Empfehlungen basierend auf "The Obligated Self: Maternal Subjectivity and Jewish Thought (New Jewish Philosophy and Thought)"

In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down.

Trans People In Britain Today Have Become A Culture War 'issue'. Despite Making Up Less Than 1% Of The Country's Population, They Are The Subjects Of A Toxic And Increasingly Polarised 'debate', Which Generates Reliable Controversy For Newspapers And Talk Shows. This Media Frenzy Conceals A Simple Fact: That We Are Having The Wrong Conversation, A Conversation In Which Trans People Themselves Are Reduced To A Talking Point And Denied A Meaningful Voice. In This Powerful New Book, Shon Faye Reclaims The Idea Of The 'transgender Issue' To Uncover The Reality Of What It Means To Be Trans In A Transphobic Society. In Doing So, She Provides A Compelling, Wide-ranging Analysis Of Trans Lives From Youth To Old Age, Exploring Work, Family, Housing, Healthcare, The Prison System, And Trans Participation In The Lgbtq+ And Feminist Communities, In Contemporary Britain And Beyond. The Transgender Issue Is A Landmark Work That Signals The Beginning Of A New, Healthier Conversation About Trans Life. It Is A Manifesto For Change, And A Call For Justice And Solidarity Between All Marginalised People And Minorities. Trans Liberation, As Faye Sees It, Goes To The Root Of What Our Society Is And What It Could Be; It Offers The Possibility Of A More Just, Free And Joyful World For All Of Us.

How dominant culture—from sexism and homophobia to racism, capitalism, ableism, and more—has limited the science of animal behavior, and how we can free ourselves from these limited perspectives. In Feminism in the Wild, Ambika Kamath and Melina Packer reveal how scientists studying animal behavior have long projected human norms and values onto animals while seeking to understand them. When scientific studies conclude that these norms and values are natural in animals, it makes it easier to think of them as natural in humans too. And because scientists, historically and to this day, largely belong to elite, powerful segments of society, the norms and values embedded in animal behavior science match those of the already powerful. How can animal behavior science escape this trap of naturalizing dominant culture? Drawing from decades of feminist, antiracist, queer, disability justice, and Marxist contributions—including those of biologists—Kamath and Packer break down persistent assumptions in the status quo of animal behavior science and offer a multitude of alternative approaches. Core concepts in animal behavior science and evolutionary biology—from sex categories and sexual selection to fitness, adaptation, biological determinism, and more—are carefully contextualized and critically reexamined. This unique collaboration between an animal behavior scientist and a feminist science studies scholar is an illuminating and hopeful read for anyone who is curious about how animals behave, and anyone who wants to break free from scientific approaches that perpetuate systems of oppression.

This volume presents a study of the damaging effect of pornography and its ramifications on society.

Agnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.

Male entitlement takes many forms. To sex, yes, but more insidiously to admiration, bodily autonomy, knowledge, power, even care. In this urgent intervention, philosopher Kate Manne offers a radical new framework for understanding misogyny.In clear-sighted, powerful prose, she ranges widely across the culture to show how the idea that a privileged man is tacitly deemed to be owed something is a pervasive problem. Male entitlement can explain a wide array of phenomena, from mansplaining and the undertreatment of women's pain to mass shootings by incels and the seemingly intractable notion that women are 'unelectable'. The consequences for girls and women are often devastating.As Manne shows, toxic masculinity is not just the product of a few bad actors; we are all implicated, conditioned as we are by the currents of our time. With wit and intellectual fierceness, she sheds new light on gender and power and offers a vision of a world in which women are just as entitled as men to be cared for, believed and valued.

The bestselling feminist classic that revolutionized the way we think about rape, as a historical phenomenon and as an urgent crisis—essential reading in the era of #MeToo.“A major work of history.”—The Village Voice • One of the New York Public Library’s 100 Books of the CenturyAs powerful and timely now as when it was first published, Against Our Will stands as a unique document of the history, politics, and sociology of rape and the inherent and ingrained inequality of men and women under the law. Fact by fact, Susan Brownmiller pulls back the centuries of damaging lies and misrepresentations to reveal how rape has been accepted in all societies and how it continues to profoundly affect women’s lives today.A keen and prescient analyst, a detailed historian, Susan Brownmiller discusses the consequences of rape in biblical times, rape as an accepted spoil of war, as well as child molestation, marital rape, and date rape (a term that she coined). In lucid, persuasive prose, Brownmiller uses her experience as a journalist to create a definitive, devastating work of lasting social importance.Praise for Against Our Will“The most comprehensive study of rape ever offered to the public . . . It forces readers to take a fresh look at their own attitudes toward this devastating crime.”—Newsweek“A classic . . . No one who reads it will come away untouched.”—The Village Voice“Chilling and monumental . . . Deserves a place next to those rare books which force us to change the way we feel about what we know.”—The New York Times Book Review“A landmark work, one of the most significant books to emerge in this decade.”—Houston Chronicle“A definitive text, startling, compelling, and a landmark.”—St. Louis Post-Dispatch“An overwhelming indictment. We need it, it is a hideous revelation and it should be required reading.”—Los Angeles Times Book Review“Chilling, monumental, exhaustive, detailed, absorbing and original. . . . Brownmiller’s greatest contribution is establishing the continuity between rape and other facets of American culture.”—Commonweal

Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories—multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large.In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.

Burning dinners, stitching "scandalous" quilts, talking "hard" in the male dominated world of rap music---Feminist Messages interprets such acts as instances of coding, or covert expressions of subversive or disturbing ideas. While coding may be either deliberated or unconscious, it is a common phenomenon in women's stories, art, and daily routines. Because it is essentially ambiguous, coding protects women from potentially dangerous responses from those who might be troubled by their messages.

Sixteen essays "apply the intersectional theory in an inspiring way in the analysis of gender issues in the past and in contemporary Czech society" ( Aspasia ). In this wide-ranging study of women's and gender issues in the pre- and post-1989 Czech Republic, contributors engage with current feminist debates and theories of nation and identity to examine the historical and cultural transformations of Czech feminism. This collection of essays by leading scholars, artists, and activists, explores such topics as reproductive rights, state socialist welfare provisions, Czech women's NGOs, anarchofeminism, human trafficking, LGBT politics, masculinity, feminist art, among others. Foregrounding experiences of women and sexual and ethnic minorities in the Czech Republic, the contributors raise important questions about the transfer of feminist concepts across languages and cultures. As the economic orthodoxy of the European Union threatens to occlude relevant stories of the different national communities comprising the Eurozone, this book contributes to the understanding of the diverse origins from which something like a European community arises. "While the collection demands that we understand Czech uniqueness, at the same time it is at its best when this uniqueness comes into focus through comparative study." — Feminist Review "A colorful bouquet offering an overview of directions taken by Czech feminist scholarship since the 1990s." — Slavic Review