Empfehlungen basierend auf "The Picts and the Martyrs Or Not Welcome at All"

The Instant New York Times Bestseller A Guardian Best Fiction Book Of 2021 An Independent Book Of The Year A White Review Book Of The Year A Lit Hub Best Book Of The Year 'his Best Novel Yet ... A Middlemarch-like Triumph' Telegraph Set In A Historical Moment Of Moral Crisis, Crossroads Is The Stunning Foundation Of A Sweeping Investigation Of Human Mythologies, As The Hildebrandt Family Navigate The Political And Social Crosscurrents Of The Past Fifty Years It's December 23, 1971, And Heavy Weather Is Forecast For Chicago. Russ Hildebrandt, The Associate Pastor Of A Liberal Suburban Church, Is On The Brink Of Breaking Free Of A Marriage He Finds Joyless - Unless His Wife, Marion, Who Has Her Own Secret Life, Beats Him To It. Their Eldest Child, Clem, Is Coming Home From College On Fire With Moral Absolutism, Having Taken An Action That Will Shatter His Father. Clem's Sister, Becky, Long The Social Queen Of Her High-school Class, Has Sharply Veered Into The Counterculture, While Their Brilliant Younger Brother Perry, Who's Been Selling Drugs To Seventh-graders, Has Resolved To Be A Better Person. Each Of The Hildebrandts Seeks A Freedom That Each Of The Others Threatens To Complicate. Jonathan Franzen's Novels Are Celebrated For Their Unforgettably Vivid Characters And Their Keen-eyed Take On The Complexities Of Contemporary America. Now, For The First Time, In Crossroads, Franzen Explores The History Of A Generation. With Characteristic Humour And Complexity, And With Even Greater Warmth, He Conjures A World That Feels No Less Immediate. A Tour De Force Of Interwoven Perspectives And Sustained Suspense, Crossroads Is The Story Of A Midwestern Family At A Historical Moment Of Moral Crisis. Jonathan Franzen's Gift For Melding The Small Picture And The Big Picture Has Never Been More Dazzlingly Evident.

Fully restored edition of Anthony Burgess' original text of A Clockwork Orange, with a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews Edited by Andrew Biswell With a Foreword by Martin Amis 'It is a horrorshow story ...' Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean? A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of exuberant invention which created a new language for its characters. This critical edition restores the text of the novel as Anthony Burgess originally wrote it, and includes a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews, shedding light on the enduring fascination of the novel's 'sweet and juicy criminality'. Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He spent six years in the British Army before becoming a schoolmaster and colonial education officer in Malaya and Brunei. After the success of his Malayan Trilogy, he became a full-time writer in 1959. His books have been published all over the world, and they include The Complete Enderby, Nothing Like the Sun, Napoleon Symphony, Tremor of Intent, Earthly Powers and A Dead Man in Deptford. Anthony Burgess died in London in 1993. Andrew Biswell is the Professor of Modern Literature at Manchester Metropolitan University and the Director of the International Anthony Burgess Foundation. His publications include a biography, The Real Life of Anthony Burgess, which won the Portico Prize in 2006. He is currently editing the letters and short stories of Anthony Burgess.

This is the story of Aman, as told in his own words - a boy from Afghanistan fleeing the horror of the Afghan war. When a western dog shows up outside the caves where Aman lives with his mother, Aman is initially repulsed - it is not customary for people to keep dogs as pets in his part of the world. But when Aman and his mother finally decide to make a bid for freedom, the dog Aman has called Shadow will not leave their side. Soon it becomes clear: the destinies of boy and dog are linked, and always will be...

