Empfehlungen basierend auf "The Matador of the Five Towns"

If puritanism is, as H.L. Mencken once said, the haunting fear that someone, somewhere, may be happy, then this glorious, monumental collection by one of England's most popular humorists is a puritan's nightmare. Focusing primarily on the 19th and 20th century, but with material dating back to Columbus, Frank Muir has packed this volume with enough joy and laughter to sink the Mayflower.The range of comic material is amazing--from the gentle, charming comedy of manners, to biting satire, to outrageous parody. There are excerpts from the novels of Jane Austen, P.G. Wodehouse and Mark Twain, complete short stories by O. Henry and Frank O'Connor, classic tall tales from Australia (including one by "Banjo" Patterson, who also wrote "Waltzing Matilda"), passages from Groucho Marx's correspondence with Warner Brothers, newspaper columns written by Art Buchwald and Myles na Gopaleen (the novelist Flann O'Brien), a selection of Samuel Johnson's comic definitions, plus a sprinkling of egregious puns, witty sayings, and even the clever names of stores (such as the New York restaurant "Just for the Halibut" and the London beauty parlor "Curl Up and Dye"). Muir has gathered work from over two hundred writers and from every English-speaking country. Virtually all of your favorites are here: Jonathan Swift, Jane Austen, Charles Dickens, Laurence Sterne, Anita Loos, Ring Lardner, Alexander Woollcott, Robert Benchley, Dorothy Parker, S.J. Perelman, Damon Runyon, Fran Lebowitz, Joseph Heller, Evelyn Waugh, Garrison Keilor, Erma Bombeck, Tom Wolfe, and countless others. In addition, there are comic pieces from writers you wouldn't expect to find--such as Thomas Hardy or Lawrence Durrell--and many many writers you may not have discovered yet, such as Jerome K. Jerome or Daisy Ashford (who wrote an unintentionally hysterical novel at age nine, which she published in her thirties).Frank Muir is one of Britain's best-loved humorists, the host of a highly popular television show and the prolific author of dozens of hilarious books, including the best-selling The Frank Muir Book. Here he provides not only a painfully funny collection, but also generous introductions to each writer, which are comic gems in themselves. Except for the occasional puritan, this is a book that everyone will enjoy.

Updike is Adam Begley’s masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike—a candid, intimate, and richly detailed look at his life and work.In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing “middleness with all its grits, bumps and anonymities.”Updike explores the stages of the writer’s pilgrim’s progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer’s colleagues, friends, and family, Begley explores how Updike’s fiction was shaped by his tumultuous personal life—including his enduring religious faith, his two marriages, and his first-hand experience of the “adulterous society” he was credited with exposing in the bestselling Couples.With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike’s best-loved works—from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy—and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else’s.

"Outlandish fun. . . . Making Money balances satire, knockabout farce and close observation of human — and non-human — foibles with impressive dexterity and deceptive ease. The result is another ingenious entertainment from the preeminent comic fantasist of our time.” — Washington PostThe hero of Going Postal returns in the 36th installment of Sir Terry Pratchett's beloved Discworld series! Moist von Lipwig, condemned prisoner turned postal worker extraordinaire, is now in charge of a different branch of the government: overseeing the printing of Ankh-Morpork’s first paper currency.Amazingly, former arch-swindler-turned-Postmaster General Moist von Lipwig has somehow managed to get the woefully inefficient Ankh-Morpork Post Office running like . . . well, not like a government office at all. Now the supreme despot Lord Vetinari is asking Moist if he'd like to make some real money. Vetinari wants Moist to resuscitate the venerable Royal Mint—so that perhaps it will no longer cost considerably more than a penny to make a penny.Moist doesn't want the job. However, a request from Ankh-Morpork's current ruling tyrant isn't a "request" per se, more like a "once-in-a-lifetime-offer-you-can-certainly-refuse-if-you-feel-you've-lived-quite-long-enough." So Moist will just have to learn to deal with elderly Royal Bank chairman Topsy (née Turvy) Lavish and her two loaded crossbows, a face-lapping Mint manager, and a chief clerk who's probably a vampire. But he'll soon be making lethal enemies as well as money, especially if he can't figure out where all the gold has gone.The Discworld novels can be read in any order, but Making Money is the second book in the Moist von Lipwig series.

