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Decius Caecilius Metellus, this year's magistrate for cases involving foreigners, is living the good life in southern Italy, happy to be away from Rome, a city suffering war jitters over Caesar's impending actions. He thinks he is merely visiting one of the local sights when he takes a party to visit the Oracle of the Dead, a pre-Roman cult site located at the end of a tunnel dug beneath a temple of Apollo. He quickly learns that there is a bitter rivalry between the priests of Apollo and those of Hecate, who guard the oracle.When the priests of Apollo are all killed, the countryside looks to explode in violence as Greeks, Romans and native Italians of several conquered nations bring out old enmities. Decius is caught squarely in the middle, desperate to find a way out that will pacify the district and, incidentally, save his own skin. This riveting series began with the Edgar Award-nominated SPQR and has gone on to international success in 13 languages.

Both an exploration of character and a reflection on the meaning of history, Memoirs of Hadrian has received international acclaim since its first publication in France in 1951. In it, Marguerite Yourcenar reimagines the Emperor Hadrian's arduous boyhood, his triumphs and reversals, and finally, as emperor, his gradual reordering of a war-torn world, writing with the imaginative insight of a great writer of the twentieth century while crafting a prose style as elegant and precise as those of the Latin stylists of Hadrian's own era.

This book will enable you to do just that by providing the essential primary sources on death, dying and the dead in Roman society and investigating their value and significance. The sources include literary evidence such as poetry, letters and philosophy, as well as epitaphs and other inscriptions, along with visual material of, in particular, funerary monuments and cemeteries. This varied evidence collectively builds a vivid picture of how people died, were buried, commemorated and remembered, and what the living believed happened to the dead after they were gone. Topics covered include the deathbed, making a will, memory promotion, the funeral, the cemetery, funerary monuments, mourning rituals, expressions of grief and afterlife beliefs."--Jacket.

The reigning master of grand historical fiction returns with the stirring conclusion to his bestselling Dublin Saga.    The Princes of Ireland, the first volume of Edward Rutherfurd’s magisterial epic of Irish history, ended with the disastrous Irish revolt of 1534 and the disappearance of the sacred Staff of Saint Patrick. The Rebels of Ireland opens with an Ireland transformed; plantation, the final step in the centuries-long English conquest of Ireland, is the order of the day, and the subjugation of the native Irish Catholic population has begun in earnest. Edward Rutherfurd brings history to life through the tales of families whose fates rise and fall in each generation: Brothers who must choose between fidelity to their ancient faith or the security of their families; a wife whose passion for a charismatic Irish chieftain threatens her comfortable marriage to a prosperous merchant; a young scholar whose secret rebel sympathies are put to the test; men who risk their lives and their children’s fortunes in the tragic pursuit of freedom, and those determined to root them out forever. Rutherfurd spins the saga of Ireland’s 400-year path to independence in all its drama, tragedy, and glory through the stories of people from all strata of society--Protestant and Catholic, rich and poor, conniving and heroic.   His richly detailed narrative brings to life watershed moments and events, from the time of plantation settlements to the “Flight of the Earls,” when the native aristocracy fled the island, to Cromwell’s suppression of the population and the imposition of the harsh anti-Catholic penal laws. He describes the hardships of ordinary people and the romantic, doomed attempt to overthrow the Protestant oppressors, which ended in defeat at the Battle of the Boyne in 1690, and the departure of the “Wild Geese.” In vivid tones Rutherfurd re-creates Grattan’s Parliament, Wolfe Tone's attempted French invasion of 1798, the tragic rising of Robert Emmet, the Catholic campaign of Daniel O’Connell, the catastrophic famine, the mass migration to America, and the glorious Irish Renaissance of Yeats and Joyce. And through the eyes of his characters, he captures the rise of Charles Stewart Parnell and the great Irish nationalists and the birth of an Ireland free of all ties to England.   A tale of fierce battles, hot-blooded romances, and family and political intrigues, The Rebels of Ireland brings the story begun in The Princes of Ireland to a stunning conclusion.

In the year 44 BC, when Julius Caesar was killed, Augustus was a mere teenager who had been adopted into Caesar's household. His reaction to Caesar's death was to step forward and proclaim himself Caesar's rightful successor. The Senate did not take him seriously, but over the following months he raised his own army and, after defeating Mark Antony in battle, became one of the three most powerful men in Rome. He was not yet 20 years old. Over the next ten years he consolidated his power in Rome, and finally overthrew the last of his rivals in 31 BC. From that moment on Rome became an empire, and Augustus its first emperor. This is the story of how one man rose to become the most powerful man in the world, and stabilised an empire that had been racked by decades of civil war. Augustus's achievements, and his legacy, are almost unparalleled. Like Julius Caesar, he presided over a huge expansion in wealth and territory. Like Caesar he was honoured by having a month of the year named after him. But unlike Caesar he was able to keep hold of power for over 40 years, and bequeath the empire, whole, to his successors.

