Empfehlungen basierend auf "The Song of Songs"

Here in one volume is the entire canon of Yeat's verse, who was awarded the Nobel Prize for Literature in 1923. He was a poet and playwright, storyteller and visionary. The author also wrote "Yeats: Man and Poet".

Here are poems to take you on a journey from the 'suddenly' of love at first sight to the 'truly, madly, deeply' of infatuation and on to the 'eternally' of love that lasts beyond the end of life, along the way taking in flirtation, passion, fury, betrayal and broken hearts. Bringing together the greatest love poetry from around the world and through the ages, ranging from W.H. Auden to William Shakespeare, John Donne to Emily Dickinson, Robert Browning to Roger McGough, this new anthology will delight, comfort and inspire anyone who has ever tasted love - in any of its forms.

THE SUNDAY TIMES BESTSELLER'An intoxicating mixture of poetry and prose, Slug is a taboo-busting delight' SCOTSMAN'One of the best poets we have' MATT HAIG'She writes with honesty, conviction, humour and love' KAE TEMPESTThe bestselling collection of poetry and prose from the Ted Hughes Award-winning author of Nobody Told MeFrom Finnish saunas and soppy otters to grief, grandparents and Kellogg's anti-masturbation pants, Slug is a book which holds a mirror lovingly up to the world, past and present, through Hollie's driving, funny, hopeful poetry and prose. Slug is about the human condition: of birth and death and how we manage the possibilities in between.'The inimitable words of poet/goddess Hollie McNish once again hold up honest, damn funny and refreshing takes on the everydayness of our lives . . . Never have we needed her more' STYLIST'Hollie always articulates exactly how I feel' CHARLY COX'A tribute to life itself' RED

Coleman Barks has played a central role in making the Sufi mystic Rumi the most popular poet in the world. A Year with Rumi brings together 365 of Barks's elegant and beautiful translations of Rumi's greatest poems, including fifteen never-before-published poems.Barks includes an Introduction that sets Rumi in his context and an Afterword musing on poetry of the mysterious and the sacred. Join Coleman Barks and Rumi for a year-long journey into the mystical and sacred within and without. Join them in recognizing and embracing the divine in the sublime, in the ordinary, and in us all.

It is the astonishment of Louise Glück's poetry that it resists collection. With each successive book her drive to leave behind what came before has grown more fierce, the force of her gaze fixed on what has yet to be imagined. She invented a form to accommodate this need, the book-length sequence of poems, like a landscape seen from above, a novel with lacunae opening onto the unspeakable. The reiterated yet endlessly transfigured elements in this landscape―Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain―persistently emerge and reappear with the dark energy of the inevitable, shot through with the bright aspect of things new-made.From the outset ("Come here / Come here, little one"), Gluck's voice has addressed us with deceptive simplicity, the poems in lines so clear we "do not see the intervening fathoms."From within the earth'sbitter disgrace, coldness and barrennessmy friend the moon rises:she is beautiful tonight, but when is she not beautiful?To read these books together is to understand the governing paradox of a life lived in the body and of the work wrested from it, the one fated to die and the other to endure.

Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Forty years of correspondence from one of America's most beloved authors, chronicling her life with compelling candor. The engrossing drama begun in May Sarton: Selected Letters 1916–1954 culminates in this gathering of 200 quintessential letters, culled from thousands. Copiously annotated, they propel the reader with passionate immediacy through the rich years of this beloved author's maturity and world-wide fame, to her death. "Sarton is one of the great letter writers of our time," Library Journal affirmed of the first volume. And here once again we see her in every aspect: the hard-pressed writer, the tormented lover, at her fiercest and most fond; the friend, confidante and passionate traveler, intensely engaged by public issues, ceaselessly searching for the elusive muse which made poetry and the creative transformation of life possible. In addition to longtime friends and intimates familiar from Volume One―Louise Bogan, Eva Le Gallienne, Bill Brown, Muriel Rukeyser and the Huxleys―the more than 150 recipients in this volume include Robert Frost and Elizabeth Bowen, Carolyn Heilbrun and Doris Grumbach, Madeleine L'Engle, Pat Carroll, and Marianne Moore."No topic escapes her," Susan Kenney wrote of the first volume, and in the breadth and amplitude of these vibrant missives to friends and strangers, poets and scientists, actors and scholars, teachers and editors from every corner of the States and throughout Europe, the reader will partake of her joys, and learn well her griefs; it is no coincidence she always capitalized Hell. Particularly rich are her letters to members of the religious community who were drawn to the spiritual center in her work; her magnificent letters of condolence; her fiery replies to critics; her trenchant, generous responses to the many young writers who touched her; and her life-enhancing responses to hordes of admirers. Here, too, we are privy to several intense love relationships, and live beside her through the landmark publications of Mrs. Stevens Hears the Mermaids Singing and her revolutionary Journal of a Solitude. We accompany her as she writes the celebrated lyric poems which, with missionary fervor, she brought alive in dynamic readings to standing-room-only audiences across America, as long as she could do so. And finally we are witness to the gradual diminishments of age as, with characteristic courage, she charges into her ninth decade, "ardent and alone." Selected Letters 1955–1995 offers new insights and throws fascinating sidelights on Sarton's multi-faceted character, presenting an awesome self-portrait―more revealing than anything yet published―of this truly singular woman who, faithful to her "vision of life"―and like the legendary phoenix which marks her grave ―never ceased to be reborn over and over again. As critic William Drake put it, "May Sarton always seems to be speaking to each one of us personally, as if we were a friend." In this richly moving and nourishing collection―the capstone of her literary legacy―this unforgettable woman speaks to each of us, as to each correspondent, once again in her timeless voice."Readers will find this volume a valuable companion to Sarton's other work; reading it put me back in touch with her keen intelligence, her restless but rich spirit, and I enjoyed it tremendously." ―Eleanor Dwight, author of Edith Wharton: An Extraordinary Life "In a century of cruel inhumanity, 'life-enhancing' poet, novelist and journal-keeper May Sarton showed us, most of all, how to be human. . . . That is why we find in her a friend, and will keep rereading these thoughtful letters and her books for clues about the journey ahead." ―Father John Dear, author of Living Peace "Those who know her journals will find here a Sarton willing to examine the underside of creativity, a Sarton who refuses to stay stuck in life or work. This book passes on that courage to readers." ―Alexandra Johnson, author of Leaving a Trace: On Keeping a Journal "A searingly honest

