Empfehlungen basierend auf "The Shortest History of Germany: From Roman Frontier to the Heart of Europe―A Retelling for Our Times (Shortest History Series)"

The New York Times bestselling classic of alternate history, a murder mystery set in a world where the Nazis won World War II—for fans of The Plot Against America and The Man in the High CastleBerlin, 1964. The Greater German Reich stretches from the Rhine to the Urals, and keeps an uneasy peace with its nuclear rival, the United States. As the Fatherland prepares for a grand celebration honoring Adolf Hitler’s seventy-fifth birthday and anticipates a conciliatory visit from U.S. president Joseph Kennedy and ambassador Charles Lindbergh, a detective of the Kriminalpolizei is called out to investigate the discovery of a dead body in a lake near Berlin’s most prestigious suburb.But when Xavier March discovers the identity of the body, he also uncovers signs of a conspiracy that could go to the very top of the German Reich. And, with the Gestapo just one step behind, March, together with the American journalist Charlotte Maguire, is caught up in a race to discover and reveal the truth—a truth that has already killed, a truth that could topple governments, a truth that will change history.Praise for Fatherland“A singular achievement displaying original and carefully wrought suspense . . . Fatherland easily transcends convention.”—The Washington Post“A solid thriller, vividly imagined and genuinely frightening.”—The Atlanta Journal-Constitution“Ingenious . . . a triumph . . . suspenseful and elegant.”—San Francisco Chronicle“A dazzler . . . fast-paced . . . Historical fact is blended skillfully with fiction.”—Detroit Free Press“Absorbing . . . expertly written.”—The New York Times Book Review“Truly captivating.”—Robert Ludlum“A strong premise for a police thriller with rich foreign atmosphere and political texture galore? Absolutely!”—Entertainment Weekly“A sly and scary page-turner.”—Los Angeles Times“A well-plotted, well-written detective tale and a fascinating trek through parallel history.”—Chicago Tribune“Fatherland works on all levels. It’s a triumph.”—The Washington Times“Distinguished by vivid details based on impeccable research, the thriller is a crackling-good read in the le Carré tradition.”—Time“Wonderful.”—Newsday“A gripping detective story as well as a chilling visit to the Germany that might have been. It is so plausibly written it seems quite real. Robert Harris is a name to watch for.”—BookPage

“When this book was first published it received some attention from the critics but none at all from the public. Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”   That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest. And that interest has never been more prominent or potent than what we’ve seen in the past year.   They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.   A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

Partly autobiographical, this is the second title in Judith Kerr’s internationally acclaimed trilogy of books following the life of Anna through war-torn Germany, to London during the Blitz and her return to Berlin to discover the past…It is hard enough being a teenager in London during the Blitz, finding yourself in love and wondering every night whether you will survive the bombs. But it is even harder for Anna, who is still officially classified as an “enemy alien”. Those bombs are coming from Germany – the country that was once her own. If Hitler invades, can she and her beloved refugee family possibly survive?This was previously published as The Other Way Round.

From Library Journal Experienced historian Smith details the personalities and events of the summer of 1939 as the world was drawn into a war that no one but Adolf Hitler wanted. England, Germany, and Russia are the focus; memories of prominent and "ordinary" folk are interwoven to give the feel of the time. Step by painful step, this account moves from the death of Czechoslovakia to the Russo-German pact to the intimidation, then destruction, of Poland. Although Smith adds mothing new, his evocation of the elegiac mood of a doomed society is quite readable. Recommended for most libraries. Pat Ensor, Indiana State Univ. Lib., Terre HauteCopyright 1987 Reed Business Information, Inc.

Shortlisted for the 2024 Wolfson History PrizeA Telegraph and Der Spiegel Book of the YearSueddeutsche Zeitung's Number One Most Important Political Book of 2023Die Zeit, ZDF, Deutschlandfunk, taz Number One, Best Non-Fiction Books December 2023 and January 2024A Telegraph and Der Spiegel Book of the YearSueddeutsche Zeitung's Number One Most Important Political Book of 2023Die Zeit, ZDF, Deutschlandfunk, taz Number One, Best Non-Fiction Books December 2023 and January 2024A groundbreaking new history of the people at the centre of Europe, from the Second World War to todayIn 1945, Germany lay in ruins, morally and materially. The German people stood condemned by history, responsible for a horrifying genocide and a war of extermination. But by 2015 Germany looked to many to be the moral voice of Europe, welcoming almost one million refugees. At the same time, it pursued a controversially rigid fiscal discipline and made energy deals with a dictator. Many people have asked how Germany descended into the darkness of the Nazis, but this book asks another vital question: how, and how far, have the Germans since reinvented themselves?Trentmann tells the dramatic story of the Germans from the middle of the Second World War, through the Cold War and the division into East and West, to the fall of the Berlin Wall and the reunited nation's search for a place in the world. Their journey is marked by extraordinary moral struggles: guilt, shame and limited amends; wealth versus welfare; tolerance versus racism; compassion and complicity. Through a range of voices - German soldiers and German Jews; environmentalists and coal miners; families and churches; volunteers, migrants and populists - Trentmann paints a remarkable and surprising portrait over 80 years of the conflicted people at the centre of Europe.

