is typically portrayed as a mere intellectual follower of her companion, Jean-Paul Sartre. In Philosophical Writings, Beauvoir herself shows that nothing could be further from the truth. Beauvoir's philosophical work suffers from a lack of English-language translation or, worse, mistranslation into heavily condensed popular versions. Philosophical Writings provides an unprecedented collection of complete, scholarly editions of philosophical texts that cover the first twenty-three years of Beauvoir's career, including a number of recently discovered works. Ranging from metaphysical literature to existentialist ethics, Philosophical Writings brings together diverse elements of Beauvoir's work while highlighting continuities in the development of her thought. Each of the translations features detailed notes and a scholarly introduction explaining its larger significance. Revelatory and long overdue, Philosophical Writings adds to the ongoing resurgence of interest in Beauvoir's thought and to her growing influence on today's philosophical curriculum.

Tests of Time brings us fourteen witty and elegant essays by novelist and literary critic William H. Gass, "the finest prose stylist in America" (Steven Moore, Washington Post). Whether he's exploring the nature of narrative, the extent and cost of political influences on writers, or the relationships between the stories we tell and the moral judgments we make, Gass is always erudite, entertaining, and enlightening.

Although known primarily as the irreverent but dazzlingly witty playwright who penned The Importance of Being Earnest, Oscar Wilde was also an able and farsighted critic. He was an early advocate of criticism as an independent branch of literature and stressed its vital role in the creative process. Scholars continue to debate many of Wilde's critical positions.Included in Richard Ellmann's impressive collection of Wilde's criticism, The Artist as Critic, is a wide selection of Wilde's book reviews as well as such famous longer works as "The Portrait of Mr. W.H.," "The Soul Man under Socialism," and the four essays which make up Intentions. The Artist as Critic will satisfy any Wilde fan's yearning for an essential reading of his critical work."Wilde . . . emerges now as not only brilliant but also revolutionary, one of the great thinkers of dangerous thoughts."—Walter Allen, New York Times Book Review"The best of Wilde's nonfictional prose can be found in The Artist as Critic."—Michael Dirda, Washington Post Book World

Antonio Gramsci (1891-1937) is widely celebrated as the most original political thinker in Western Marxism and an all-around outstanding intellectual figure. Arrested and imprisoned by the Italian Fascist regime in 1926, Gramsci died before fully regaining his freedom. Nevertheless, in his prison notebooks, he recorded thousands of brilliant reflections on an extraordinary range of subjects, establishing an enduring intellectual legacy.Columbia University Press's multivolume Prison Notebooks is the only complete critical edition of Antonio Gramsci's seminal writings in English. The notebooks' integral text gives readers direct access not only to Gramsci's influential ideas but also to the intellectual workshop where those ideas were forged. Extensive notes guide readers through Gramsci's extraordinary series of reflections on an encyclopedic range of topics. Volume 1 opens with an introduction to Gramsci's project, describing the circumstances surrounding the composition of his notebooks and examining his method of inquiry and critical analysis. It is accompanied by a detailed chronology of the author's life. An unparalleled translation of notebooks 1 and 2 follows, which laid the foundations for Gramsci's later writings. Most intriguing are his earliest formulations of the concepts of hegemony, civil society, and passive revolution.

'It was the discovery of the essays celebrating his childhood and youth that altered my perception of Camus, from a thinker to a writer whose intellectual lucidity was a product of the wealth - the sensual immediacy and clarity - that had been heaped on his senses' Geoff DyerAlbert Camus was born in a 'world of poverty and sunshine' in Algeria, which would infuse all of his work. This new collection brings together three volumes of Camus' most intimate autobiographical writings for the first time. The Wrong Side and the Right Side, his first book, describes his family and his early years in a working-class neighbourhood. Nuptials rejoices in the sensuality of sun, landscape and sea, while Summer ranges over the cities of Algiers and Oran, nature and identity. Lyrical and emotional, these pieces enrich our understanding of Camus and his love of life.

Blending intellectual speculation with anecdote and personal reflection, the Renaissance thinker and writer Michel de Montaigne pioneered the modern essay form. This edition contains all of his idiosyncratic and timeless writings on subjects as varied as the virtues of solitude, the power of the imagination, the pleasures of reading, the importance of sleep and why we sometimes laugh and cry at the same things. Montaigne's complete Essays, translated by M. A. Screech, are presented here as a beautifully produced, desirable collector's edition. This oversize volume is printed in two-colour, bound in high-quality rich blue cloth and embellished with gold foil stamped into the design. Michel Eyquem, Seigneur de Montaigne, was born in 1533. He was brought up to speak Latin as his mother tongue and always retained a Latin turn of mind; though he knew Greek, he preferred to use translations. In 1569 he published his French version of the Natural Theology of Raymond Sebond; his Apology is only partly a defence of Sebond and sets sceptical limits to human reasoning about God, man and nature. He retired in 1571 to his lands at Montaigne, devoting himself to reading and reflection and composing his Essays (first version 1580). He loathed the fanaticism and cruelties of the religious wars of the period, but sided with Catholic orthodoxy and legitimate monarchy. He died at Montaigne in 1592 while preparing the final, and richest, edition of his Essays. M. A. Screech is an Emeritus Fellow of All Souls College, Oxford. He is recognised as a world authority on the Renaissance, especially for his studies on Rabelais, Erasmus and Montaigne. His translation of Montaigne was immediately welcomed for its discrete learning and elegance. In recognition of his achievements the French Republic made him a Chevalier dans l'Ordre national du Merite and then a Chevalier dans la Legion d' Honneur.

"Dark times" is Brecht's phrase, and Hannah Arendt uses it not to suggest that those she writes about are "mouthpieces of the Zeitgeist" (none in fact fit such roles), but, rather, that the routine repetitive horrors of our century form the substance of the dark against which their lives of illumination were lived. All the essays, written over a period of years, are concerned with persons--writers who (except Lessing) share the first half of the twentieth century--and only implicitly with issues. Dr. Arendt believes that "Even in the darkest of times we have the right to expect some illumination, and that such illumination may come less from theories and concepts than from the uncertain, flickering, and often weak light that some men and women, in their lives and works, will kindle under almost all circumstances and shed over the time-span that was given them on earth."--Publisher description.