Empfehlungen basierend auf "The Times I Knew I Was Gay"

AN INSTANT NEW YORK TIMES BESTSELLERAn electric, searing memoir by the original rebel girl and legendary front woman of Bikini Kill and Le Tigre.Hey girlfriend I got a proposition goes something like this: Dare ya to do what you wantKathleen Hanna’s band Bikini Kill embodied the punk scene of the 90s, and today her personal yet feminist lyrics on anthems like “Rebel Girl” and “Double Dare Ya” are more powerful than ever. But where did this transformative voice come from?In Rebel Girl, Hanna’s raw and insightful new memoir, she takes us from her tumultuous childhood to her formative college years and her first shows. As Hanna makes clear, being in a punk “girl band” in those years was not a simple or safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightning rod for controversy took limitless amounts of determination.But the relationships she developed during those years buoyed her, including with her bandmates Tobi Vail, Kathi Wilcox, JD Samson, and Johanna Fateman. And her friendships with musicians like Kurt Cobain, Ian MacKaye, Kim Gordon, and Joan Jett reminded her that, despite the odds, the punk world could still nurture and care for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her musical growth in her bands Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement, documenting with love its grassroots origins but critiquing its exclusivity.In an uncut voice all her own, Hanna reveals the hardest times along with the most joyful—and how they continue to fuel her revolutionary art and music.

ONE OF BILLBOARD'S "100 GREATEST MUSIC BOOKS OF ALL TIME": The provocative transgender advocate and lead singer of the punk rock band Against Me! provides a searing account of her search for identity and her true self.It began in a bedroom in Naples, Florida, when a misbehaving punk teenager named Tom Gabel, armed with nothing but an acoustic guitar and a headful of anarchist politics, landed on a riff. Gabel formed Against Me! and rocketed the band from its scrappy beginnings-banging on a drum kit made of pickle buckets-to a major-label powerhouse that critics have called this generation's The Clash. Since its inception in 1997, Against Me! has been one of punk's most influential modern bands, but also one of its most divisive. With every notch the four-piece climbed in their career, they gained new fans while infuriating their old ones. They suffered legal woes, a revolving door of drummers, and a horde of angry, militant punks who called them "sellouts" and tried to sabotage their shows at every turn.But underneath the public turmoil, something much greater occupied Gabel-a secret kept for 30 years, only acknowledged in the scrawled-out pages of personal journals and hidden in lyrics. Through a troubled childhood, delinquency, and struggles with drugs, Gabel was on a punishing search for identity. Not until May of 2012 did a Rolling Stone profile finally reveal it: Gabel is a transsexual, and would from then on be living as a woman under the name Laura Jane Grace.Tranny is the intimate story of Against Me!'s enigmatic founder, weaving the narrative of the band's history, as well as Grace's, with dozens of never-before-seen entries from the piles of journals Grace kept. More than a typical music memoir about sex, drugs, and rock 'n' roll-although it certainly has plenty of that-Tranny is an inside look at one of the most remarkable stories in the history of rock.

In the 1970s a group of pioneering feminist entrepreneurs launched a movement that ultimately changed the way sex was talked about, had, and enjoyed. Boldly reimagining who sex shops were for and the kinds of spaces they could be, these entrepreneurs opened sex-toy stores like Eve's Garden, Good Vibrations, and Babeland not just as commercial enterprises, but to provide educational and community resources as well. In Vibrator Nation Lynn Comella tells the fascinating history of how these stores raised sexual consciousness, redefined the adult industry, and changed women's lives. Comella describes a world where sex-positive retailers double as social activists, where products are framed as tools of liberation, and where consumers are willing to pay for the promise of better living—one conversation, vibrator, and orgasm at a time.

Back in print, this daring novel constitutes a rhapsodic hymn to women's bodies and women's relationships."That rare work in fiction . . . the art and the courage are of the highest level."—The Boston Globe

Explore the trailblazing lives of 30 trans people who radically change everything you’ve been told about transgender historyHighlighting influential individuals from 1850-1950 who are all but unknown today, Eli Erlick shares 30 remarkable stories from romance to rebellion and mystery to murder. These narratives chronicle the grit, joy, and survival of trans people long before gender became an everyday term.Organized into 4 parts paralleling today’s controversies over gender identity (kids, activists, workers, and athletes), Before Gender introduces figures whose forgotten stories transform the discussionMark and David Ferrow, two of the first trans teens to access gender-affirming medical treatment following overwhelming support from their friends, family, and neighbors. Gerda von Zobeltitz, a trans countess who instigated an LGBTQ+ riot 40 years before Stonewall. Frank Williams, a young trans man who was fired from over a dozen jobs for his gender. Frances Anderson, the world’s greatest female billiards player of the 1910s.Bold and visionary, Erlick’s debut uncovers these lost stories from the depths of the archives to narrate trans lives in a way that has never been attempted before.

