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Since it was first published, this famous study of the Black Problem in America has become a classic. Powerful, haunting and prophetic, it sounds a clarion warning to the world.

“This gorgeously rendered graphic-novel version provides a new perspective for old fans but also acts as an immersive introduction for youngsters as well as any adult who somehow missed out on the iconic story set in Maycomb, Alabama.”--USA TodayA beautifully crafted graphic novel adaptation of Harper Lee’s beloved, Pulitzer Prize–winning American classic, voted America's best-loved novel in PBS's Great American Read."Shoot all the bluejays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird."A haunting portrait of race and class, innocence and injustice, hypocrisy and heroism, tradition and transformation in the Deep South of the 1930s, Harper Lee’s To Kill a Mockingbird remains as important today as it was upon its initial publication in 1960, during the turbulent years of the Civil Rights movement.Now, this most beloved and acclaimed novel is reborn for a new age as a gorgeous graphic novel. Scout, Jem, Boo Radley, Atticus Finch, and the small town of Maycomb, Alabama, are all captured in vivid and moving illustrations by artist Fred Fordham.Enduring in vision, Harper Lee’s timeless novel illuminates the complexities of human nature and the depths of the human heart with humor, unwavering honesty, and a tender, nostalgic beauty. Lifetime admirers and new readers alike will be touched by this special visual edition that joins the ranks of the graphic novel adaptations of A Wrinkle in Time and The Alchemist.

Named one of The Washington Post's 50 Notable Works of NonfictionWhile the North prevailed in the Civil War, ending slavery and giving the country a "new birth of freedom," Heather Cox Richardson argues in this provocative work that democracy's blood-soaked victory was ephemeral. The system that had sustained the defeated South moved westward and there established a foothold. It was a natural fit. Settlers from the East had for decades been pushing into the West, where the seizure of Mexican lands at the end of the Mexican-American War and treatment of Native Americans cemented racial hierarchies. The South and West equally depended on extractive industries-cotton in the former and mining, cattle, and oil in the latter-giving rise a new birth of white male oligarchy, despite the guarantees provided by the 13th, 14th, and 15th Amendments, and the economic opportunities afforded by expansion.To reveal why this happened, How the South Won the Civil War traces the story of the American paradox, the competing claims of equality and subordination woven into the nation's fabric and identity. At the nation's founding, it was the Eastern "yeoman farmer" who galvanized and symbolized the American Revolution. After the Civil War, that mantle was assumed by the Western cowboy, singlehandedly defending his land against barbarians and savages as well as from a rapacious government. New states entered the Union in the late nineteenth century and western and southern leaders found yet more common ground. As resources and people streamed into the West during the New Deal and World War II, the region's influence grew. "Movement Conservatives," led by westerners Barry Goldwater, Richard Nixon, and Ronald Reagan, claimed to embody cowboy individualism and worked with Dixiecrats to embrace the ideology of the Confederacy.Richardson's searing book seizes upon the soul of the country and its ongoing struggle to provide equal opportunity to all. Debunking the myth that the Civil War released the nation from the grip of oligarchy, expunging the sins of the Founding, it reveals how and why the Old South not only survived in the West, but thrived.

This book is an attack on current methods of city planning and re-building. It is also an explanation of new principles and an argument for different methods from those now in use. It is the first real alternative to conventional city planning that we have had in this century. Its author, herself a city dweller and an editor of Architectural Forum, is direct and practical in her approach. What, she asks, makes cities work? Why are some neighborhoods full of things to do and see and why are others dull? Why does the crime rate soar in our public housing developments and why are some of our older neighborhoods, despite their evident pov-erty, so much more safe, stable and congenial? Why do some neighborhoods attract interested and responsible populations and why do others degenerate? Why are Boston's North End and the eastern and western extremes of Greenwich Village good neighborhoods and why do orthodox city planners consider them slums? What alternatives are there to current city planning and rebuilding?Conventional city planning holds that cities decline because they are blighted by too many people, by mixtures of commercial, industrial and residential uses, by old buildings and narrow streets and by small landholders who stand in the way of large-scale development. Such neighborhoods, they insist, breed apathy and crime, discourage investment and contaminate the areas around them. The response of con-ventional city planning is to tear them down, scatter their inhabitants, lay out super-blocks, and rebuild the area accord-ing to an integrated plan, with the result, as often as not, that the crime rate rises still higher, the new neighborhood is more lifeless than the old one, and the surrounding areas deteriorate even more, until the life of the whole city is threatened.But Mrs. Jacobs observes that in any number of cases these very conditions--mixed uses, dense population, old buildings, small blocks, decentralized ownership--create the very opposite of slums, neighborhoods that regenerate themselves spontaneously, that are full of variety and diversity, that attract large numbers of casual visitors and responsible new residents, that encourage investment and revitalize the areas around them. Boston's North End (condemned as a slum by or-thodox planners) is such a neighborhood, and so is Greenwich Village. Rittenhouse Square and Telegraph Hill are others. Nearly every large city can produce still other examples.Why then do some city neighborhoods die and why do others flourish? And what can city planners do to avoid the death and encourage the life of our great American cities? The solutions proposed by Mrs. Jacobs in this book represent a sharp break with conventional thinking on the subject and they carry with them the ring of simple truth which marks this book as an inevitable classic of social thought.This edition is set from the first American edition of 1961 and commemorates the seventy-fifth anniversary of Random House.

