Empfehlungen basierend auf "The Shaolin Monastery: History, Religion and the Chinese Martial Arts"

Lao-tzu’s Te-Tao Ching has been treasured for thousands of years for its poetic statement of life’s most profound and elusive truths. Although the Te-Tao Ching is widely read, the author’s enigmatic style and the less than perfect condition of the Chinese originals make many of its brief poems difficult to understand. So readers of find literature hailed the discovery, in 1973, of two copies of the Te-Tao Ching which had been buried in 168 B.C.These manuscripts are more than five centuries older than any others known, and they correct many defects of later versions: their grammar and vocabulary frequently make the classic easier to understand; lost lines are restored (as many as three in some poems); some sections follow a more logical sequence.Such differences make it necessary to reevaluate traditional interpretations of the Te-Tao Ching, and Professor Henricks has done this in an extensive commentary to his excellent new translation. In addition, Professor Henricks has provided an introduction that explains the basics of Taoism and discusses the many other important finds from Ma-want-tui.

One of the world's greatest fantasy novels and a rollicking classic of Chinese literature, in a sparkling new translation and published in a Clothbound Classics edition.A shape-shifting trickster on a kung-fu quest for eternal life, Monkey King is one of the most memorable superheroes in world literature. High-spirited and omni-talented, he can transform himself into whatever he chooses and turn each of his body's 84,000 hairs into an army of clones. But his penchant for mischief repeatedly gets him into trouble, and when he raids Heaven's Orchard of Immortal Peaches, the Buddha pins him beneath a mountain. Five hundred years later, Monkey King is finally given a chance to redeem himself: he must protect the pious monk Tripitaka on his journey in search of precious Buddhist sutras that will bring enlightenment to the Chinese empire.Joined by two other fallen immortals - Pigsy, a rice-loving flying pig, and Sandy, a depressive river-sand monster - Monkey King does battle with Red Boy, Princess Jade-Face, the Monstress Dowager, and all manner of dragons, ogres, wizards and femmes fatales; navigates the perils of Fire-Cloud Cave, the River of Flowing Sand and the Water-Crystal Palace; and is serially captured, lacquered, sautéed, steamed and liquefied - but always hatches an ingenious plan to get himself and his fellow pilgrims out of their latest jam.Comparable to The Canterbury Tales or Don Quixote, Monkey King is at once a gripping adventure, a comic satire and a spring of spiritual insight. With this new translation by the award-winning Julia Lovell, the irrepressible rogue hero of one of the Four Great Classical Novels of Chinese literature has the potential to vault, with his signature cloud-somersault, into the hearts of a whole new generation of readers.

The most accessible and authoritative modern English translation of this esoteric but infinitely practical bestselling book."No one has done better in conveying Lao Tsu's simple and laconic style of writing, so as to produce an English version almost as suggestive of the many meanings intended." —Alan WattsFor nearly two generations, Gia-fu Feng and Jane English's bestselling translation of the Tao Te Ching has been the standard for those seeking access to the wisdom of Taoist thought. Now Jane English and her long-time editor, Toinette Lippe, have revised and refreshed the translation so that it more faithfully reflects the Classical Chinese in which it was first written, taking into account changes in our own language and eliminating any lingering infelicities. They have retained the simple clarity of the original rendering of a sometimes seemingly obtuse spiritual text, a clarity that has made this version a classic in itself, selling over a million copies.Written most probably in the sixth century B.C. by Lao Tsu, this esoteric but infintely practical book has been translated into English more frequently than any other work except the Bible. Gia-fu Feng and Jane English's superb translation offers the essence of each word and makes Lao Tsu's teaching immediate and alive. This edition includes an introduction and notes by the well-known writer and scholar of philosophy and comparative religion, Jacob Needleman.

After two volumes mainly introductory, Dr Needham now embarks upon his systematic study of the development of the natural sciences in China. The Sciences of the Earth follow: geography and cartography, geology, seismology and mineralogy. Dr Needham distinguishes parallel traditions of scientific cartography and religious cosmography in East and West, discussing orbocentric wheel-maps, the origins of the rectangular grid system, sailing charts and relief maps, Chinese survey methods, and the impact of Renaissance cartography on the East. Finally-and here Dr Needham's work has no Western predecessors-there are full accounts of the Chinese contribution to geology and mineralogy.

'"After all," he said, "you're only a monkey spirit. How can you delude yourself into supposing that you can seize the Jade Emperor's throne?"' Featuring the adventures of the irrepressible, cloud-riding trickster Monkey and his band of unruly disciples, this centuries-old Chinese fantasy blends beauty with absurdity, nonsense with profundity.

