Empfehlungen basierend auf "The Miracle Game"

Thirty years of celebrating the comic genius of Douglas Adams…On 12 October 1979 the most remarkable book ever to come out of the great publishing corporations of Ursa Minor (and Earth) was made available to humanity – The Hitchhiker’s Guide to the Galaxy.It’s an ordinary Thursday lunchtime for Arthur Dent until his house gets demolished. The Earth follows shortly afterwards to make way for a new hyperspace bypass and his best friend has just announced that he’s an alien. At this moment, they’re hurtling through space with nothing but their towels and an innocuous-looking book inscribed with the big, friendly words: DON’T PANIC.The weekend has only just begun…Volume one in the trilogy of five

Updike is Adam Begley’s masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike—a candid, intimate, and richly detailed look at his life and work.In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing “middleness with all its grits, bumps and anonymities.”Updike explores the stages of the writer’s pilgrim’s progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer’s colleagues, friends, and family, Begley explores how Updike’s fiction was shaped by his tumultuous personal life—including his enduring religious faith, his two marriages, and his first-hand experience of the “adulterous society” he was credited with exposing in the bestselling Couples.With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike’s best-loved works—from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy—and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else’s.

Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

“[Erma Bombeck] is marvelously funny, direct as a hypodermic, a virtuoso in the field of suburban living.”—VogueIt’s the exposé to end all exposés—the truth about the suburbs: where they planted trees and crabgrass came up, where they planted the schools and taxes came up, where they died of old age trying to merge onto the freeway and where they finally got sex out of the schools and back into the gutters.

'A beautifully observed and sympathetic tour of modern Britain that runs on the tracks of our years.' David Quantick 'Charming...The accounts will make any fan of railways want to experience these delights for themselves.' - The Independent All aboard for a one-of-a-kind journey by train to some of the most obscure parts of Britain On the 200th birthday of the world's first passenger-carrying railway, Nige Tassell sets out to ride Britain's railway network all the way to its lesser-travelled-to corners, its seldom-visited outposts. From Wick to Penzance and many points in between, he stays on until the end of the line. He is the last man sitting. The sixteen final destinations he visits offer sixteen different stories. By delving into their histories, by speaking to their people and by having a good old-fashioned nose around, Tassell reveals much about places that rarely have light cast upon them - from ferry ports to abandoned resorts, from tiny hamlets to towns being reclaimed by the sea. It's a journey that takes in Harry Potter, Muhammad Ali, goths, Alan Bennett, Vera Brittain, Viz comic, Alex Horne, Nigel Farage. Vikings, John Betjeman, Aneurin Bevan, Tyson Fury, Charlotte Rampling's dad and the weepy judge from The Great Pottery Throwdown. All human life is here. So grab yourself a window seat for an odyssey that tells us much about Britain today. All aboard, all aboard.

After an unexpected and diabolical farewell breakfast conversation with his father, Spud Milton returns to boarding school for his 1993 Matric year, his last as a schoolboy. Armed with a prefects’ tie and a raging libido, Spud soon discovers that being a large(ish) fish in a small pond has its fair share of challenges. He finds himself embroiled in fighting for his own room, directing a house play where both lead actors refuse to learn their lines, and assisting in Vern Blackadder’s dramatic return from the dead with nothing more than a drip cord and a pair of oven gloves. Amidst mounting pressure in the classroom and on the cricket field, Spud prepares to face down the most feared and dreaded challenge of them all—finding a date for the Matric dance. In this hilarious final installment of the Spud series, John Van de Ruit brings to a close his savagely funny blow by blow account of the agonies of growing up. The embarrassments, thrills, defeats, and the sheer-absurdity of daily life are wittily recorded in Spud’s unique voice as he prepares to make his own exit, pursued by a bear.

With the sun finally setting on that wondrous earthy paradise that is Blandings, Vicky Underwood finds herself forcibly parted from her beloved, Jeff Bennison. Her Uncle Galahad turns his not inconsiderable talents to reuniting the love-birds. Wodehouse's final chronicle of Blandings is unfinished, but three Wodehouse admirers have supplied a treasure trove of notes and plot details, providing fascinating insights into the mind of the author.

When Mr. Rogers goes for a drive with Amelia Bedelia, he's in for the ride of his life. She does exactly what he tells her –– and that gets them into trouble, but only Amelia Bedelia can make a car trip this much fun!

We got our first taste of Adrian Plass's outrageous humour in The Sacred Diary of Adrian Plass, Age 37 3⁄4 and The Sacred Diary of Adrian Plass, Age 45 3⁄4. With over 2 million copies sold, these beloved bestsellers naturally placed the author's fanciful alter-ego in great demand as an inspirational speaker. And of course, his touring experiences have led to all-new stories to share with his friends. This sequel to the first two books will doubtless secure the Sacred Diarist's reputation as a spiritual authority. It's probably not the reputation he's hoping for, but it's the perfect medium for a bucketful of laughter. So meet the speaker, meet the crew and take a seat. It's time to join Adrian Plass on tour! Anne seems to think it would be a good idea to let people see some of the diary entries I've written in connection with the little seven-day speaking tour that she and I have just done ... On that innocent note, Adrian Plass whisks us along on one of the zaniest tours in his career as a Christian speaker. Besides his wife, his fictional entourage includes Gerald, his grown son, who is now a wise-cracking vicar; high-strung Leonard Thynn and his talented but surrealistic girlfriend, Angels Twitten; and the tour's Scripture-spouting benefactor, Barry Ingstone. First stop is the church of St. James the Hardly Visible at All, where a dour caretaker is waiting to set the tone for things to come. So hop on board - the tour is leaving, and you don't want to miss a thing.

The James Bond epic is the most popular film series in silver screen history: it is estimated that a quarter of the world's population has seen a Bond feature. The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense. Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene -- from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics -- notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history -- half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.