Fascism is a political ideology which has been identified with totalitarianism, state terror, fanaticism, orchestrated violence, and blind obedience. Fascism was directly associated with the Second World War, the most devastating annihilation of human lives in the history of mankind which left more than 40 million dead around the globe and introduced notions of inhumanity the extent of which was heretofore unknown. The mere term stirs up visions of atrocities and wanton cruelty even today, fifty years after the end of the Last European War Yet once again fascism is in the ascendant, suggesting that it is time for us to renew our understanding of its ideas, ideals, and iniquities. This anthology tries to show why fascism holds such strong appeal to many people. With a wide selection of texts written by fascist thinkers and propagandists as well as prominent anti-fascist criticism from both inside and outside Europe, before and after the Second World War, this collection offers a chilling portrait of the most feared political doctrine in modern history. Some of the topics covered in this volume include fascism in Germany and Italy, pre-1922 precursors of fascism, theories of fascism, the abortive fascist movements in the period 1922-1945, anti-fascist movements and reaction, Marxist criticism of fascist ideology, and post-war fascism. With contributions from writers as diverse as Benito Mussolini and Primo Levi, Joseph Goebbels and George Orwell, Martin Heidegger and Max Horkheimer, this insightful book evokes the pernicious effects of fascist ideology.

Love history? Know your stuff with History in an Hour.Midnight, Tuesday 6 June 1944: the beginning of D-Day, the operation to invade Nazi-occupied Western Europe and initiate the final phase of World War II. A vast undertaking, it involved 12,000 aircraft and an amphibious assault of almost 7,000 vessels. 160,000 troops would cross the English Channel during Operation Overlord, paving the way for more than three million allied troops to enter France by the end of August 1944.Forces from the United Kingdom, the United States, Canada, the Free French and Poland all heavily participated, alongside contingents from Belgium, Greece, the Netherlands, and Norway, They capitalised on the element of surprise achieved due to bad weather and the success of Operation Bodyguard – a feat of massive deception to convince Hitler that the landings would hit Pas-de-Calais. In just over a year, the war would be won. ‘D-Day: History in an Hour’ is the story of how the largest military operation in history had been planned, practised and executed.Love history? Know your stuff with History in an Hour…

Ernst Jünger was one of twentieth-century Germany's most important--and most controversial--writers. Decorated for bravery in World War I and the author of the acclaimed western front memoir Storm of Steel, he frankly depicted war's horrors even as he extolled its glories. As a Wehrmacht captain during World War II, Jünger faithfully kept a journal in occupied Paris and continued to write on the eastern front and in Germany until its defeat--writings that are of major historical and literary significance. Jünger's Paris journals document his Francophile excitement, romantic affairs, and fascination with botany and entomology, alongside mystical and religious ruminations and trenchant observations on the occupation and the politics of collaboration. While working as a mail censor, he led the privileged life of an officer, encountering artists such as Céline, Cocteau, Braque, and Picasso. His notes from the Caucasus depict the chaos after Stalingrad and atrocities on the eastern front. Upon returning to Paris, Jünger observed the French resistance and was close to the German military conspirators who plotted to assassinate Hitler in 1944. After fleeing France, he reunited with his family as Germany's capitulation approached. Both participant and commentator, close to the horrors of history but often distancing himself from them, Jünger turned his life and experiences into a work of art. These wartime journals appear here in English for the first time, giving fresh insights into the quandaries of the twentieth century from the keen pen of a paradoxical observer.

A war memoir that presents the author's sage of World War II - from the long remembered outbreak of crabs in monkey to the unfortunate ack-acking of and American killyhawk.

"From the preeminent Hitler biographer, a fascinating and original exploration of how the Third Reich was willing and able to fight to the bitter end of World War II. Countless books have been written about why Nazi Germany lost World War II, yet remarkably little attention has been paid to the equally vital question of how and why it was able to hold out as long as it did. The Third Reich did not surrender until Germany had been left in ruins and almost completely occupied. Even in the near-apocalyptic final months, when the war was plainly lost, the Nazis refused to sue for peace. Historically, this is extremely rare. Drawing on original testimony from ordinary Germans and arch-Nazis alike, award-winning historian Ian Kershaw explores this fascinating question in a gripping and focused narrative that begins with the failed bomb plot in July 1944 and ends with the German capitulation in May 1945. Hitler, desperate to avoid a repeat of the "disgraceful" German surrender in 1918, was of course critical to the Third Reich's fanatical determination, but his power was sustained only because those below him were unable, or unwilling, to challenge it. Even as the military situation grew increasingly hopeless, Wehrmacht generals fought on, their orders largely obeyed, and the regime continued its ruthless persecution of Jews, prisoners, and foreign workers. Beneath the hail of allied bombing, German society maintained some semblance of normalcy in the very last months of the war. The Berlin Philharmonic even performed on April 12, 1945, less than three weeks before Hitler's suicide. As Kershaw shows, the structure of Hitler's "charismatic rule" created a powerful negative bond between him and the Nazi leadership- they had no future without him, and so their fates were inextricably tied. Terror also helped the Third Reich maintain its grip on power as the regime began to wage war not only on its ideologically defined enemies but also on the German people themselves. Yet even as each month brought fresh horrors for civilians, popular support for the regime remained linked to a patriotic support of Germany and a terrible fear of the enemy closing in. Based on prodigious new research, Kershaw's The End is a harrowing yet enthralling portrait of the Third Reich in its last desperate gasps. "--