Empfehlungen basierend auf "The Pink Fairy Book"

Each December, generations of children delight in the ballet version of the quintessential Christmas story The Nutcracker. But few have had the opportunity to revel in the richly detailed original tale. Now, in this glorious new edition, acclaimed children's book author and editor Janet Schulman returns to the source'E.T.A. Hoffmann's “The Nutcracker and the King of Mice.” Here we meet Marie, her Nutcracker, the Sugar Plum Fairy, and all the other delightful characters, and we discover the answers to questions left unanswered by the ballet, like why the Nutcracker and the King of Mice were enemies.Artist Renée Graef adds her own enchantment with stunning, jewellike paintings that bring the story thrillingly to life. As an added bonus, this must-have Christmas gift also includes a free audio CD with Tchaikovsky's inimitable musical score and a reading of the complete story by actress Claire Bloom.

A beautiful clothbound hardback gift edition of one of the world's most beloved stories. I'm Death, and I make sure that everyone is equal. From the land of fantastical castles, vast lakes and deep forests, the Brothers Grimm collected a treasury of enchanting folk and fairy stories full of giants and dwarfs, witches and princesses, magical beasts and cunning children. From classics such as 'The Frog-Prince' and 'Hansel and Grettel' to the delights of 'Ashputtel' or 'Old Sultan', all hold a timeless magic which has enthralled children for centuries.

Excerpt from Brüder Grimm, Kinder-Und Hausmärchen: School Edition, Selected and Edited, With Introduction, Notes, and Vocabulary The stories known as Grimm's Marchen were obtained from the oral recitals of the country people. It is the merit of the Brothers (jacob and Wilhelm) Grimm to have been the first to put them in writing and gather them into one collection. This, however, though no small service, was all that they did in respect to the text. They made no change whatever in the story or language. A great many of them they gathered in the region about Cassel, where they resided, and they speak particularly of obtaining many from a peasant-woman, Frau who lived in a neighboring village. She retains, they say, these old traditions firmly in her memory, and relates them with delib cration and assurance, and with uncommon liveliness and interest. Her relation is fluent, but she recites more slowly, if one desires to write them down after her. She never makes any change in repeating the tale, and immediately corrects any mistake that may have escaped her. In the preface to the first volume, in 1812, they speak of having been engaged for six years in thus collecting them, and add: An agreeable remembrance is connected with each one. There are few books whose preparation has been attended with so much pleasure. In the present introduction we shall, for its main outlines, be guided by the above preface; also by that to the second volume in 1815, and the introduction on the nature of stories prefixed to the second edition in 1819. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemis

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Cinderella, Little Red Riding Hood, giants and dwarfs, monsters and magicians, fairies and ogres — these are the companions who will thrill young boys and girls of all lands and all times, as Andrew Lang's phenomenally successful collections of stories have proved. From the day that they were first printed, the Lang fairy tale books of many colors have entertained thousands of boys and girls, as they have also brought pleasure to the many parents who have read these unforgettable classics to their children.The Blue Fairy Book was the first volume in the series and so it contains some of the best known tales, taken from a variety of sources: not only from Grimm, but exciting adventures by Charles Perrault and Madame d'Aulnoy, The Arabian Nights, and other stories from popular traditions. Here in one attractive paperbound volume — with enlarged print — are "Sleeping Beauty," "Rumpelstiltskin," "Beauty and the Beast," "Hansel and Gretel," "Puss in Boots," "Trusty John," "Jack the Giantkiller," "Goldilocks," and many other favorites that have become an indispensable part of our cultural heritage.All in all, this collection contains 37 stories, all narrated in the clear, lively prose for which Lang was famous. Not only are Lang's generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range. His position as one of England's foremost folklorists as well as his first-rate literary abilities makes his collections unmatchable in the English language.

Surely among the most original and gifted of children's book illustrators, Paul O. Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

“In an old house in Paristhat was covered with vineslived twelve little girlsin two straight linesthe smallest one was Madeline.”Nothing frightens Madeline—not tigers, not even mice. With its endearing, courageous heroine, cheerful humor, and wonderful, whimsical drawings of Paris, the Madeline stories are true classics that continue to charm readers even after 75 years!It's the night before Christmas and everyone is sick in bed. All except brave Madeline, who is up and about and feeling just fine. Taking care of eleven little girls and Miss Clavel is hard work, but when Madeline finds help from a magical merchant, the girls embark on a Christmas journey that will surely make them forget their sniffles and sneezes.Ludwig Bemelmans (1898-1962) was the author of the beloved Madeline books, including Madeline, a Caldecott Honor Book, and Madeline's Rescue, winner of the Caldecott Medal.

A Caldecott Honor BookNew York Times Book Review Notable Children's Book of the YearNew York Times Outstanding Book of the YearA beautifully illustrated retelling of the classic Grimm's fairy tale about a beautiful princess whose lips were red as blood, skin was white as snow, and hair was as black as ebony.

The luminous art of three-time Caldecott Honor recipient Jerry Pinkney transforms the nineteenth-century Danish girl of Andersen's tale into a child plucked straight from America's melting pot, shedding new light on the invisibility of the poor among the prosperous-a circumstance as familiar in Andersen's day as it is in our own."[A] beautifully illustrated version of a classic tale."(Booklist, starred review)

In "The Violet Fairy Book," we hear strange and exotic tales from the far corners of the earth - Japanese, Serbian, Lithuanian, Africa, Portuguese, Rumanian, and Russian. But they are told in the common language of the fairy tale, and the events will be familiar to children and grown-ups alike. A magical dog called Schippeitaro helps his Japanese master; a man outwits a dragon in a Rumanian tale; and a Swahili story tells about a youth who visits the King of the Snakes.

"The Orange Fairy Book" delves into the oral traditions of Rhodesia, Uganda, and the American Indian; the traditions of the Punjab and of Jutland; and such familiar European sources of Hans Christian Andersen ( "The Ugly Duckling" ) and Madam d'Aulnoy ( "The White Doe" ) for its 33 stories. But it is not important that the lad climbing the tree to a cloud kingdom is an Indian brave rather than Jack, or that the giant-killer Makoma is African. The events are familiar favorites with children the world over.