Empfehlungen basierend auf "The Narrow Road to the Interior: Poems"

From the self-described 'black, lesbian, mother, warrior, poet', these soaring, urgent essays on the power of women, poetry and anger are filled with darkness and light.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Byron's free-spirited lifestyle combined with his rare poetic gift to make him one of the foremost figures of the Romantic Era. This collection of his poems, richly varied in mood and content, captures the essence of his great achievement. Among the thirty-one poems included are convivial song-like poems, love poems, travel poems, humorous and satiric poems.Shorter works such as the famous "She Walks in Beauty," "Stanzas to Augusta" and "So We'll Go No More a Roving" are well represented. Also here are important longer works — "The Prisoner of Chillon," "Beppo," "The Vision of Judgment," all unabridged — and lyrics excerpted from Don Juan, Childe Harold's Pilgrimage, and the play Manfred. Taken together, these are poems that draw readers quickly into the passions, humors, and convictions of a poet whose life and work truly embodied the Romantic spirit.

The first anthology of the author's autobiographical novels, stories, and poems is organized chronologically to chronicle the life of this counterculture hero. By the author of Post Office. National ad/promo.

From Yehuda Amichai and W. H. Auden to Phyllis Wheatley and Walt Whitman, Hearing God in Poetry invites you to take a closer look at fifty great poems by some of the finest poets in the English language. Some are well known, some deserve to be better known, but all say something distinctive that will lift your spirit.This beautiful Lent book for 2022 offers six poems for every week from Ash Wednesday, leading up to Holy Week, with ten poems specially chosen for Easter. A short reflection from Richard Harries accompanies each poet and the poem, drawing out their spiritual insights and how they communicate God’s presence.Hearing God in Poetry is an ideal Lent book for 2022 for poetry lovers and anyone interested in how some of the world’s finest poets have expressed faith in their work. This book of daily readings will introduce you to some wonderful poetry for Lent and Easter, and give you a deeper understanding and appreciation of these brilliant works of literature. It will also help expand your spirituality to see God’s presence in the world around you as you prepare for Easter.Full of riches, Hearing God in Poetry is a book that you will want to turn to time and time again – whether during Lent or in any other season of the year.

Finalist for the 2005 National Book Critics Circle Award in Poetry—an erotic, powerful collection“One of the best books of contemporary poetry.”—Victoria Chang, Huffington Post“Vital, immediate, and cinematic in scope.”—Library Journal (Best Poetry of 2005)Selected by Nobel Prize laureate and competition judge Louise Glück as the 2004 winner of the Yale Younger Poets prize, Richard Siken’s Crush is a powerful collection of poems driven by obsession and love. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking.In her introduction to the book, Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”

WINNER OF THE NOBEL PRIZE IN LITERATUREA dreamlike collection from the Nobel Prize-winning poetA Village Life, Louise Glück's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place:All the roads in the village unite at the fountain.Avenue of Liberty, Avenue of the Acacia Trees―The fountain rises at the center of the plaza;on sunny days, rainbows in the piss of the cherub.―from "tributaries"Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed.Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as "the type of describing, supervising intelligence found in novels rather than poetry," as Langdon Hammer has written of her long lines―expansive, fluent, and full―manifesting a calm omniscience. While Glück's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.

Playfulness, spare elegance, and wit epitomize the poetry of Billy Collins.With his distinct voice and accessible language, America’s two-term Poet Laureate has opened the door to poetry for countless people for whom it might otherwise remain closed.Like the present book’s title, Collins’s poems are filled with mischief, humor, and irony, “Poetry speaks to all people, it is said, but here I would like to address / only those in my own time zone”–but also with quiet observation, intense wonder, and a reverence for the everyday: “The birds are in their trees, / the toast is in the toaster, / and the poets are at their windows. / They are at their windows in every section of the tangerine of earth–the Chinese poets looking up at the moon, / the American poets gazing out / at the pink and blue ribbons of sunrise.”Through simple language, Collins shows that good poetry doesn’t have to be obscure or incomprehensible, qualities that are perhaps the real trouble with most “serious” poetry: “By now, it should go without saying / that what the oven is to the baker / and the berry-stained blouse to the drycleaner / so the window is to the poet.”In this dazzling new collection, his first in three years, Collins explores boyhood, jazz, love, the passage of time, and, of course, writing–themes familiar to Collins’s fans but made new here. Gorgeous, funny, and deeply empathetic, Billy Collins’s poetry is a window through which we see our lives as if for the first time.

Because I could not stop for Death-He kindly stopped for me-The carriage held but just ourselves-And Immortality.Bloomsbury Poetry Classics are selections from the work of some of our greatest poets. The series is aimed at the general reader rather than the specialist and carries no critical or explanatory apparatus. This can be found elsewhere. In the series the poems introduce themselves, on an uncluttered page and in a format that is both attractive and convenient. The selections have been made by the distinguished poet, critic, and biographer Ian Hamilton.

A beautiful and inspiring collection of poetry by Maya Angelou, author of I KNOW WHY THE CAGED BIRD SINGS and 'a brilliant writer, a fierce friend and a truly phenomenal woman' (BARACK OBAMA).'I write about being a Black American woman, however, I am always talking about what it's like to be a human being. This is how we are, what makes us laugh, and this is how we fall and how we somehow, amazingly, stand up again' Maya AngelouMaya Angelou's poetry - lyrical and dramatic, exuberant and playful - speaks of love, longing, partings; of Saturday night partying, and the smells and sounds of Southern cities; of freedom and shattered dreams.'Her poetry is just as much a part of her autobiography as I Know Why the Caged Bird Sings and the volumes that follow.' Kirkus'It is true poetry she is writing . . . it has an innate purity about it, unquenchable dignity' M. F. K. Fisher

National Book Award FinalistStay, Illusion, the much-anticipated volume of poems by Lucie Brock-Broido, illuminates the broken but beautiful world she inhabits. Her poems are lit with magic and stark with truth: whether they speak from the imagined dwelling of her “Abandonarium,” or from habitats where animals are farmed and harmed “humanely,” or even from the surreal confines of death row, they find a voice like no other—dazzling, intimate, startling, heartbreaking.Eddying between the theater of the lavish and the enigmatic, between the gaudy and the unadorned, Brock-Broido’s verse scours America for material to render unflinchingly the here and now. Grandeur devolves into a comic irony: “We have come to terms with our Self / Like a marmoset getting out of her Great Ape suit.” She dares the unexplained: “The wings were left ajar / At the altar where I’ve knelt all night, trembling, leaning, rough / As sugar raw, and sweet.” Each poem is a rebellious chain of words: “Be good, they said, and so too I was / Good until I was not.” Strange narratives, interior and exterior, make a world that is foreign and yet our own; like Dickinson, Brock-Broido constructs a spider-sibling, commanding the “silk spool of the recluse as she confects her eventual mythomania.” And why create the web? Because: “If it is written down, you can’t rescind it.”