Empfehlungen basierend auf "The Sick Bag Song"

What matters is to live everything Live the questions for now A hugely influential collection for writers and artists of all kinds Rilkes profound and lyrical letters to a young friend advise on writing love sex suffering and the nature of advice itself One of 46 new books in the bestselling Little Black Classics series to celebrate the first ever Penguin Classic in 1946 Each book gives readers a taste of the Classics huge range and diversity with works from around the world and across the centuries including fables decadence heartbreak tall tales satire ghosts battles and elephants

Here, for the first time, is a volume that gathers the published verse of Allen Ginsberg in its entirety, a half century of brilliant work from one of America's great poets. The chief figure among the Beats, Ginsberg changed the course of American poetry, liberating it from closed academic forms with the creation of open, vocal, spontaneous, and energetic postmodern verse in the tradition of Walt Whitman, Guillaume Apollinaire, Hart Crane, Ezra Pound, and William Carlos Williams. Ginsberg's classics Howl, Reality Sandwiches, Kaddish, Planet News, and The Fall of America led American (and international) poetry toward uncensored vernacular, explicit candor, the ecstatic, the rhapsodic, and the sincere—all leavened by an attractive and pervasive streak of common sense. Ginsberg's raw tones and attitudes of spiritual liberation also helped catalyze a psychological revolution that has become a permanent part of our cultural heritage, profoundly influencing not only poetry and popular song and speech, but also our view of the world. The uninterrupted energy of Ginsberg's remarkable career is clearly revealed in this collection. Seen in order of composition, the poems reflect on one another; they are not only works but also a work. Included here are all the poems from the earlier volume Collected Poems 1947-1980, and from Ginsberg's subsequent and final three books of new poetry: White Shroud, Cosmopolitan Greetings, and Death & Fame. Enriching this book are illustrations by Ginsberg's artist friends; unusual and illuminating notes to the poems, inimitably prepared by the poet himself; extensive indexes; as well as prefaces and various other materials that accompanied the original publications.

Whitman's most beloved poem, "Song of Myself," illustrated, illuminated, and presented like never before. Walt Whitman’s iconic collection of poems, Leaves of Grass, has earned a reputation as a sacred American text. Whitman himself made such comparisons, going so far as to use biblical verse as a model for his own. So it’s only appropriate that artist and illustrator Allen Crawford has chosen to illuminate―like medieval monks with their own holy scriptures―Whitman’s masterpiece and the core of his poetic vision, “Song of Myself.” Crawford has turned the original sixty-page poem from Whitman’s 1855 edition into a sprawling 234-page work of art. The handwritten text and illustrations intermingle in a way that’s both surprising and wholly in tune with the spirit of the poem―they’re exuberant, rough, and wild. Whitman Illuminated: Song of Myself is a sensational reading experience, an artifact in its own right, and a masterful tribute to the Good Gray Poet.

In Just Kids, Patti Smith’s first book of prose, the legendary American artist offers a never-before-seen glimpse of her remarkable relationship with photographer Robert Mapplethorpe in the epochal days of New York City and the Chelsea Hotel in the late sixties and seventies. An honest and moving story of youth and friendship, Smith brings the same unique, lyrical quality to Just Kids as she has to the rest of her formidable body of work—from her influential 1975 album Horses to her visual art and poetry.

"The Walt Whitman of Los Angeles."—Joyce Carol Oates, bestselling author"He brought everybody down to earth, even the angels."—Leonard Cohen, songwriterPlay the Piano introduces Charles Bukowski's poetry from the 1970s. He leads a life full of gambling and booze but also finds love. These poems are full of lechery and romance as he struggles to mature.

First published in 1956, Allen Ginsberg's "Howl" is a prophetic masterpiece--an epic raging against dehumanizing society that overcame censorship trials and obscenity charges to become one of the most widely read poems of the century.  Now a major motion picture, starring James Franco, Howl was directed by two-time Academy Award-winners Rob Epstein & Jeffrey Friedman, who hired Eric Drooker to animate the poem. Howl: A Graphic Novel visualizes the poem--stanza by stanza--with full color animation art Drooker designed for the film. [Printed on recycled paper with Soy Ink, this luxury art book has french flaps and spot gloss on cover.]