A New York Times Book Review Editors’ Choice: There’s no right way to keep a diary, but if there’s an entertaining way, David Sedaris seems to have mastered it.If it’s navel-gazing you’re after, you’ve come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leaping to his death. There’s a dirty joke shared at a book signing, then a dirtier one told at a dinner party—lots of jokes here. Plenty of laughs.These diaries remind you that you once really hated George W. Bush, and that not too long ago, Donald Trump was just a harmless laughingstock, at least on French TV. Time marches on, and Sedaris, at his desk or on planes, in hotel dining rooms and odd Japanese inns, records it. The entries here reflect an ever-changing background—new administrations, new restrictions on speech and conduct. What you can say at the start of the book, you can’t by the end. At its best, A Carnival of Snackery is a sort of sampler: the bitter and the sweet. Some entries are just what you wanted. Others you might want to spit discreetly into a napkin.

With prose that is every bit as raw, intense and bitingly honest as the world it depicts, Barry Hines's A Kestrel for a Knave contains a new afterword by the author in Penguin Modern Classics. Life is tough and cheerless for Billy Casper, a troubled teenager growing up in the small Yorkshire mining town of Barnsley. Treated as a failure at school, and unhappy at home, Billy discovers a new passion in life when he finds Kes, a kestrel hawk. Billy identifies with her silent strength and she inspires in him the trust and love that nothing else can, discovering through her the passion missing from his life. Barry Hines's acclaimed novel continues to reach new generations of teenagers and adults with its powerful story of survival in a tough, joyless world. Ken Loach's renowned film adaptation, Kes, has achieved cult status and in his new afterword Barry Hines discusses his work to adapt the novel into a screenplay, and reappraises the legacy of a book that has become a popular classic. Barry Hines (b. 1939) was born in the mining village of Hoyland Common, near Barnsley, South Yorkshire. Leaving Ecclesfield Grammar School without any qualifications, Hines worked as an apprentice mining surveyor for the National Coal Board before entering Loughborough Training College to study Physical Education. Working as a teacher in Hoyland Common, he wrote novels in the school library after work, later turning to writing full-time. If you enjoyed A Kestrel for a Knave, you might like The Call of the Wild, White Fang, and Other Stories by Jack London, published in Penguin Classics.

“Harry Crews is magnificently twisted and brutally funny.” - Carl HiaasenA Penguin Classic Golden-haired, with the voice of an angel and a reputation as a healer, the Gospel Singer appeared on the cover of LIFE and brought thousands to their knees in Carnegie Hall. But for all his fame, he is a man in mortal torment that drives him back to his obscure and wretched hometown of Enigma, Georgia. But by the time his Cadillac pulls into Enigma, he discovers an old friend is being held at tenuous bay from a lynch mob. As Harry Crews’s first novel unfolds, the Gospel Singer is forced to give way to his torment, and in doing so he reveals to the believers who have gathered at his feet just how little he is God’s man, and how much he has contributed to the corruption of each of them.

Adrian Mole is 39 and a quarter. Unable to afford the mortgage on his riverside apartment, he has been forced to move into a semi-detached converted pigsty next door to his parents, George and Pauline. His ravishing wife Daisy loathes the countryside, longs for Dean Street and has yet to buy a pair of Wellingtons; they are both aware the passion has gone out of their marriage, but neither knows how to reignite the flame. To cap it all off, Adrian is leaving his bed numerous times a night to go to the lavatory and has other alarming symptoms, leading him to suspect prostate trouble. Meanwhile, his mother thinks that an appearance on the Jeremy Kyle show might solve the mystery of her daughter’s paternity once and for all. And when George is asked to provide a DNA sample, will the shock kill him? He is already disabled, though still chain smoking and has had an ashtray welded onto the arm of his wheelchair. As Adrian’s worries multiply, a phone call to his old flame Dr Pandora Braithwaite, BA, MA, PhD, MP and Junior Minister in the Foreign Office, ignites memories of a shared passion and makes him wonder – is she the only one who can save him now?

Sam the Lion runs the pool-hall, the picture house and the all-night café. Coach Popper whips his boys with towels and once took a shot at one when he disturbed his hunting. Billy wouldn't know better than to sweep his broom all the way to the town limits if no one stopped him. And teenage friends Sonny and Duane have nothing better to do than drift towards the adult world, with its temptations of sex and confusions of love. The basis for a classic film, The Last Picture Show is both extremely funny and deeply profound. And, with the eccentrically peopled Thalia, Texas, Larry McMurtry made a small town that feels as real as any you've ever walked around. Famously filmed by Peter Bogdanovich in 1971 with Jeff Bridges and Cybill Shepherd. With a new introduction by Mary Karr.

In a collection of essays, the Rooster gets married at an uproarious wedding, an estrangement occurs over a rubber vs. plastic debate, and the author gets the upper hand during a slumber party game of strip poker.

Gussie Fink-Nottle simply must marry Madeline Bassett or Bertrand Wooster will be obliged to proffer the ring in his stead. In a daring attempt at securing the engagement, Jeeves and Bertie visit a rural leper colony.