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A sumptuous full colour art book containing the complete collection of more than 100 sketches, drawings, paintings and maps created by J.R.R. Tolkien for The Hobbit.When J.R.R. Tolkien wrote The Hobbit, he was already an accomplished amateur artist, and drew illustrations for his book while it was still in manuscript. The Hobbit as first printed had ten black and white pictures, two maps, and binding and dust-jacket designs by its author. Later, Tolkien also painted five scenes for colour plates which are some of his best work. His illustrations for The Hobbit add an extra dimension to that remarkable book, and have long influenced how readers imagine Bilbo Baggins and his world.The Art of The Hobbit by J.R.R. Tolkien is the complete collection of the artwork created by the author for his story. Including related pictures, more than one hundred sketches, drawings, paintings, maps, and plans are presented here, preliminary and alternate versions and experimental designs as well as finished art. Using fresh digital scans from the Bodleian Libraries in Oxford and Marquette University in Wisconsin, Tolkien’s Hobbit pictures can be seen more vividly than ever before.Wayne G. Hammond and Christina Scull, two of the world’s leading Tolkien scholars, have edited the book and provide an expert introduction and comments. Readers who have enjoyed The Art of The Lord of the Rings by J.R.R. Tolkien will find much of interest also in The Art of The Hobbit.

Including brand-new paintings, this is a fully illustrated new edition of the forerunner to The Lord of the Rings. The Silmarillion fills in the background which lies behind the more popular work, and gives the earlier history of Middle-earth, introducing some of the key characters.The Silmarillion is the core of J.R.R. Tolkien’s imaginative writing, a collection of narratives ranging in time from the Elder Days of Middle-earth, through the Second Age and the rise of Sauron, to the end of the War of the Ring.They are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the Elves made war upon him in his impenetrable fortress in Angband for the recovery of the Silmarils, three jewels containing the last remaining pure light of Valinor, seized by Morgoth and set in his iron crown.Accompanying these tales are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age and Of the Rings of Power tells of the great events at the end of the Third Age, as told in The Lord of the Rings.Tolkien could not publish The Silmarillion in his lifetime, as it grew with him, so he would leave it to his son, Christopher, to edit the work from many manuscripts and bring his father’s great vision to publishable form, so completing the literary achievement of a lifetime. This special edition presents anew this seminal first step towards mapping out the posthumous publishing of Middle-earth, and the beginning of an illustrious forty years and more than twenty books celebrating his father’s legacy.Also included is a letter by J.R.R. Tolkien written in 1951 which provides a brilliant exposition of the earlier Ages, and almost 50 full-colour paintings by Ted Nasmith, including some which appear here for the first time.

Begin your journey into Middle-earth.The inspiration for the upcoming original series on Prime Video, The Lord of the Rings: The Rings of Power.Middle-earth, a world of magic and adventure. A land full of tales spanning thousands of years.Sauron, the Dark Lord, has gathered to him all the Rings of Power – the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring – the ring that rules them all – which has fallen into the hands of the hobbit, Bilbo Baggins.In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as the Ring is entrusted to his care. He must leave his home and make a perilous journey across the realms of Middle-earth to the Crack of Doom, deep inside the territories of the Dark Lord. There he must destroy the Ring forever and foil the Dark Lord in his evil purpose.

The Fellowship of the Ring is the first part of J.R.R. Tolkien’s epic adventure, The Lord of the Rings.Sauron, the Dark Lord, has gathered to him all the Rings of Power – the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring – the ring that rules them all – which has fallen into the hands of the hobbit, Bilbo Baggins.In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.The text of this edition has been fully corrected and revised in collaboration with Christopher Tolkien and is accompanied by nineteen watercolour paintings from Alan Lee.

This lavishly illustrated volume is a comprehensive history of the seven kingdoms, providing vividly constructed accounts of the epic battles, bitter rivalries and daring rebellions that lead to the events of a song of ice and fire and hbo's game of thrones. In a collaboration that's been years in the making, martin has teamed with elio m. Garcia, jr. And linda antonsson, the founders of the renowned fan site westeros. Orgperhaps the only people who know this world almost as well as its visionary creator. Collected here is all the accumulated knowledge, scholarly speculation and inherited folk tales of maesters and septons, maegi and singers. It is a chronicle which stretches from the dawn age to the age of heroes, from the coming of the first

Let acclaimed Tolkien artist John Howe take you on an unforgettable journey across Middle-earth, from Bag End to Mordor, in this richly illustrated sketchbook fully of previously unseen artwork, anecdotes and meditations on Middle-earth.Middle-earth has been mapped, Bilbo’s and Frodo’s journeys plotted and measured, but Middle-earth remains a wilderland for all that. The roads as yet untraveled far outnumber those down which Tolkien had time to wander.A Middle-Earth Traveller presents a walking tour of Tolkien’s Middle-earth, visiting not only places central to his stories, but also those just over the hill or beyond the horizon. Events from Tolkien’s books are explored – battles of the different ages that are almost part of legend by the time of The Lord of the Rings; lost kingdoms and ancient myths, as well as those places only hinted at: kingdoms of the far North and lands beyond the seas.Sketches that have an ‘on-the-spot’ feel to them are interwoven with the artist’s observations gleaned from Tolkien’s books and recollections of his time spent in Middle-earth while working alongside Peter Jackson on the Lord of the Rings and Hobbit film trilogies. Combining concept work produced for films, existing Middle-earth art and many new paintings and sketches exclusive to this book, A Middle-earth Traveller will take the reader on a unique and unforgettable journey across Tolkien’s magical landscape.