Now an Academy Award-winning Netflix film by Jane Campion, starring Benedict Cumberbatch and Kirsten Dunst: Thomas Savage's acclaimed Western is "a pitch-perfect evocation of time and place" (Boston Globe) for fans of East of Eden and Brokeback Mountain.Set in the wide-open spaces of the American West, The Power of the Dog is a stunning story of domestic tyranny, brutal masculinity, and thrilling defiance from one of the most powerful and distinctive voices in American literature. The novel tells the story of two brothers — one magnetic but cruel, the other gentle and quiet — and of the mother and son whose arrival on the brothers’ ranch shatters an already tenuous peace. From the novel’s startling first paragraph to its very last word, Thomas Savage’s voice — and the intense passion of his characters — holds readers in thrall."Gripping and powerful...A work of literary art." —Annie Proulx, from her afterword

When the Bismarck sinks, one of the only German survivors is taken on board a British ship as a prisoner of war. Sent to live on a farm with a host family, the soldier must adapt to a new way of life, in the heart of an enemy country. Gradually, he shows his new hosts that he may be German, but he is a person too, with all the hopes and feelings that entails. So when the time finally comes to go back to Germany, it's an emotional parting, with the German leaving only a carved dog to remember him by. The question is, will the soldier and his new family ever meet again? In 1966, with the world cup coming to Britain, that opportunity may just have come along.

A companion novel to "Slaughterhouse 5", covering similar themes and drawing on the author's experiences as a prisoner of war in Dresden. A black satire, it tells of an American spy in Germany who becomes confused by his own methods as he sends his coded messages by using pro-Nazi radio broadcasts.

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Evelyn Waugh's masterful depiction of World War II, with an introduction by Martin StannardWaugh's own unhappy experience of being a soldier is superbly re-enacted in this story of Guy Crouchback, a Catholic and a gentleman, commissioned into the Royal Corps of Halberdiers during the war years 1939-45. High comedy - in the company of Brigadier Ritchie-Hook or the denizens of Bellamy's Club - is only part of the shambles of Crouchback's war. When action comes in Crete and in Yugoslavia, he discovers not heroism, but humanity. Sword of Honour combines three volumes: Officers and Gentlemen, Men at Arms and Unconditional Surrender, which were originally published separately. Extensively revised by Waugh, they were published as the one-volume Sword of Honour in 1965, in the form in which Waugh himself wished them to be read.'Marvellous ... one of the masterpieces of the century'John Banville, Irish Times

This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1915. Not illustrated. Excerpt: ... CHAPTER XIX DEATH AND BURIAL Albert Benbow was at the front-door. Edwin curbed the expression of his astonishment. "Hello, Albert!" "Oh! You aren't gone to bed?" "Not likely. Come in. What's up?" Albert, with the habit of one instructed never to tread actually on a doorstep lest it should be newly whitened, stepped straight on to the inner mat. He seemed excited, and Edwin feared that he had just learnt of Auntie Hamps's illness and had come in the middle of the night ostensibly to make enquiries, but really to make a grievance of the fact that the Benbows had been "kept in ignorance." He could already hear Albert demanding: "Why have you kept us in ignorance?" It was quite a Benbow phrase. Edwin shut the door and shut out the dark and windy glimpse of the outer world which had emphasised for a moment the tense seclusion of the house. "You've heard of course about the accident to Ingpen?" said Albert. His hands were deep in his overcoat pockets; the collar of the thin, rather shabby overcoat was turned up; an old cap adhered to the back of his head. While talking he slowly lifted his feet one after the other, as though desiring to get warmth by stamping but afraid to stamp in the night. "No, I haven't," said Edwin, with false calmness. "What accident?" The perspective of events seemed to change; Auntie Hamps's illness to recede, and a definite and familiar apprehension to be supplanted by a fear more formidable because it was a fear of the unknown. "It was all in the late special Signal!" Benbow protested, as if his pride had been affronted. "Well, I haven't seen the Signal. What is it?" And Edwin thought: "Is somebody else dying too?" "Fly-wheel broke. Ingpen was inspecting the sliphouse next to the engine-house. Part of the fly-wheel came through and knocked a...

Four individuals from a small town in Yugoslavia find themselves among drastically different fates during World War II. Two become Nazis, one joins the Partisans, and one is sent to a concentration camp.Set in Yugoslavia prior to and during World War II, this tale of devastation traces the lives of four friends born in the same small town. They went to school together, took dancing lessons, stole kisses, were taught German by an old maid who kept a diary. But when war comes, half-Jewish Vera is sent to a concentration camp while her German cousin becomes a Nazi; Serbian boyfriend Milinko joins the Partisans; and another classmate, also a Serb, becomes fascinated by the magic of killing. Tisma's portrayal of their situation is certainly poignant, but he belabors the obvious in overly melodramatic fashion.