A beautiful commemorative edition of Dr. Martin Luther King's last speech "I've Been to the Mountaintop," part of Dr. King's archives published exclusively by HarperCollins. On April 3, 1968, Dr. Martin Luther King Jr. stood at the pulpit of Mason Temple in Memphis, Tennessee, and delivered what would be his final speech. Voiced in support of the Memphis Sanitation Worker's Strike, Dr. King's words continue to be powerful and relevant as workers continue to organize, unionize, and strike across various industries today. Withstanding the test of time, this speech serves as a galvanizing call to create and maintain unity among all people. This beautifully designed hardcover edition presents Dr. King's speech in its entirety, paying tribute to this extraordinary leader and his immeasurable contribution, and inspiring a new generation of activists dedicated to carrying on the fight for justice and equality.

The most faithful and nuanced translation of the definitive work for understanding America Alexis de Tocqueville (1805-59) came to America in 1831 to see what a great republic was like. What struck him most was the country's equality of conditions, its democracy. The book he wrote on his return to France, Democracy in America, is both the best ever written on democracy and the best ever written on America. It remains the most often quoted book about the United States, not only because it has something to interest and please everyone, but also because it has something to teach everyone.   When it was published in 2000, Harvey Mansfield and Delba Winthrop's new translation of Democracy in America—only the third since the original two-volume work was published in 1835 and 1840—was lauded in all quarters as the finest and most definitive edition of Tocqueville's classic thus far. Mansfield and Winthrop have restored the nuances of Tocqueville's language, with the expressed goal "to convey Tocqueville's thought as he held it rather than to restate it in comparable terms of today." The result is a translation with minimal interpretation, but with impeccable annotations of unfamiliar references and a masterful introduction placing the work and its author in the broader contexts of political philosophy and statesmanship.  

Chronicles the Montgomery, Alabama bus boycott sparked by Mrs. Rosa Park's refusal to give up her seat to a white male, describing the plans and problems of a nonviolent campaign, reprisals by the white community, and the eventual attainment of desegrated city bus service.

In an 1882 speech, former Confederate president Jefferson Davis made an exuberant claim: "That battle at Sabine Pass was more remarkable than the battle at Thermopylae." Indeed, Sabine Pass was the site of one of the most decisive Civil War battles fought in Texas. But unlike the Spartans, who succumbed to overwhelming Persian forces at Thermopylae more than two thousand years before, the Confederate underdogs triumphed in a battle that over time has become steeped in hyperbole. Providing a meticulously researched, scholarly account of this remarkable victory, Sabine Pass at last separates the legends from the evidence.In arresting prose, Edward T. Cotham, Jr., recounts the momentous hours of September 8, 1863, during which a handful of Texans—almost all of Irish descent—under the leadership of Houston saloonkeeper Richard W. Dowling, prevented a Union military force of more than 5,000 men, 22 transport vessels, and 4 gunboats from occupying Sabine Pass, the starting place for a large invasion that would soon have given the Union control of Texas.Sabine Pass sheds new light on previously overlooked details, such as the design and construction of the fort (Fort Griffin) that Dowling and his men defended, and includes the battle report prepared by Dowling himself. The result is a portrait of a mythic event that is even more provocative when stripped of embellishment.

A rare, lucidly composed screenplay from one of America’s greatest writers, based on the bestselling classic The Autobiography of Malcolm X. • "Sharp.... Precise.... There is no questioning the depth and sincerity of Baldwin's admiration for Malcolm X." —The Times Literary SupplementSon of a Baptist minister; New York City hustler; honor student; convicted criminal; powerful minister in the Nation of Islam; father and husband: Malcolm X transformed himself, time and again, in order to become one of the most feared, loved, and undeniably charismatic leaders of twentieth-century America. No one better represents the tumultuous times of his generation, and there is no one better to capture him and his milieu than James Baldwin. With spare, elegant, yet forceful dialogue and fresh, precise camera directions, Baldwin breathes cinematic life into this controversial and important figure, offering a new look at a man who changed himself in order to change the country.

This is John F. Kennedy's classic essay on the immigrant experience in America--reissued to coincide with the reopening of the Statue of Liberty and Ellis Island. Immigration reform was a lifelong concern of President Kennedy. Beginning with the McCarran-Walter Act of 1952, Kennedy continued to work hard in this area. This landmark essay, written while he was President, discusses the ideas which were ultimately put into practice with the immigration bill of 1965, and for which he was given full credit by President Johnson. In a new preface, John P. Roche, Kennedy's colleague and friend, gives a charming and clear-eyed picture of the man and his career. ISBN 0-06-091367-3 (pbk.): $5.95.