A unique companion to The Lord of the Rings which relates the textual history of the Nation's Favourite Read; with a previously unpublished Guide to the Names in The Lord of the Rings, written by Tolkien himself. In The Lord of the Rings: A Reader's Companion internationally acclaimed scholars Wayne G. Hammond and Christina Scull examine Tolkien's masterpiece chapter by chapter, offering expert insights into its evolution, structure, and meaning. They discuss important influences on its development, connections between that work and other writings by Tolkien, errors and inconsistencies, significant changes to the text, and archaic and unusual words used by Tolkien. Thousands of notes, keyed to standard editions of The Lord of the Rings but universally accessible, reveal the richness and complexity of one of the most popular works of fiction in our time.Extensive reference is made also to writings by Tolkien not previously or widely published, including elaborate time-schemes, an unfinished manuscript index to The Lord of the Rings, and most notably, the important Nomenclature or guide to names in The Lord of the Rings prepared for the use of translators, long out of print and now newly transcribed and printed in its entirety. With these resources at hand, even the most seasoned reader of The Lord of the Rings will come to a greater enjoyment and appreciation of Tolkien's magnificent achievement. Published originally in 2005, the Reader's Companion won the annual Mythopoeic Scholarship Award in Inkling Studies. It has now been revised and updated to mark the 60th anniversary of The Lord of the Rings.

Painstakingly restored from Tolkien's manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Lúthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth. The tale of Beren and Lúthien was, or became, an essential element in the evolution of The Silmarillion, the myths and legends of the First Age of the World conceived by J.R.R. Tolkien. Returning from France and the battle of the Somme at the end of 1916, he wrote the tale in the following year. Essential to the story, and never changed, is the fate that shadowed the love of Beren and Lúthien: for Beren was a mortal man, but Lúthien was an immortal Elf. Her father, a great Elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. This is the kernel of the legend; and it leads to the supremely heroic attempt of Beren and Lúthien together to rob the greatest of all evil beings, Melkor, called Morgoth, the Black Enemy, of a Silmaril. In this book Christopher Tolkien has attempted to extract the story of Beren and Lúthien from the comprehensive work in which it was embedded; but that story was itself changing as it developed new associations within the larger history. To show something of the process whereby this legend of Middle-earth evolved over the years, he has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.

Concluding the story begun in The Hobbit, this is the final part of Tolkien's epic masterpiece, The Lord of the Rings, featuring an exclusive cover image from the film, the definitive text, and a detailed map of Middle-earth.The armies of the Dark Lord Sauron are massing as his evil shadow spreads ever wider. Men, Dwarves, Elves and Ents unite forces to do battle agains the Dark. Meanwhile, Frodo and Sam struggle further into Mordor in their heroic quest to destroy the One Ring.The devastating conclusion of J.R.R. Tolkien's classic tale of magic and adventure, begun in The Fellowship of the Ring and The Two Towers, features the definitive edition of the text and includes the Appendices and a revised Index in full.To celebrate the release of the first of Peter Jackson's two-part film adaptation of The Hobbit, THE HOBBIT: AN UNEXPECTED JOURNEY, this third part of The Lord of the Rings is available for a limited time with an exclusive cover image from Peter Jackson's award-winning trilogy.Source: harpercollins.com.au

A new expanded edition of Tolkien’s most famous, and most important essay, which defined his conception of fantasy as a literary form, and which led to the writing of The Lord of the Rings. Accompanied by a critical study of the history and writing of the text.J.R.R. Tolkien's "On Fairy-stories" is his most-studied and most-quoted essay, an exemplary personal statement of his views on the role of imagination in literature, and an intellectual tour de force vital for understanding Tolkien's achievement in the writing of The Lord of the Rings."On Fairy-stories" comprises about 18,000 words. What is little-known is that when Tolkien expanded the essay in 1943, he wrote many more pages of his views that were originally condensed into or cut from the published version. An estimate is difficult, but these unpublished passages perhaps amount to half again as much writing as the essay itself. These passages contain important elaborations of his views on other writers, and their publication represents a significant addition to Tolkien studies. Included in this new critical study of the work are: An introductory essay setting the stage for Tolkien's 1939 lecture (the origin of the essay) and placing it within a historical context. A history of the writing of 'On Fairy-stories', beginning with coverage of the original lecture as delivered, and continuing through to first publication in 1947. The essay proper as published in corrected form in Tree and Leaf (1964). Commentary on the allusions in the text, and notes about the revisions Tolkien made to the text as published in Tree and Leaf. Important material not included in the essay as published, with commentary by the editors.Contained within “On Fairy-stories” are the roots of the tree of tales that bore such glittering fruit in Tolkien’s published and unpublished work. Here, at last, Flieger and Anderson reveal through literary archaeology the extraordinary genesis of this seminal work and discuss, in their engaging commentary, how what Tolkien discovered during the writing of the essay would shape his writing for the rest of his life.