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From one of the greatest writers of the twentieth century, the author of The Metamorphosis and The Trial—a collection of stories that represent the art of a modern master who had the gift of making our problematic spiritual life palpable and real. Franz Kafka’s imagination so far outstripped the forms and conventions of the literary tradition he inherited that he was forced to turn that tradition inside out in order to tell his splendid, mysterious tales that are scrupulously naturalistic on the surface and uncanny in their depths.   This edition of his stories includes all his available shorter fiction in a collection edited, arranged, and introduced by Gabriel Josipovici in ways that bring out the writer’s extraordinary range and intensity of vision. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

“[Kurt Vonnegut’s] best book . . . He dares not only ask the ultimate question about the meaning of life, but to answer it.”—EsquireNominated as one of America’s best-loved novels by PBS’s The Great American ReadThe Sirens of Titan is an outrageous romp through space, time, and morality. The richest, most depraved man on Earth, Malachi Constant, is offered a chance to take a space journey to distant worlds with a beautiful woman at his side. Of course there’ s a catch to the invitation–and a prophetic vision about the purpose of human life that only Vonnegut has the courage to tell.“Reading Vonnegut is addictive!”—Commonweal

A brilliantly innovative and highly entertaining novel from a literary pioneer.Take a trip in a stranger’s head. Travel rain-shot streets with a gang of hip malcontents, hooked on the most powerful drug you can imagine. Yet Vurt feathers are not for the weak. As the mysterious Game Cat says, ‘Be careful, be very careful’. But Scribble isn’t listening. He has to find his lost love. His journey is a mission to find Curious Yellow, the ultimate, perhaps even mythical Vurt feather. As the most powerful narcotic of all, Scribble must be prepared to leave his current reality behind.This edition also includes three additional short stories by Noon.

SUM is a dazzling exploration of funny and unexpected afterlives that have never been considered–each presented as a vignette that offers us a stunning lens through which to see ourselves here and now.In one afterlife you may find that God is the size of a microbe and is unaware of your existence. In another, your creators are a species of dim-witted creatures who built us to figure out what they could not. In a different version of the afterlife you work as a background character in other people’s dreams. Or you may find that God is a married couple struggling with discontent, or that the afterlife contains only those people whom you remember, or that the hereafter includes the thousands of previous gods who no longer attract followers. In some afterlives you are split into your different ages; in some you are forced to live with annoying versions of yourself that represent what you could have been; in others you are re-created from your credit card records and Internet history. David Eagleman proposes many versions of our purpose here; we are mobile robots for cosmic mapmakers, we are reunions for a scattered confederacy of atoms, we are experimental subjects for gods trying to understand what makes couples stick together.These wonderfully imagined tale–at once funny, wistful, and unsettling–are rooted in science and romance and awe at our mysterious existence: a mixture of death, hope, computers, immortality, love, biology, and desire that exposes radiant new facets of our humanity.

“[Kurt Vonnegut] strips the flesh from bone and makes you laugh while he does it. . . . There are twenty-five stories here, and each hits a nerve ending.”—The Charlotte ObserverWelcome to the Monkey House is a collection of Kurt Vonnegut’s shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, these superb stories share Vonnegut’s audacious sense of humor and extraordinary range of creative vision.Includes the following stories:“Where I Live”“Harrison Bergeron”“Who Am I This Time?”“Welcome to the Monkey House”“Long Walk to Forever”“The Foster Portfolio”“Miss Temptation”“All the King’s Horses”“Tom Edison’s Shaggy Dog”“New Dictionary”“Next Door”“More Stately Mansions”“The Hyannis Port Story”“D.P.”“Report on the Barnhouse Effect”“The Euphio Question”“Go Back to Your Precious Wife and Son”“Deer in the Works”“The Lie”“Unready to Wear”“The Kid Nobody Could Handle”“The Manned Missiles”“Epicac”“Adam”“Tomorrow and Tomorrow and Tomorrow”

Roithamer has committed suicide having been driven to madness by his own frightening powers of pure thought. We witness the gradual breakdown of a genius ceaselessly compelled to correct and refine his perceptions until the only logical conclusion of the negation of his own soul.

“ . . . that country where it is always turning late in theyear. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnightsstay . . . ”Explore the outer limits of the imagination with the GrandMaster of American Literature, Ray Bradbury, in a dark and disquieting descentinto The October Country. Readers of The Martian Chronicles and TheIllustrated Man, as well as fans of H. P. Lovecraft, Rod Serling, Bram Stoker, Stephen King,and writers of other classic horror stories, will be captivated by TheOctober Country’s nineteen astonishing tales. From drowned cities tofrantic carnivals to forgotten Mexican villages, Bradbury offers anunforgettable journey into mystery, shining brief lights upon the darkestcorners of the soul.

Open this wordless book and take off on mind-bending visual journeys full of twists, turns, and surprises. Zoom from an Egyptian pyramid to an exotic jungle to a sandy beach. But if you think you know where you are, guess again. For in Istvan Banyai's mysterious landscapes of pictures within pictures, nothing is ever as it seems.

From the author of National Book Award-nominated Lost in the Funhouse • John Barth's first two novels are both existential comedies featuring strange, consuming love triangles and the destructive effects of an overactive intellect on the emotions."[Barth] ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them." —The New York TimesThe relationship between these two darkly comic novels is evident not only in their ribald and philosophical subject matter but in their eccentric characters and bitterly humorous tone. The protagonist of The Floating Opera is Todd Andrews, an orphaned war veteran who has been sleeping with his friend's wife. Todd awakens in the morning determined to commit suicide, having concluded that nothing in life has intrinsic value--but then spends the day methodically reasoning his way into disregarding that fact and remaining a part of the floating opera of life. In The End of the Road, a man named Jacob Horner finds himself literally paralyzed by an inability to choose a course of action from all possibilities. He begins an unconventional course of "mythotherapy" treatment at the Remobilization Farm, but his eccentric doctor's directives lead him into a tragic love triangle and from there to the nihilistic end of the road. Separately these two novels give two very different views of the universal human quest for meaning, and together they form the beginnings of an illustrious literary career.