Empfehlungen basierend auf "The Reunion"

From the acclaimed author of Keeper’n Me and For Joshua, Dream Wheels is a vital and unsparing novel from one of the most fascinating voices in Canadian writing.Joe Willie Wolfchild is on the verge of becoming a World Champion rodeo cowboy when a legendary bull cripples him. At the same time, in the same city, Claire Hartley is brutally assaulted and her 14-year-old son, Aiden, is critically injured during a burglary. The young Ojibway-Sioux man, the black single mother and her mulatto son find their lives irrevocably changed.Joe Willie, a rodeo cowboy since he was a child, smolders in angry silence over a deformed left arm and a limp that make it impossible for him to compete. Claire, a victim of numerous bad relationships, withdraws from men and swears a bitter celibacy. Aiden gains notoriety among his criminal peers and slips into a self-destructive spiral of drugs and violence.Eager to find a place for her son to channel his explosive energies, Claire brings Aiden to a rodeo camp run by the Wolfchild family, where he is drawn to bull riding and proves to be a stunning natural. But Joe Willie refuses to have anything to do with the camp, remaining an aloof, mysterious presence to Claire and the boy.Birch Wolfchild, Joe Willie’s father, sees the potential for Aiden to become a champion and for his son to heal himself, if they can move beyond anger to forge a partnership. Claire’s and Joe Willie’s wounds bring them together in a surprising romance, and beneath it all is Birch Wolfchild’s tale of the changing of the life of the Indian cowboy.Dream Wheels is a story about change. Moving from the Wild West Shows of the late 1880s to the National Finals Rodeo in Las Vegas to a lush valley in the mountains, it tells the story of a people’s journey, a family’s vision,a man’s reawakening, a woman’s recovery, and a boy’s emergence to manhood.From the Hardcover edition.

Winner of the Women’s Prize for Fiction“No one writes like Ruth Ozeki—a triumph.” —Matt Haig, New York Times bestselling author of The Midnight Library“Inventive, vivid, and propelled by a sense of wonder.” —TIME“If you’ve lost your way with fiction over the last year or two, let The Book of Form and Emptiness light your way home.” —David Mitchell, Booker Prize-finalist author of Cloud AtlasA boy who hears the voices of objects all around him; a mother drowning in her possessions; and a Book that might hold the secret to saving them both—the brilliantly inventive new novel from the Booker Prize-finalist Ruth OzekiOne year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.At first, Benny tries to ignore them, but soon the voices follow him outside the house, onto the street and at school, driving him at last to seek refuge in the silence of a large public library, where objects are well-behaved and know to speak in whispers. There, Benny discovers a strange new world. He falls in love with a mesmerizing street artist with a smug pet ferret, who uses the library as her performance space. He meets a homeless philosopher-poet, who encourages him to ask important questions and find his own voice amongst the many.And he meets his very own Book—a talking thing—who narrates Benny’s life and teaches him to listen to the things that truly matter.With its blend of sympathetic characters, riveting plot, and vibrant engagement with everything from jazz, to climate change, to our attachment to material possessions, The Book of Form and Emptiness is classic Ruth Ozeki—bold, wise, poignant, playful, humane and heartbreaking.

In her first book, the popular From the Front Porch podcast host and independent bookstore owner challenges the idea that loud lives are the ones that matter most, reminding us that we don't have to leave the lives we have in order to have the lives of which we've always dreamed.Can life be an adventure, even when it’s just . . . ordinary?Annie Jones always assumed adulthood would mean adventure: a high-powered career; life in a big, bustling city; and travels to far-flung places she’d longed to see. But her reality turned out differently. As the years passed, Annie was still in the same small town running an independent bookstore —the kind of life Nora Ephron dreamed.During that time, she hosted friends’ goodbye parties and mailed parting gifts; wrote recommendation letters and wished former shop staffers well. She stayed in her small town, despite her love of big cities; stayed in her marriage to the guy she met when she was 18; and she stayed at her bookstore while the world outside shifted steadily toward digital retailers. And she stayed loyal to a faith she sometimes didn’t recognize.After ten years, Annie realized she might never leave. But instead of regret, she had an epiphany. She awakened to the gifts of a quiet life spent staying put.In Ordinary Time, Annie challenges the idea that loud lives matter most. Rummaging through her small-town existence, she finds hidden gifts of humor and hope from a life lived quietly. Staying, can itself be a radical act. It takes courage to stay in the places we’ve always called home, Jones argues, as she paints a portrait of possibility far away from thriving metropolises and Monica Gellar-inspired apartments.We’ve long been encouraged to follow our dreams, to pack up and move to new places and leave old lives—and past selves—behind. While there is beauty in these kinds of adventures, Ordinary Time helps us see ourselves right where we are: in the middle of messy, mundane lives, maybe not too far from where we grew up. We don’t have to leave to find what we yearn—we can choose to stay, celebrating and honoring our ordinary lives, which might turn out to be bigger and better than we ever imagined.

National Bestseller • Wall Street Journal Bestseller • USA Today BestsellerAn NPR Book of the YearFinalist for the Thurber Prize for American HumorFinalist for the 2021 Goodreads Choice AwardsFrom the bestselling author of Lily and the Octopus and The Editor comes a warm and deeply funny novel about a once-famous gay sitcom star whose unexpected family tragedy leaves him with his niece and nephew for the summer.Patrick, or Gay Uncle Patrick (GUP, for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them when they come out to Palm Springs for weeklong visits, or when he heads home to Connecticut for the holidays. But in terms of caretaking and relating to two children, no matter how adorable, Patrick is, honestly, overwhelmed.So when tragedy strikes and Maisie and Grant lose their mother and Patrick's brother has a health crisis of his own, Patrick finds himself suddenly taking on the role of primary guardian. Despite having a set of "Guncle Rules" ready to go, Patrick has no idea what to expect, having spent years barely holding on after the loss of his great love, a somewhat-stalled acting career, and a lifestyle not-so-suited to a six- and a nine-year-old. Quickly realizing that parenting--even if temporary--isn't solved with treats and jokes, Patrick's eyes are opened to a new sense of responsibility, and the realization that, sometimes, even being larger than life means you're unfailingly human.With the humor and heart we've come to expect from bestselling author Steven Rowley, The Guncle is a moving tribute to the power of love, patience, and family in even the most trying of times.

