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Lao-tzu’s Te-Tao Ching has been treasured for thousands of years for its poetic statement of life’s most profound and elusive truths. Although the Te-Tao Ching is widely read, the author’s enigmatic style and the less than perfect condition of the Chinese originals make many of its brief poems difficult to understand. So readers of find literature hailed the discovery, in 1973, of two copies of the Te-Tao Ching which had been buried in 168 B.C.These manuscripts are more than five centuries older than any others known, and they correct many defects of later versions: their grammar and vocabulary frequently make the classic easier to understand; lost lines are restored (as many as three in some poems); some sections follow a more logical sequence.Such differences make it necessary to reevaluate traditional interpretations of the Te-Tao Ching, and Professor Henricks has done this in an extensive commentary to his excellent new translation. In addition, Professor Henricks has provided an introduction that explains the basics of Taoism and discusses the many other important finds from Ma-want-tui.

A courageous and intimate memoir of China framed in ten telling words: a Duckworth contemporary classic, beautifully repackaged for our 125th anniversary

In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China’s most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas.In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of “scenic illusion paintings” (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong’s world.Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/imperial-illusions

A fallen god unravels supernatural mysteries and comes face-to-face with ghosts from his past in this official manhua (comic) adaptation of the New York Times bestselling danmei novel by Mo Xiang Tong Xiu. Featuring stunning art by STARember, the webcomic produced by BILIBILI COMICS is now available in English in print for the first time. The first edition hardcover of Heaven Official’s Blessing (The Comic) will feature designed sprayed edges, custom endpapers, deluxe jacket, and a custom case stamp with gold foil! Xie Lian, once the darling of the heavens, is a twice-banished god infamous for his fall from grace. Eight hundred years have passed since his mortal life as the Crown Prince of Xianle, and he’s now the laughingstock of the three realms. So when he ascends to godhood for a third time, it causes an uproar among his divine peers. Ascension may be nothing new to Xie Lian, but this time he has no followers, little power, and less luck. To repay his heavenly debts, Xie Lian must descend to the Mortal Realm to hunt ghosts that prey upon the living. There, he encounters a mysterious stranger—but is this newcomer friend or foe . . . or something else entirely? Volume 1 includes the prologue and episodes 1–14 of the original webcomic based on the webnovel Tian Guan Ci Fu published on JJWXC.

For the first time ever in a collection, discover the passion, romance and scandals of the Pingkang Li Mysteries, from USA TODAY bestselling author Jeannie Lin! CAPTURING THE SILKEN THIEF Musician Jia needs a valuable book of poems by a famous courtesan to buy her freedom...and she believes Luo Cheng has taken it. Her attempt to steal the book from him fails, but the tall and powerful scholar unexpectedly offers to help her quest. As they search for the book—and the arousing poems and artwork inside—Jia’s longing for freedom is replaced with a new kind of desire for Cheng… THE LOTUS PALACE At the Lotus Palace, the best of society comes to drink and enjoy the company of beautiful and talented courtesans. Bai Huang, an eternal student at the Lotus Palace, is different from practical attendant Yue-ying in every way. But as the two are thrown together in an attempt to solve a deadly mystery, they both start to dream of a different life. Their statuses forbid them from being together, but could they find a way to follow their hearts? THE JADE TEMPTRESS When a powerful official is found dead in a highly suspicious murder, Lotus Palace hostess Mingyu and constable Kaifeng become involved in the dangerous mystery. Amid the chaos, Kaifeng discovers his reluctant, yet fierce attraction to Mingyu, but the temptation to give in to her could destroy them both. After all, a forbidden affair is bound to have consequences…

This text had a major impact in its original Chinese version. Reviewed in the Far East Economic Review as 'one of the richest portraits of the Chinese countryside published in the reform era', it charts a long journey through the hinterland region of the Yellow River undertaken by the author between 1994 and 1996. It examines in exhaustive detail the lives and work of peasants, Party and local government officials, providing a wealth of data on the nature of life in post-reform rural China. The author argues that global integration is but the latest 'great leap forward' in a succession of reforms over a hundred years.