Throughout the Western world, great kingdoms have fallen and despots lay crushed beneath the heels of Rome's advancing legions. But in this age of magnificent triumph and barbaric cruelty, internal rebellion threatens the stability and survival of the mighty Republic. And an aging, ailing Gaius Marius, heralded 'conqueror of Germany and Numidia, longs for that which was prophesied many years before: an unprecedented seventh consulship of Rome. It is a prize to be won only through treachery and with blood, pitting Marius against a new generation of assassins, powerseekers and Senate intriguers -- and setting him at odds with the ambitious, tormented Lucius Cornelius Sulla, once Marius's most trusted right-hand man, now his most dangerous rival.

There is nothing impossible to him who will try ... ' He ascended to the throne of Macedon at the age of nineteen. He conquered the seemingly invincible Persian Empire before he was twenty-five. He died at the age of thirty-two, undefeated by any enemy. His reputation as a warrior and leader of men remains unsurpassed in the annals of history. We remember him as Alexander the Great ... Epic in scope and magisterial in tone, Steve Pressfield's breathtaking novel tells the story of this legendary colossus of the ancient world who was driven - and ultimately undone - by his insatiable lust for glory.

Between the fall of the western Roman Empire in the fifth century and the collapse of the east in the face of the Arab invasions in the seventh, the remarkable era of the Emperor Justinian (527-568) dominated the Mediterranean region. Famous for his conquests in Italy and North Africa, and for the creation of spectacular monuments such as the Hagia Sophia, his reign was also marked by global religious conflict within the Christian world and an outbreak of plague that some have compared to the Black Death. For many historians, Justinian is far more than an anomaly of Byzantine ambition between the eras of Attila and Muhammad; he is the causal link that binds together the two moments of Roman imperial collapse. Determined to reverse the losses Rome suffered in the fifth century, Justinian unleashed an aggressive campaign in the face of tremendous adversity, not least the plague. This book offers a fundamentally new interpretation of his conquest policy and its overall strategic effect, which has often been seen as imperial overreach, making the regime vulnerable to the Islamic takeover of its richest territories in the seventh century and thus transforming the great Roman Empire of Late Antiquity into its pale shadow of the Middle Ages. In Rome Resurgent, historian Peter Heather draws heavily upon contemporary sources, including the writings of Procopius, the principal historian of the time, while also recasting that author's narrative by bringing together new perspectives based on a wide array of additional source material. A huge body of archaeological evidence has become available for the sixth century, providing entirely new means of understanding the overall effects of Justinian's war policies. Building on his own distinguished work on the Vandals, Goths, and Persians, Heather also gives much fuller coverage to Rome's enemies than Procopius ever did. A briskly paced narrative by a master historian, Rome Resurgent promises to introduce readers to this captivating and unjustly overlooked chapter in ancient warfare.

Fulvia is the first full-length biography in English focused solely on Fulvia, who is best known as the wife of Marcus Antonius (Mark Antony). Born into a less prestigious branch of an aristocratic Roman clan in the last decades of the Roman Republic, Fulvia first rose to prominence as the wife of P. Clodius Pulcher, scion of one of the city's most powerful families and one of its most infamous and scandalous politicians. In the aftermath of his murder, Fulvia refused to shrink from the glare of public scrutiny and helped to prosecute the man responsible. Later, as the wife of Antonius, she became the most powerful woman in Rome, at one point even taking an active role in the military conflict between Antonius's allies and Octavian, the future emperor Augustus. Her husbands' enemies painted her as domineering, vicious, greedy, and petty. This book peels away the invective to reveal a strong-willed, independent woman who was, by many traditional measures, an immensely successful Roman matron.

In the second half of the tenth century, Byzantium embarked on a series of spectacular conquests: first in the southeast against the Arabs, then in Bulgaria, and finally in the Georgian and Armenian lands. By the early eleventh century, the empire was the most powerful state in the Mediterranean. It was also expanding economically, demographically, and, in time, intellectually as well. Yet this imperial project came to a crashing collapse fifty years later, when political disunity, fiscal mismanagement, and defeat at the hands of the Seljuks in the east and the Normans in the west brought an end to Byzantine hegemony. By 1081, not only was its dominance of southern Italy, the Balkans, Caucasus, and northern Mesopotamia over but Byzantium's very existence was threatened. How did this dramatic transformation happen? Based on a close examination of the relevant sources, this history-the first of its kind in over a century-offers a new reconstruction of the key events and crucial reigns as well as a different model for understanding imperial politics and wars, both civil and foreign. In addition to providing a badly needed narrative of this critical period of Byzantine history, Streams of Gold, Rivers of Blood offers new interpretations of key topics relevant to the medieval era. The narrative unfolds in three parts: the first covers the years 955-1025, a period of imperial conquest and consolidation of authority under the great emperor Basil "the Bulgar-Slayer." The second (1025-1059) examines the dispersal of centralized authority in Constantinople as well as the emergence of new foreign enemies (Pechenegs, Seljuks, and Normans). The last section chronicles the spectacular collapse of the empire during the second half of the eleventh century, concluding with a look at the First Crusade and its consequences for Byzantine relations with the powers of Western Europe. This briskly paced and thoroughly investigated narrative vividly brings to life one of the most exciting and transformative eras of medieval history.