Empfehlungen basierend auf "The Villain's Dance"

Hailed as "a monumental history . . . more exciting than any novel" (NRC Handelsblad),David van Reybrouck’s rich and gripping epic, in the tradition of Robert Hughes' The Fatal Shore, tells the extraordinary story of one of the world's most devastated countries: the Democratic Republic of Congo. Epic in scope yet eminently readable, penetrating and deeply moving, David van Reybrouck's Congo: The Epic History of a People traces the fate of one of the world's most critical, failed nation-states, second only to war-torn Somalia: the Democratic Republic of Congo.Van Reybrouck takes us through several hundred years of history, bringing some of the most dramatic episodes in Congolese history. Here are the people and events that have impinged the Congo's development—from the slave trade to the ivory and rubber booms; from the arrival of Henry Morton Stanley to the tragic regime of King Leopold II; from global indignation to Belgian colonialism; from the struggle for independence to Mobutu's brutal rule; and from the world famous Rumble in the Jungle to the civil war over natural resources that began in 1996 and still rages today.Van Reybrouck interweaves his own family's history with the voices of a diverse range of individuals—charismatic dictators, feuding warlords, child-soldiers, the elderly, female merchant smugglers, and many in the African diaspora of Europe and China—to offer a deeply humane approach to political history, focusing squarely on the Congolese perspective and returning a nation's history to its people.

“Papa explains the war like this: ‘When the elephants dance, the chickens must be careful.’ The great beasts, as they circle one another, shaking the trees and trumpeting loudly, are the Amerikanos and the Japanese as they fight. And our Philippine Islands? We are the small chickens.”Once in a great while comes a storyteller who can illuminate worlds large and small, magical and true to life. When the Elephants Dance introduces us to the incandescent voice of Tess Uriza Holthe, who sets her remarkable first novel in the waning days of World War II, as the Japanese and the Americans engage in a fierce battle for possession of the Philippine Islands. The Karangalan family and their neighbors huddle for survival in the cellar of a house a few miles from Manila. Outside the safety of their little refuge the war rages on—fiery bombs torch the beautiful Filipino countryside, Japanese soldiers round up and interrogate innocent people, and from the hills guerillas wage a desperate campaign against the enemy. Inside the cellar, these men, women, and children put their hopes and dreams on hold as they wait out the war, only emerging to look for food, water, and medicine.Through the eyes of three narrators, thirteen-year-old Alejandro Karangalan, his spirited older sister Isabelle, and Domingo, a passionate guerilla commander, we see how ordinary people must learn to live in the midst of extraordinary uncertainty, how they must find hope for survival where none seems to exist. They find this hope in the dramatic history of the Philippine Islands and the passion and bravery of its people. Crowded together in the cellar, the Karangalans and their friends and neighbors tell magical stories to one another based on Filipino myth and legend to fuel their courage, pass the time, and teach important lessons. The group is held spellbound by these stories, which feature a dazzling array of ghosts, witches, supernatural creatures, and courageous Filipinos who changed the course of history with their actions. These profoundly moving stories transport the listeners from the chaos of the war around them and give them new resolve to fight on.With When the Elephants Dance Holthe has not only written a gripping narrative of how Alejandro, Isabelle, Domingo and their community fight for survival, but a loving tribute to the magical realism that infuses Filipino culture. The stories shared by her characters are based on the same tales handed down to Holthe from her Filipino father and lola, her grandmother. This stunning debut novel is the first to celebrate in such richness and depth the spirit of the Filipino people and their fascinating story and marks the introduction of a talented new author who will join the ranks of writers such as Arundhati Roy, Manil Suri, and Amy Tan.

