Empfehlungen basierend auf "The Poisonwood Bible"

WINNER OF THE PULITZER PRIZE • WINNER OF THE WOMEN'S PRIZE FOR FICTIONNew York Times Readers' Pick: Top 100 Books of the 21 st Century • An Oprah's Book Club Selection • An Instant New York Times Bestseller • An Instant Wall Street Journal Bestseller • A #1 Washington Post Bestseller • A New York Times "Ten Best Books of the Year""Demon is a voice for the ages—akin to Huck Finn or Holden Caulfield—only even more resilient." —Beth Macy, author of Dopesick"May be the best novel of [the year].... Equal parts hilarious and heartbreaking, this is the story of an irrepressible boy nobody wants, but readers will love." — Ron Charles, Washington PostFrom the acclaimed author of The Poisonwood Bible and The Bean Trees, a brilliant novel that enthralls, compels, and captures the heart as it evokes a young hero's unforgettable journey to maturitySet in the mountains of southern Appalachia, Demon Copperhead is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Relayed in his own unsparing voice, Demon braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities.Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.

Mahlangeni, the Tsonga word for "meeting place", is one of the most remote ranger stations in the Kruger National Park. Far from everywhere, this isolated corner of the wilderness was home for eleven years to Kobie Kruger, wife of the ranger in charge of the station, and their their three daughters. Running a household and raising a family in a place where leopards, elephants, snakes and the like are your only neighbours, where you have no telephone, and where a trip to town means first crossing a river full of hippos and crocodiles, is hardly a straightforward business. But Kobie Kruger tackled each problem with undaunted pragmatism and an energy that gives new meaning to word resourceful.

Er is aan het begin van de eenentwintigste eeuw nauwelijks een roeriger natie dan Congo, het reusachtige land in het hart van Afrika, dat barst van de grondstoffen die onontbeerlijk zijn in onze moderne tijd – én van de gruwelijke conflicten. Hoe kon de vroegere, relatief rustige kolonie van België, sinds 1960 onafhankelijk, zo veranderen? David Van Reybrouck beschrijft voor het eerst de verbijsterende geschiedenis van Congo, van ruim voor de komst van de ontdekkingsreiziger Stanley tot en met de invloed van China in de laatste tien jaar en de recente economische crisis. Van 1885 tot 1908 werd het land bestierd door koning Leopold ii, die een fortuin verdiende met de exploitatie van rubber.De kolonisatie door België in de periode van 1908 tot 1960 zorgde voor industrialisatie en infrastructuur, maar werd ook gekenmerkt door paternalisme, zo niet betutteling. De onverhoedse overgang van kolonie naar onafhankelijke staat rond 1960 is een adembenemend verhaal vol idealisme en gekonkel. Het nieuwe land stortte zich in een turbulent avontuur dat steeds wilder en chaotischer werd en na tweeëndertig jaar dictatuur onder Mobutu leidde tot een van de dodelijkste conflicten sinds de Tweede Wereldoorlog. Van Reybrouck baseert zich niet alleen op zeldzaam archiefmateriaal en baanbrekend onderzoek, maar vooral ook op honderden gesprekken die hij met Congolezen voerde.Zijn ooggetuigen gaan van eeuwlingen tot kindsoldaten, van rebellenleiders tot smokkelaars, van ministers tot maniokverkoopsters. Hun verhalen heeft de auteur in zijn grote geschiedenis geïntegreerd.

In the spring of 1938, Teodor Mykolayenko returns to his family after nearly two years in prison for the crime of trying to feed them. Given shelter by his sister Anna, his wife, Maria, and their five children barely survived on the harsh and brutal Canadian prairie landscape. Channelling a determination gained from escaping starvation and Stalin's crimes in the Ukraine, Teodor is committed to making a home. With unbending resolve, he takes to the land and as the crops grow, his family heals and strengthens, but their comfort is soon challenged: Anna's rogue husband returns with an unforgivable plan. Mesmerizing and passionate, Under This Unbroken Sky is an astonishing tale of family, love, betrayal, and the resiliency of the human spirit.