"The prose is textured, viscous almost, an ooze of sweet honey shot through with golden light . . . A Language of Limbs is a novel of (impeccable) vibes and mood, a gay hymnal written from inside the guts of the two protagonists." —Yves Rees, Australian Book Review A breathtaking, sliding-doors, will-they-won’t-they love story and a tender epic that explores the weight of a choice, the love of community and how joy is found in even the darkest corners.   Newcastle, Australia, 1972. On a sticky summer night, a choice must be made: To give in to queer desire or suppress it? To venture into the unknown or stay the course? In alternating chapters, we trace the two versions of a life that follow.   In one, a teenage girl is caught kissing her neighbor and is kicked out from her home. She lands at a queer communal home in Sydney called Uranian House, where she meets the people who will forever become her family. Meanwhile, in the second, a teenage girl pushes down her lustful dreams of her best friend and eventually makes her way to a university in Sydney to study English literature.   During pivotal moments, the physical space between these two women closes—like when they each meet the first great loves of their lives in 1977 at a protest, or when, almost a decade later, they are both rushed to the hospital with only a curtain between them. Through the AIDS crisis—and from classrooms to art galleries, beds to bars and hospitals to homes—we witness these two lives shadow each other until, finally and poignantly, they collide.

The much-anticipated follow up to the groundbreaking anthology Disability Visibility: another revolutionary collection of first-person writing on the joys and challenges of the modern disability experience, and intimacy in all its myriad forms. What is intimacy? More than sex, more than romantic love, the pieces in this stunning and illuminating new anthology offer broader and more inclusive definitions of what it can mean to be intimate with another person. Explorations of caregiving, community, access, and friendship offer us alternative ways of thinking about the connections we form with others—a vital reimagining in an era when forced physical distance is at times a necessary norm.  But don't worry: there's still sex to consider—and the numerous ways sexual liberation intersects with disability justice. Plunge between these pages and you'll also find disabled sexual discovery, disabled love stories, and disabled joy. These twenty-five stunning original pieces—plus other modern classics on the subject, all carefully curated by acclaimed activist Alice Wong—include essays, photo essays, poetry, drama, and erotica: a full spectrum of the dreams, fantasies, and deeply personal realities of a wide range of beautiful bodies and minds. Disability Intimacy will free your thinking, invigorate your spirit, and delight your desires.

“I know I’m not a man . . . and I’ve come to the conclusion that I’m probably not a woman, either. . . . . The trouble is, we’re living in a world that insists we be one or the other.” With these words, Kate Bornstein ushers readers on a funny, fearless, and wonderfully scenic journey across the terrains of gender and identity. On one level, Gender Outlaw details Bornstein’s transformation from heterosexual male to lesbian woman, from a one-time IBM salesperson to a playwright and performance artist. But this particular coming-of-age story is also a provocative investigation into our notions of male and female, from a self-described nonbinary transfeminine diesel femme dyke who never stops questioning our cultural assumptions.Gender Outlaw was decades ahead of its time when it was first published in 1994. Now, some twenty-odd years later, this book stands as both a classic and a still-revolutionary work—one that continues to push us gently but profoundly to the furthest borders of the gender frontier.

A heartbreaking and hilarious memoir about the author’s journey from a god-fearing Muslim boy to a proud, queer drag queenMy name is Amrou Al-Kadhi – by day. By night, I am Glamrou, an empowered, confident and acerbic drag queen who wears seven-inch heels and says the things that nobody else dares to.Growing up in a strict Iraqi-British Muslim household, it didn’t take long for me to realise I was different. When I was ten years old, I announced to my family that I was in love with Macaulay Culkin in Home Alone. The resultant fallout might best be described as something like the Iraqi version of Jeremy Kyle. And that was just the beginning.This is the story of how I got from there to here. You’ll read about my teenage obsession with marine biology, and how fluid aquatic life helped me understand my non-binary gender identity. You’ll read about my scholarship at Eton college, during which I wondered if I could forge a new identity as a British aristocrat (spoiler alert: it didn’t work). You’ll read about how I discovered the transformative powers of drag while at Cambridge university; about how I suffered a massive breakdown after I left, and very nearly lost my mind; and about how, after years of rage towards it, I finally began to understand Islam in a new, queer way.Most of all, this is a book about my mother, my first love, the most beautiful and glamorous woman I’ve ever known, the unknowing inspiration for my career as a drag queen – and a fierce, vociferous critic of anything that transgresses normal gender boundaries. It’s about how we lost and found each other, about forgiveness, understanding, hope – and the life-long search for belonging.

A brand-new collection from the award-winning poet, the companion piece to the Sunday Times bestselling Slug 'Funny, so smart and refreshingly honest' SARAH MILLICAN 'Hollie McNish's words always sweep me away' GIOVANNA FLETCHER 'Bold, hilarious and tender' SALENA GODDEN This book is written out of both hate and love for the world As people, we are capable of both love and hate; amazement and disgust; fun and misery. So why do we live in a world that is constantly telling us to hate, both ourselves and others? We are told to be repulsed by our own bodies, bodies that let us laugh and sweat and eat toast; to be ashamed of pleasure; to be embarrassed by fun. In this collection, Hollie McNish brings her inimitable style to the question of what have been taught to hate, and if we might learn to love again. 'Never have we needed her more' STYLIST 'I've loved her work for years' JO BRAND 'She writes with honesty, conviction, humour and love' KAE TEMPEST