Empfehlungen basierend auf "The Universal Baseball Association, Inc., J. Henry Waugh, Prop."

One of The New Yorker's "Books We Loved in 2017"“Arbitrary Stupid Goal is a completely riveting world―when I looked up from its pages regular life seemed boring and safe and modern like one big iPhone. This book captures not just a lost New York but a whole lost way of life.” ―Miranda JulyIn Arbitrary Stupid Goal, Tamara Shopsin takes the reader on a pointillist time-travel trip to the Greenwich Village of her bohemian 1970s childhood, a funky, tight-knit small town in the big city, long before Sex and the City tours and luxury condos. The center of Tamara’s universe is Shopsin’s, her family’s legendary greasy spoon, aka “The Store,” run by her inimitable dad, Kenny―a loquacious, contrary, huge-hearted man who, aside from dishing up New York’s best egg salad on rye, is Village sheriff, philosopher, and fixer all at once. All comers find a place at Shopsin’s table and feast on Kenny’s tall tales and trenchant advice along with the incomparable chili con carne.Filled with clever illustrations and witty, nostalgic photographs and graphics, and told in a sly, elliptical narrative that is both hilarious and endearing, Arbitrary Stupid Goal is an offbeat memory-book mosaic about the secrets of living an unconventional life, which is becoming a forgotten art.

Penguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online. Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content. The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary. The Unlikely Pilgrimage of Harold Fry, a Level 5 Reader, is B1 in the CEFR framework. The text is made up of sentences with up to four clauses, introducing present perfect continuous, past perfect, reported speech and second conditional. It is well supported by illustrations, which appear regularly. Harold Fry lives a quiet, ordinary life in England. But when he gets a phone call and learns that his old friend Queenie Hennessey is dying, he decides to post her a letter to her home 500 miles away. As he walks to the post box, Harold begins to think about his past and his family. He decides on walking until he reaches Queenie. Visit the Penguin Readers website Exclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys.

Three brilliantly comic novels revolving around the University of Rummidge and the eventful lives of its role-swapping academics.

'This is a miracle of a book' George Lamming'Compelling. Stuart Hall's story is the story of an age' Owen Jones'Sometimes I feel I was the last colonial'This is the story, in his own words, of the extraordinary life of Stuart Hall: writer, thinker and one of the leading intellectual lights of his age. Growing up in a middle-class family in 1930s Jamaica, then still a British colony, Hall found himself caught between two worlds: the stiflingly respectable middle class in Kingston, who, in their habits and ambitions, measured themselves against the white planter elite; and working-class and peasant Jamaica, neglected and grindingly poor, though rich in culture, music and history. But as colonial rule was challenged, things began to change in Jamaica and across the world.When, in 1951, a scholarship took him across the Atlantic to Oxford University, Hall encountered other Caribbean writers and thinkers, from Sam Selvon and George Lamming to V. S. Naipaul. He also forged friendships with the likes of Raymond Williams and E. P. Thompson, with whom he worked in the formidable political movement, the New Left, and developed his groundbreaking ideas on cultural theory. Familiar Stranger takes us to the heart of Hall's struggle in post-war England: that of building a home and a life in a country where, rapidly, radically, the social landscape was transforming, and urgent new questions of race, class and identity were coming to light.Told with passion and wisdom, this is a story of how the forces of history shape who we are.

This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with "lunacy and sorrow"; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

Admission. Everybody stops playing cards and Monopoly, turns towards the day-room door. Most days I'd be out sweeping the hall and see who they're signing in, but this morning, like I explain to you, the Big Nurse put a thousand pounds down me and I can't budge out of the chair. Most days I'm the first one to see the Admiss