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The night of August 17, 1823 saw the start of one of the most massive slave rebellions in the history of the Western Hemisphere, the uprising in the British colony of Demerara (now Guyana), in which nearly twelve thousand slaves took up arms against their masters. In Crowns of Glory, Emilia Viotti da Costa tells the riveting story of this pivotal moment in the history of slavery. Studying the complaints brought by slaves to the office of the Protector of Slaves, she reconstructs the experience of slavery through the eyes of the Demerara slaves themselves. Da Costa also draws on eyewitness accounts, official records, and private journals (most notably the diary of John Smith, one of four ministers sent by the London Missionary Society to convert Demerara's "heathen"), to paint a vivid portrait of a society in transition, shaken to its foundations by the recent revolutions in America, France, and Haiti. Casting new light on the nuances of racial relations in the colonies, the inevitable clash between the missionaries' message of Christian brotherhood and a social order based on masters and slaves, and the larger historical forces that were profoundly eroding the institution of slavery itself, Crowns of Glory is an original and unforgettable book.

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Longlisted for the Booker Prize 2020A Spectator Book of the Year‘A literary rendering of the Top Boy generation… I cannot conjure another work which captures this culture in such depth – or with such brutal honesty – as only lived experience can tell ’ Graeme Armstrong, author of The Young Team’An astonishingly powerful book’ Cathy Rentzenbrink, author of The Last Act of LoveThis life is like being in an ocean. Some people keep swimming towards the bottom. Some people touch the bottom with one foot, or even both, and then push themselves off it to get back up to the top, where you can breathe. Others get to the bottom and decide they want to stay there. I don’t want to get to the bottom because I’m already drowning.This is a story of a London you won’t find in any guidebooks.This is a story about what it’s like to exist in the moment, about boys too eager to become men, growing up in the hidden war zones of big cities – and the girls trying to make it their own way.This is a story of reputations made and lost, of violence and vengeance – and never counting the cost.This is a story of concrete towers and blank eyed windows, of endless nights in police stations and prison cells, of brotherhood and betrayal.This is about the boredom, the rush, the despair, the fear and the hope.This is about what’s left behind.Perfect for fans of Diane Cook, Douglas Stuart and Colum McCann.

On the tenth anniversary of the date that UN peacekeepers landed in Rwanda, Random House Canada is proud to publish the unforgettable first-hand account of the genocide by the man who led the UN mission. Digging deep into shattering memories, General Dallaire has written a powerful story of betrayal, naivete, racism and international politics. His message is simple and undeniable: "Never again." When Lt-Gen. Romeo Dallaire received the call to serve as force commander of the UN intervention in Rwanda in 1993, he thought he was heading off on a modest and straightforward peacekeeping mission. Thirteen months later he flew home from Africa, broken, disillusioned and suicidal, having witnessed the slaughter of 800,000 Rwandans in only a hundred days. In "Shake Hands with the Devil", he takes the reader with him on a return voyage into the hell of Rwanda, vividly recreating the events the international community turned its back on. This book is an unsparing eyewitness account of the failure by humanity to stop the genocide, despite timely warnings. Woven through the story of this disastrous mission is Dallaire's own journey from confident Cold Warrior, to devastated UN commander, to retired general engaged in a painful struggle to find a measure of peace, reconciliation and hope. This book is General Dallaire's personal account of his conversion from a man certain of his worth and secure in his assumptions to a man conscious of his own weaknesses and failures and critical of the institutions he'd relied on. It might not sit easily with standard ideas of military leadership, but understanding what happened to General Dallaire and his mission to Rwanda is crucial to understanding the moral minefields our peacekeepers are forced to negotiate when we ask them to step into the world's dirty wars.

'This is a very personal book, about being alone and lost'. In 1975 Kapuscinski's employers sent him to Angola to cover the civil war that had broken out after independence. For months he watched as Luanda and then the rest of the country collapsed into a civil war that was in the author's words 'sloppy, dogged and cruel'. In his account, Kapuscinski demonstrates an extraordinary capacity to describe and to explain the individual meaning of grand political abstractions.

Tandia is a child of all Africa: half Indian, half African, beautiful and intelligent, she is only sixteen when she is first brutalised by the police. Her fear of the white man leads her to join the black resistance movement, where she trains as a terrorist. With her in the fight for justice is the one white man Tandia can trust, the welterweight champion of the world, Peekay. Now he must fight their common enemy in order to save both their lives.

The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. What follows is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.