Dorothy Miller Richardson (1873-1957) was the first writer to publish an English-language novel using what was to become known as the stream-of-consciousness technique. In London, she began moving among Avant-garde Socialist and artistic circles, including the Bloomsbury group. She started to publish translations and freelance journalism and eventually gave up her secretarial job. Throughout her career, she published large numbers of essays, poems, short stories, sketches and other pieces of journalism. However, her reputation as a writer rests firmly on the Pilgrimage sequence. The first of the Pilgrimage novels, Pointed Roofs (1915) was the first complete stream of consciousness novel in English, although Richardson herself disliked the term, preferring to call her way of writing interior monologues. The failure to recognise Richardson's role is partly due to the critical neglect of Richardson's writing during her lifetime. The fact that Pointed Roofs displayed the writer's admiration for German culture at a time when Britain and Germany were at war may also have contributed to the general lack of recognition of the book's radical importance.
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The Trap
Dorothy Miller Richardson (1873-1957) was the first writer to publish an English-language novel using what was to become known as the stream-of-consciousness technique. In London, she began moving among Avant-garde Socialist and artistic circles, including the Bloomsbury group. She started to publish translations and freelance journalism and eventually gave up her secretarial job. Throughout her career, she published large numbers of essays, poems, short stories, sketches and other pieces of journalism. However, her reputation as a writer rests firmly on the Pilgrimage sequence. The first of the Pilgrimage novels, Pointed Roofs (1915) was the first complete stream of consciousness novel in English, although Richardson herself disliked the term, preferring to call her way of writing interior monologues. The failure to recognise Richardson's role is partly due to the critical neglect of Richardson's writing during her lifetime. The fact that Pointed Roofs displayed the writer's admiration for German culture at a time when Britain and Germany were at war may also have contributed to the general lack of recognition of the book's radical importance.
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