"Outlandish fun. . . . Making Money balances satire, knockabout farce and close observation of human — and non-human — foibles with impressive dexterity and deceptive ease. The result is another ingenious entertainment from the preeminent comic fantasist of our time.” — Washington PostThe hero of Going Postal returns in the 36th installment of Sir Terry Pratchett's beloved Discworld series! Moist von Lipwig, condemned prisoner turned postal worker extraordinaire, is now in charge of a different branch of the government: overseeing the printing of Ankh-Morpork’s first paper currency.Amazingly, former arch-swindler-turned-Postmaster General Moist von Lipwig has somehow managed to get the woefully inefficient Ankh-Morpork Post Office running like . . . well, not like a government office at all. Now the supreme despot Lord Vetinari is asking Moist if he'd like to make some real money. Vetinari wants Moist to resuscitate the venerable Royal Mint—so that perhaps it will no longer cost considerably more than a penny to make a penny.Moist doesn't want the job. However, a request from Ankh-Morpork's current ruling tyrant isn't a "request" per se, more like a "once-in-a-lifetime-offer-you-can-certainly-refuse-if-you-feel-you've-lived-quite-long-enough." So Moist will just have to learn to deal with elderly Royal Bank chairman Topsy (née Turvy) Lavish and her two loaded crossbows, a face-lapping Mint manager, and a chief clerk who's probably a vampire. But he'll soon be making lethal enemies as well as money, especially if he can't figure out where all the gold has gone.The Discworld novels can be read in any order, but Making Money is the second book in the Moist von Lipwig series.

A New York Times Book Review Editors’ Choice: There’s no right way to keep a diary, but if there’s an entertaining way, David Sedaris seems to have mastered it.If it’s navel-gazing you’re after, you’ve come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leaping to his death. There’s a dirty joke shared at a book signing, then a dirtier one told at a dinner party—lots of jokes here. Plenty of laughs.These diaries remind you that you once really hated George W. Bush, and that not too long ago, Donald Trump was just a harmless laughingstock, at least on French TV. Time marches on, and Sedaris, at his desk or on planes, in hotel dining rooms and odd Japanese inns, records it. The entries here reflect an ever-changing background—new administrations, new restrictions on speech and conduct. What you can say at the start of the book, you can’t by the end. At its best, A Carnival of Snackery is a sort of sampler: the bitter and the sweet. Some entries are just what you wanted. Others you might want to spit discreetly into a napkin.

P.G. Wodehouse (1881-1975) was perhaps the most widely acclaimed British humorist of the twentieth century. Throughout his career, he brilliantly examined the complex and idiosyncratic nature of English upper-crust society with hilarious insight and wit. The works in this volume provide a wonderful introduction to Wodehouse’s work and his unique talent for joining fantastic plots with authentic emotion.In The Code of the Woosters, Wodehouse’s most famous duo, Bertie Wooster and his unflappable valet Jeeves, risks all to steal a cream jug. Uncle Fred in the Springtime, part of the famous Blandings Castle series, follows Uncle Fred as he attempts to ruin the Duke of Blandings while he is preoccupied with his favorite pig. Fourteen stories feature some of Wodehouse’s most memorable characters, and three autobiographical pieces provide a revealing look into Wodehouse’s life.With his gift for hilarity and his ever-human tone, Wodehouse and his work have never felt more lively. With a New Introduction by John Mortimer

'brilliant. A Citizen Kane Of A Novel' Daily Telegraph __________________________________ Meet John James Todd: Scotsman, Auteur, Rousseau-fanatic - And 'subversive Element' Born In 1899, John James Todd Is One Of The Great, Failed Geniuses Of The Last Century. His Reminiscences, Collected In The New Confessions, Take Us From Edinburgh To The Western Front, The Berlin Film-world In The Twenties To Hollywood In The Thirties, Forties And Beyond. Suffering Imprisonment, Shooting, Marriage, Fatherhood, Divorce And Mccarthyism, Todd Is A Hostage To Good Fortune, Ill-judgement, Bad Luck, The Vast Sweep Of History And The Cruel, Cruel Hand Of Fate . . . __________________________________ 'a Magnificent Feat Of Storytelling And Panoramic Reconstruction' Observer 'paced And Plotted With Sinewy, Unfailing Skill . . . Boyd Has Given Us A Work Of Rich, Ripe And Immensely Enjoyable Entertainment' Sunday Times 'simply The Best Realistic Storyteller Of His Generation' Independent