Since its publication in the early nineteenth century, this long narrative poem has stood unchallenged as the supreme masterpiece of Vietnamese literature. Thông’s new and absorbingly readable translation (on pages facing the Vietnamese text) is illuminated by notes that give comparative passages from the Chinese novel on which the poem was based, details on Chinese allusions, and literal translations with background information explaining Vietnamese proverbs and folk sayings.

China was the most advanced country in the world when Huizong ascended the throne in 1100 CE. In his eventful twenty-six year reign, the artistically-gifted emperor guided the Song Dynasty toward cultural greatness. Yet Huizong would be known to posterity as a political failure who lost the throne to Jurchen invaders and died their prisoner. The first comprehensive English-language biography of this important monarch, Emperor Huizong is a nuanced portrait that corrects the prevailing view of Huizong as decadent and negligent. Patricia Ebrey recasts him as a ruler genuinely ambitious—if too much so—in pursuing glory for his flourishing realm.After a rocky start trying to overcome political animosities at court, Huizong turned his attention to the good he could do. He greatly expanded the court's charitable ventures, founding schools, hospitals, orphanages, and paupers' cemeteries. An accomplished artist, he surrounded himself with outstanding poets, painters, and musicians and built palaces, temples, and gardens of unsurpassed splendor. What is often overlooked, Ebrey points out, is the importance of religious Daoism in Huizong's understanding of his role. He treated Daoist spiritual masters with great deference, wrote scriptural commentaries, and urged his subjects to adopt his beliefs and practices. This devotion to the Daoist vision of sacred kingship eventually alienated the Confucian mainstream and compromised his ability to govern.Readers will welcome this lively biography, which adds new dimensions to our understanding of a passionate and paradoxical ruler who, so many centuries later, continues to inspire both admiration and disapproval.

From one of China’s most acclaimed writers, his first work of nonfiction to appear in English: a unique, intimate look at the Chinese experience over the last several decades, told through personal stories and astute analysis that sharply illuminate the country’s meteoric economic and social transformation.Framed by ten phrases common in the Chinese vernacular—“people,” “leader,” “reading,” “writing,” “Lu Xun” (one of the most influential Chinese writers of the twentieth century), “disparity,” “revolution,” “grassroots,” “copycat,” and “bamboozle”—China in Ten Words reveals as never before the world’s most populous yet oft-misunderstood nation. In “Disparity,” for example, Yu Hua illustrates the mind-boggling economic gaps that separate citizens of the country. In “Copycat,” he depicts the escalating trend of piracy and imitation as a creative new form of revolutionary action. And in “Bamboozle,” he describes the increasingly brazen practices of trickery, fraud, and chicanery that are, he suggests, becoming a way of life at every level of society.Characterized by Yu Hua’s trademark wit, insight, and courage, China in Ten Words is a refreshingly candid vision of the “Chinese miracle” and all its consequences, from the singularly invaluable perspective of a writer living in China today.

A century ago, outsiders saw China as a place where nothing ever changes. Today the country has become one of the most dynamic regions on earth. In Oracle Bones, Peter Hessler explores the human side of China's transformation, viewing modern-day China and its growing links to the Western world through the lives of a handful of ordinary people. In a narrative that gracefully moves between the ancient and the present, the East and the West, Hessler captures the soul of a country that is undergoing a momentous change before our eyes.

Named a Most Anticipated Book of 2024 by the BBCA sweeping yet intimate portrait of modern China told through the lives of four ordinary women striving for a better future in a highly unequal societyWhile serving as the deputy Beijing bureau chief of the Financial Times, Chinese-British journalist Yuan Yang began to notice common threads in the lives of her Chinese peers—women born during China’s turn toward capitalism in the 1980s and 1990s, who, despite the country's enormous economic gains during their lifetimes, were coming up against deeply entrenched barriers as they sought to achieve financial stability.The product of seven years of intimate, in-depth reporting, this transporting and indelible book traces the journey of four such women as they try to make better lives for themselves and their families in the new Chinese economy. June and Siyue are among the few in their villages to graduate high school. Each makes her way to Beijing, June as a young professional and Siyue an entrepreneur. Like Siyue, Leiya lives with her grandparents in their village while her parents send money home; yearning for a different life than those of the women she sees around her, Leiya soon joins her parents in Shenzhen as an underage factory worker. Born to an urban middle-class family, Sam is outraged when her eyes are opened the poor treatment of workers, and becomes a labor activist, increasingly under threat by the authorities.As the women grapple with government policies that threaten their businesses, their children's access to education, their choice of where to make a home, and, in Sam’s case, their lives, a vivid, damning, and urgent picture emerges of the previously unseen human cost of China’s rising economic tide—and the courage and perseverance of those caught in the swell.