Sacred poetry from twelve mystics and saints, rendered brilliantly by Daniel Ladinsky, beloved interpreter of verses by the fourteenth-century Persian poet HafizOne of 6 Books Oprah Loves to Give as Gifts During the Holidays“All kinds of beautiful poetry.” –Hoda KotbIn this luminous collection, Daniel Ladinsky—best known for his bestselling interpretations of the great Sufi poet Hafiz—brings together the timeless work of twelve of the world’s finest spiritual writers, six from the East and six from the West. Once again, Ladinsky reveals his talent for creating profound and playful renditions of classic poems for a modern audience.Rumi’s joyous, ecstatic love poems; St. Francis’s loving observations of nature through the eyes of Catholicism; Kabir’s wild, freeing humor that synthesizes Hindu, Muslim, and Christian beliefs; St. Teresa’s sensual verse; and the mystical, healing words of Sufi poet Hafiz—these along with inspiring works by Rabia, Meister Eckhart, St. Thomas Aquinas, Mira, St. Catherine of Siena, St. Teresa of Avila, St. John of the Cross, and Tukaram are all “love poems by God” from writers considered “conduits of the divine.” Together, they form a spiritual treasure to cherish always.

Selected Poems: 1931-2004celebrates Czeslaw Milosz's lifetime of poetry. Widely regarded as one of the greatest poets of our time, Milosz is a master of expression and probing inquiry. Life opened for Czeslaw Milosz at a crossroads of civilizations in northeastern Europe. This was less a melting pot than a torrent of languages and ideas, where old folk traditions met Catholic, Protestant, Judaic, and Orthodox rites. What unfolded next around him was a century of catastrophe and madness: two world wars, revolutions, invasions, and the murder of tens of millions, all set to a cacophony of hymns, gunfire, national anthems, and dazzling lies. In the thick of this upheaval, wide awake and in awe of living, dodging shrapnel, imprisonment, and despair, Milosz tried to understand both history and the moment, with humble respect for the suffering of each individual. He read voraciously in many languages and wrote masterful poetry that, even in translation, is infused with a tireless spirit and a penetrating insight into fundamental human dilemmas and the staggering yet simple truth that "to exist on the earth is beyond any power to name." Unflinching, outspoken, timeless, and unsentimental, Milosz digs through the rubble of the past, forging a vision -- and a warning -- that encompasses both pain and joy. "His intellectual life," writes Seamus Heaney, "could be viewed as a long single combat with shape-shifting untruth."

As a neurasthenic, kleptomaniac, man-chasing proto-punk poet and artist, the Baroness Elsa von Freytag-Loringhoven left in her wake a ripple that is becoming a rip -- one hundred years after she exploded onto the New York art scene. As an agent provocateur within New York's modernist revolution, "the first American Dada" not only dressed and behaved with purposeful outrageousness, but she set an example that went well beyond the eccentric divas of the twenty-first century, including her conceptual descendant, Lady Gaga. Her delirious verse flabbergasted New Yorkers as much as her flamboyant persona. As a poet, she was profane and playfully obscene, imagining a farting God, and transforming her contemporary Marcel Duchamp into M'ars (my arse). With its ragged edges and atonal rhythms, her poetry echoes the noise of the metropolis itself. Her love poetry muses graphically on ejaculation, orgasm, and oral sex. When she tired of existing words, she created new ones: "phalluspistol," "spinsterlollipop," "kissambushed." The Baroness's rebellious, highly sexed howls prefigured the Beats; her intensity and psychological complexity anticipates the poetic utterances of Anne Sexton and Sylvia Plath. Published more than a century after her arrival in New York, Body Sweats is the first major collection of Elsa von Freytag-Loringhoven's poems in English. The Baroness's biographer Irene Gammel and coeditor Suzanne Zelazo have assembled 150 poems, most of them never before published. Many of the poems are themselves art objects, decorated in red and green ink, adorned with sketches and diagrams, presented with the same visceral immediacy they had when they were composed.