As a neurasthenic, kleptomaniac, man-chasing proto-punk poet and artist, the Baroness Elsa von Freytag-Loringhoven left in her wake a ripple that is becoming a rip -- one hundred years after she exploded onto the New York art scene. As an agent provocateur within New York's modernist revolution, "the first American Dada" not only dressed and behaved with purposeful outrageousness, but she set an example that went well beyond the eccentric divas of the twenty-first century, including her conceptual descendant, Lady Gaga. Her delirious verse flabbergasted New Yorkers as much as her flamboyant persona. As a poet, she was profane and playfully obscene, imagining a farting God, and transforming her contemporary Marcel Duchamp into M'ars (my arse). With its ragged edges and atonal rhythms, her poetry echoes the noise of the metropolis itself. Her love poetry muses graphically on ejaculation, orgasm, and oral sex. When she tired of existing words, she created new ones: "phalluspistol," "spinsterlollipop," "kissambushed." The Baroness's rebellious, highly sexed howls prefigured the Beats; her intensity and psychological complexity anticipates the poetic utterances of Anne Sexton and Sylvia Plath. Published more than a century after her arrival in New York, Body Sweats is the first major collection of Elsa von Freytag-Loringhoven's poems in English. The Baroness's biographer Irene Gammel and coeditor Suzanne Zelazo have assembled 150 poems, most of them never before published. Many of the poems are themselves art objects, decorated in red and green ink, adorned with sketches and diagrams, presented with the same visceral immediacy they had when they were composed.

"I've been told that no one sings the word 'hunger' like I do. Or the word 'love'."Lady Sings the Blues is the inimitable autobiography of one of the greatest icons of the twentieth century. Born to a single mother in 1915 Baltimore, Billie Holiday had her first run-in with the law at aged 13. But Billie Holiday is no victim. Her memoir tells the story of her life spent in jazz, smoky Harlem clubs and packed-out concert halls, her love affairs, her wildly creative friends, her struggles with addiction and her adventures in love. Billie Holiday is a wise and aphoristic guide to the story of her unforgettable life.

This is the first ever UK publication of the poetry of Wanda Coleman- a beat-up, broke Black woman who wrote with anger, humour and clarity about her life on the margins, and who went overlooked by the establishment for much of her career even as she was known colloquially as the 'unofficial poet laureate of Los Angeles'. Nobody wrote about police hassle like she did. Nobody wrote about poverty, about making do with what's on hand, about the slave trade or about their personal vendetta against slow walkers in the supermarket, in quite the same way. Wicked Enchantment gathers 130 of Coleman's best poems, spanning some four decades, in a selection by Terrance Hayes. Mary Karr has called it 'hateful and hilarious, heartbroke and hellbent'; the Washington Post says that 'Wanda Coleman is not just wickedly wise, she is transcendent'; the New Yorker calls her 'one of the greatest poets ever to come out of L. A.' Brutal, hilarious, triumphant, wild and paradoxically, sometimes horrifically precise, these are not poems written for a course, for establishment approval or for polite applause; they were written because Coleman had to write what she saw and felt, and wrote brilliantly. Few if any writers, before or since, have had the courage to write with such honesty about the daily experience of life in a racist world.

The Sufi mystic and poet Jalaluddin Rumi is most beloved for his poems expressing the ecstasies and mysteries of love in all its forms—erotic, platonic, divine—and Coleman Barks presents the best of them in this delightful and inspiring collection. Rendered with freshness, intensity, and beauty as Barks alone can do, these startling and rich poems range from the "wholeness" one experiences with a true lover, to the grief of a lover's loss, and all the states in between: from the madness of sudden love to the shifting of a romance to deep friendship to the immersion in divine love. Rumi, the ultimate poet of love, explores all "the magnificent regions of the heart," and he opens you to the lover within. Coleman Barks has made this medieval, Persian-born (present-day Afghanistan) poetic and spiritual genius the most popular poet in America today. This seductive volume reveals Rumi's charms and depths more than any other.