An autobiographical story of childhood and family from the international sensation and bestseller, Karl Ove Knausgaard.Childhood is exhilarating and terrifying. For the young Karl Ove, new houses, classes and friends are met with manic excitement and creeping dread. Adults occupy godlike positions of power, benevolent in the case of his doting mother, tyrannical in the case of his cruel father.In the now infamously direct style of the My Struggle cycle, Knausgaard describes a time in which victories and defeats are felt keenly and every attempt at self-definition is frustrated. This is a book about family, memory and how we never become quite what we set out to be.

From the national bestselling author of Birds of America comes “a brilliant collection” (The Philadelphia Inquirer) of eight exquisite stories of men and women stumbling through their daily existence.In Like Life, Lorrie Moore’s men and women, unsettled and adrift and often frightened, can’t quite understand how they arrived at their present situations. Harry has been reworking a play for years in his apartment near Times Square in New York. Jane is biding her time at a cheese shop in a Midwest mall. Dennis, unhappily divorced, buries himself in self-help books about healthful food and healthy relationships. One prefers to speak on the phone rather than face his friends, another lets the answering machine do all the talking. But whether rejected, afraid to commit, bored, disillusioned or just misunderstood, even the most hard-bitten are not without some abiding trust in love.

The book behind the Academy award-winning film starring Sandra Bullock and Tim McGraw―over one million copies sold.When we first meet him, Michael Oher is one of thirteen children by a mother addicted to crack; he does not know his real name, his father, his birthday, or how to read and write. He takes up football, and school, after a rich, white, Evangelical family plucks him from the streets. Then two great forces alter Oher: the family's love and the evolution of professional football into a game where the quarterback must be protected at any cost. Our protagonist becomes the priceless package of size, speed, and agility necessary to guard the quarterback's greatest vulnerability, his blind side.

Born into the beautiful bedlam of downtown New York in the eighties, iO Tillett Wright came of age at the intersection of punk, poverty, heroin, and art. This was a world of self-invented characters, glamorous superstars, and strung-out sufferers, ground zero of drag and performance art. Still, no personality was more vibrant and formidable than iO’s mother’s. Rhonna, a showgirl and young widow, was a mercurial, erratic glamazon. She was iO’s fiercest defender and only authority in a world with few boundaries and even fewer indicators of normal life. At the center of Darling Days is the remarkable relationship between a fiery kid and a domineering ma—a bond defined by freedom and control, excess and sacrifice; by heartbreaking deprivation, agonizing rupture, and, ultimately, forgiveness.Darling Days is also a provocative examination of culture and identity, of the instincts that shape us and the norms that deform us, and of the courage and resilience it takes to listen closely to your deepest self. When a group of boys refuse to let six-year-old, female-born iO play ball, iO instantly adopts a new persona, becoming a boy named Ricky—a choice iO’s parents support and celebrate. It is the start of a profound exploration of gender and identity through the tenderest years, and the beginning of a life invented and reinvented at every step. Alternating between the harrowing and the hilarious, Darling Days is the candid, tough, and stirring memoir of a young person in search of an authentic self as family and home life devolve into chaos.

A New York Times 2016 Notable Book An immediate national best seller and instant classic from the Pulitzer Prize-winning author of Empire Falls. Richard Russo returns to North Bath--"a town where dishonesty abounds, everyone misapprehends everyone else and half the citizens are half-crazy" (The New York Times)--and the characters who made Nobody's Fool a beloved choice of book clubs everywhere. Everybody's Fool is classic Russo, filled with humor, heart, hard times, and people you can't help but love, possibly because their various faults make them so human. Everybody's Fool picks up roughly a decade since we were last with Miss Beryl and Sully on New Year's Eve 1984. The irresistible Sully, who in the intervening years has come by some unexpected good fortune, is staring down a VA cardiologist's estimate that he has only a year or two left, and it's hard work trying to keep this news from the most important people in his life: Ruth, the married woman he carried on with for years . . . the ultra-hapless Rub Squeers, who worries that he and Sully aren't still best friends . . . Sully's son and grandson, for whom he was mostly an absentee figure (and now a regretful one). We also enjoy the company of Doug Raymer, the chief of police who's obsessing primarily over the identity of the man his wife might've been about to run off with, before dying in a freak accident . . . Bath's mayor, the former academic Gus Moynihan, whose wife problems are, if anything, even more pressing . . . and then there's Carl Roebuck, whose lifelong run of failing upward might now come to ruin. And finally, there's Charice Bond--a light at the end of the tunnel that is Chief Raymer's office--as well as her brother, Jerome, who might well be the train barreling into the station. A crowning achievement--"like hopping on the last empty barstool surrounded by old friends" (Entertainment Weekly)--from one of the greatest storytellers of our time.

Sixteen-year-old Kara Fischer hadn't ever considered herself lucky. She doesn't understand why she was born with cystic fibrosis. Each day she faces an uncertain future. When an anonymous benefactor promises to grant a single wish with no strings attached, Kara wonders if miracles might really happen. Will Kara live to see her dying wish fulfilled?