About the Author In her award-winning autobiography, Dust Tracks on a Road (1942), Zora Neale Hurston claimed to have been born in Eatonville, Florida, in 1901. She was, in fact, born in Notasulga, Alabama, on January 7, 1891, the fifth child of John Hurston (farmer, carpenter, and Baptist preacher) and Lucy Ann Potts (school teacher). The author of numerous books, including Their Eyes Were Watching God, Jonah's Gourd Vine, Mule sand Men, and Moses, Man of the Mountain, Hurston had achieved fame and sparked controversy as a novelist, anthropologist, outspoken essayist, lecturer, and theatrical producer during her sixty-nine years. Hurston's finest work of fiction appeared at a time when artistic and political statements -- whether single sentences or book-length fictions -- were peculiarly conflated. Many works of fiction were informed by purely political motives; political pronouncements frequently appeared in polished literary prose. Hurston's own political statements, relating to racial issues or addressing national politics, did not ingratiate her with her black male contemporaries. The END result was that Their Eyes Were Watching God went out of print not long after its first appearance and remained out of print for nearly thirty years. Henry Louis Gates, Jr., has been one among many to ask: "How could the recipient of two Guggenheims and the author of four novels, a dozen short stories, two musicals, two books on black mythology, dozens of essays, and a prize winning autobiography virtually 'disappear' from her readership for three full decades?" That question remains unanswered. The fact remains that every one of Hurston's books went quickly out of print; and it was only through the determined efforts, in the 1970s, of Alice Walker, Robert Hemenway (Hurston's biographer), Toni Cade Bambara, and other writers and scholars that all of her books are now back in print and that she has taken her rightful place in the pantheon of American authors. In 1973, Walker, distressed that Hurston's writings had been all but forgotten, found Hurston's grave in the Garden of Heavenly Rest and installed a gravemarker. "After loving and teaching her work for a number of years," Walker later reported, "I could not bear that she did not have a known grave." The gravemarker now bears the words that Walker had inscribed there: ZORA NEALE HURSTONGENIUS OF THE SOUTHNOVELIST FOLKLORIST ANTHROPOLOGIST(1891-1960) In BriefZora Neale Hurston (1891-1960) was a novelist, folklorist, and anthropologist whose fictional and factual accounts of black heritage are unparalleled. She Is the author of many books, including Their Eyes Were Watching God, Dust Tracks on a Road, Tell My Horse, and Mules and Men.

It's the early 1990s and three young people are looking to change their lives, and perhaps also the world. Attracted to the ambitious global peacekeeping work of the UN, Andrew, Ken and Heidi's paths cross in Cambodia, from where their fates are to become inextricably bound.Over the coming years, their stories interweave through countries such as Rwanda, Bosnia, Somalia and Haiti - war-torn, lawless places where the intervention of the UN is needed like nowhere else. Driven by idealism, the three struggle to do the best they can, caught up in an increasingly tangled web of bureaucracy and ineffectual leadership. As disillusionment sets in, they attempt to keep hold of their humanity through black humour, revelry and 'emergency sex'. Brutal and moving in equal measure, Emergency Sex (And Other Desperate Measures) explores pressing global issues while never losing a sense of the personal. Deeply critical of the West's indifference to developing countries and the UN's repeated failure to intervene decisively, the book provoked massive controversy on its initial publication. Kofi Annan called for the book to be banned, and debate was sparked about the future direction of the UN. Brilliantly written and mordantly funny, it is a book that continues to make waves.

She promised her mama she'd keep them safe.It's been six months since Mama died, and Chanda is struggling to raise her little brother and sister. Determined to end a family feud, she takes them to her relatives' remote rural village.But across the nearby border, a brutal civil war is spreading. Rebels led by the ruthless General Mandiki attack at night, stealing children. All that separates Chanda from the horror is a stretch of rugged bush and a national park alive with predators. Soon, not even that. Before she knows it, Chanda must face the unthinkable, with a troubled young tracker as her unlikely ally.Chanda's Wars is the unforgettable story of a teenager who risks everything to save her brother and sister. Epic in its sweep, intimate in its humanity, here is a gripping tale of family intrigue, love and courage, forgiveness and hope.

The night of August 17, 1823 saw the start of one of the most massive slave rebellions in the history of the Western Hemisphere, the uprising in the British colony of Demerara (now Guyana), in which nearly twelve thousand slaves took up arms against their masters. In Crowns of Glory, Emilia Viotti da Costa tells the riveting story of this pivotal moment in the history of slavery. Studying the complaints brought by slaves to the office of the Protector of Slaves, she reconstructs the experience of slavery through the eyes of the Demerara slaves themselves. Da Costa also draws on eyewitness accounts, official records, and private journals (most notably the diary of John Smith, one of four ministers sent by the London Missionary Society to convert Demerara's "heathen"), to paint a vivid portrait of a society in transition, shaken to its foundations by the recent revolutions in America, France, and Haiti. Casting new light on the nuances of racial relations in the colonies, the inevitable clash between the missionaries' message of Christian brotherhood and a social order based on masters and slaves, and the larger historical forces that were profoundly eroding the institution of slavery itself, Crowns of Glory is an original and unforgettable book.

Spirited and intelligent, Morayo grows up surrounded by school friends and family in busy, modern-day Ibadan, Nigeria. An adoring little sister, their traditional parents, and a host of aunties and cousins make Morayo's home their own. So there's nothing unusual about her charming but troubled cousin Bros T moving in with the family. At first Morayo and her sister are delighted, but in her innocence, nothing prepares Morayo for the shameful secret Bros T forces upon her.Thrust into a web of oppressive silence woven by the adults around her, Morayo must learn to fiercely protect herself and her sister from a legacy of silence many women in Morayo's family share. Only Aunty Morenike—once shielded by her own mother—provides Morayo with a safe home and a sense of female community that sustains her as she grows into a young woman in bustling, politically charged, often violent Nigeria.

This is the story of Macon "Milkman" Dead, heir to the richest black family in a Midwestern town, as he makes a voyage of rediscovery, travelling southwards geographically and inwards spiritually. Through the enlightenment of one man, the novel recapitulates the history of slavery and liberation.