Anthony C. Yu’s translation of The Journey to the West,initially published in 1983, introduced English-speaking audiences to the classic Chinese novel in its entirety for the first time. Written in the sixteenth century, The Journey to the West tells the story of the fourteen-year pilgrimage of the monk Xuanzang, one of China’s most famous religious heroes, and his three supernatural disciples, in search of Buddhist scriptures. Throughout his journey, Xuanzang fights demons who wish to eat him, communes with spirits, and traverses a land riddled with a multitude of obstacles, both real and fantastical. An adventure rich with danger and excitement, this seminal work of the Chinese literary canonis by turns allegory, satire, and fantasy. With over a hundred chapters written in both prose and poetry, The Journey to the West has always been a complicated and difficult text to render in English while preserving the lyricism of its language and the content of its plot. But Yu has successfully taken on the task, and in this new edition he has made his translations even more accurate and accessible. The explanatory notes are updated and augmented, and Yu has added new material to his introduction, based on his original research as well as on the newest literary criticism and scholarship on Chinese religious traditions. He has also modernized the transliterations included in each volume, using the now-standard Hanyu Pinyin romanization system. Perhaps most important, Yu has made changes to the translation itself in order to make it as precise as possible. One of the great works of Chinese literature, The Journey to the West is not only invaluable to scholars of Eastern religion and literature, but, in Yu’s elegant rendering, also a delight for any reader.

The Journey to the West, volume 2, comprises the second twenty-five chapters of Anthony C. Yu's four-volume translation of Hsi-yu Chi, one of the most beloved classics of Chinese literature. The fantastic tale recounts the sixteen-year pilgrimage of the monk Hsüan-tsang (596-664), one of China's most illustrious religious heroes, who journeyed to India with four animal disciples in quest of Buddhist scriptures. For nearly a thousand years, his exploits were celebrated and embellished in various accounts, culminating in the hundred-chapter Journey to the West, which combines religious allegory with romance, fantasy, humor, and satire.

"It was while jogging along the beach just east of the Paradise Cove pier that Artie Wu tripped over a dead pelican, fell, and met the man with six greyhounds."- from Chinaman's ChanceThus begins what may be the most popular of Ross Thomas's unique stories. The combination of Wu, pretender to the Imperial throne of China, and Quincy Durant, who has his own colorful past, makes for a heady experience. After starting with the deceased pelican on a California beach, the plot mixes in the disappearance of a large sum of money that should have been buried in Vietnam, and the search for the missing member of a trio of singing sisters from the Ozarks. Only Thomas could have stirred this concoction with the style, humor, and suspense that captures the reader at the very beginning and doesn't let go until the last word.

In a brisk revisionist history, William Rowe challenges the standard narrative of Qing China as a decadent, inward-looking state that failed to keep pace with the modern West.The Great Qing was the second major Chinese empire ruled by foreigners. Three strong Manchu emperors worked diligently to secure an alliance with the conquered Ming gentry, though many of their social edicts—especially the requirement that ethnic Han men wear queues—were fiercely resisted. As advocates of a “universal” empire, Qing rulers also achieved an enormous expansion of the Chinese realm over the course of three centuries, including the conquest and incorporation of Turkic and Tibetan peoples in the west, vast migration into the southwest, and the colonization of Taiwan.Despite this geographic range and the accompanying social and economic complexity, the Qing ideal of “small government” worked well when outside threats were minimal. But the nineteenth-century Opium Wars forced China to become a player in a predatory international contest involving Western powers, while the devastating uprisings of the Taiping and Boxer rebellions signaled an urgent need for internal reform. Comprehensive state-mandated changes during the early twentieth century were not enough to hold back the nationalist tide of 1911, but they provided a new foundation for the Republican and Communist states that would follow.This original, thought-provoking history of China’s last empire is a must-read for understanding the challenges facing China today.