Empfehlungen basierend auf "The Tunnel"

Both Joseph K in The Trial and K in The Castle are victims of anonymous governing forces beyond their control. Both are atomized, estranged and rootless citizens deceived by authoritarian power. Whereas Joseph K is relentlessly hunted down for a crime that remains nameless, K ceaselessly attempts to enter the castle, and so belong somewhere. Both novels may be read as powerful allegories of totalitarian government. In America, Karl Rossman experiences Oedipal and cultural isolation, and finds that “America” is never quite as real as it seems.

In A Distant Universe, Since The Beginning Of Time, Workers Have Spent Their Lives Weaving Intricate Carpets From The Hair Of Women And Girls. But Why? Andreas Eschbach's Mysterious, Poignant Space Opera Explores The Absurdity Of Work And Of Life Itself. 'a Novel Of Ideas That Evokes Complex Emotions Through The Working Out Of An Intricate And Ultimately Satisfying Plot, With Echoes Of Gene Wolfe, Ursula K. Le Guin, And Isaac Asimov' The New York Times Book Review

In this collection of wise, witty and fascinating essays, Borges discusses the existence (or non-existence) of Hell, the flaws in English literary detectives, the philosophy of contradictions, and the many translators of 1001 Nights. Varied and enthralling, these pieces examine the very nature of our lives, from cinema and books to history and religion. GREAT IDEAS. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

SUM is a dazzling exploration of funny and unexpected afterlives that have never been considered–each presented as a vignette that offers us a stunning lens through which to see ourselves here and now.In one afterlife you may find that God is the size of a microbe and is unaware of your existence. In another, your creators are a species of dim-witted creatures who built us to figure out what they could not. In a different version of the afterlife you work as a background character in other people’s dreams. Or you may find that God is a married couple struggling with discontent, or that the afterlife contains only those people whom you remember, or that the hereafter includes the thousands of previous gods who no longer attract followers. In some afterlives you are split into your different ages; in some you are forced to live with annoying versions of yourself that represent what you could have been; in others you are re-created from your credit card records and Internet history. David Eagleman proposes many versions of our purpose here; we are mobile robots for cosmic mapmakers, we are reunions for a scattered confederacy of atoms, we are experimental subjects for gods trying to understand what makes couples stick together.These wonderfully imagined tale–at once funny, wistful, and unsettling–are rooted in science and romance and awe at our mysterious existence: a mixture of death, hope, computers, immortality, love, biology, and desire that exposes radiant new facets of our humanity.

Dr Felix Hoenikker, has left a deadly legacy to humanity. He is the inventor of ice-nine, a lethal chemical capable of freezing the entire planet. Writer Jonah's search for its whereabouts leads him to Hoenikker's three eccentric children, to an island republic in the Caribbean where the religion of Bokononism is practised, to love and to insanity. Told with deadpan humour and bitter irony, Kurt Vonnegut's cult tale of global destruction is a funny and frightening satire on the end of the world and the madness of mankind.

The sequel to the cult classic The Illuminatus! Trilogy, this is an epic fantasy that offers a twisted look at our modern-day world--a reality that exists in another dimension of time and space that may be closer than we think.

Roithamer has committed suicide having been driven to madness by his own frightening powers of pure thought. We witness the gradual breakdown of a genius ceaselessly compelled to correct and refine his perceptions until the only logical conclusion of the negation of his own soul.

The Futurological Congress is the fourth satirical science fiction novel in the Memoirs of Ijon Tichy series from Kafka Prize–winning author Stanislaw Lem.“Nobody can really know the future. But few could imagine it better than Lem.”—Paris ReviewBringing his twin gifts of scientific speculation and scathing satire to bear on that hapless planet, Earth, Lem sends his unlucky cosmonaut, Ijon Tichy, to the Eighth Futurological Congress. Caught up in local revolution, Tichy is shot and so critically wounded that he is flashfrozen to await a future cure—a future whose strangeness exceeds anything the congress conjectured.Translated by Michael Kandel.“A vision of Earth’s future where the authorities dose the population with ‘psychemicals’ to make life in a desperately over-populated world worth living.”—Boston Globe

'Etgar Keret's short stories are fierce, funny, full of energy and insight, and at the same time they are often deep, tragic and very moving' - Amos Oz At a children's tea party, a magician tries to pull a rabbit out of a hat, but takes out only its head; a young man has a mother and girlfriend who each demand that he gives them the other one's heart; while a Nobel Laureate asks an orphan to perform a very strange task. In Etgar Keret's blackly comic stories the unexpected can, and usually does, happen. They are clever, quick, sometimes violent and often intensely poignant. They are, in short, brilliant.

All too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence. The present edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating (with the assistance of his American publisher-editor) a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic.