Empfehlungen basierend auf "The LGBTQ + History Book"

A Must-Read: Vogue, Nylon, Chicago Review of Books, Literary Hub, Frieze, The Millions, Publishers Weekly, InsideHook, The Next Big Idea Club,“[Lauren] Elkin is a stylish, determined provocateur . . . Sharp and cool . . . [Art Monsters is] exemplary. It describes a whole way to live, worthy of secret admiration.” —Maggie Lange, The Washington Post“Destined to become a new classic . . . Elkin shatters the truisms that have evolved around feminist thought.” —Chris Kraus, author of I Love Dick and After Kathy Acker: A Literary BiographyWhat kind of art does a monster make? And what if monster is a verb? Noun or a verb, the idea is a dare: to overwhelm limits, to invent our own definitions of beauty.In this dazzlingly original reassessment of women’s stories, bodies, and art, Lauren Elkin—the celebrated author of Flâneuse—explores the ways in which feminist artists have taken up the challenge of their work and how they not only react against the patriarchy but redefine their own aesthetic aims. How do we tell the truth about our experiences as bodies? What is the language, what are the materials, that we need to transcribe them? And what are the unique questions facing those engaged with female bodies, queer bodies, sick bodies, racialized bodies? Encompassing a rich genealogy of work across the literary and artistic landscape, Elkin makes daring links between disparate points of reference—among them Julia Margaret Cameron’s photography, Kara Walker’s silhouettes, Vanessa Bell’s portraits, Eva Hesse’s rope sculptures, Carolee Schneemann’s body art, Theresa Hak Kyung Cha’s trilingual masterpiece DICTEE—and steps into the tradition of cultural criticism established by Susan Sontag, Hélène Cixous, and Maggie Nelson. An erudite, potent examination of beauty and excess, sentiment and touch, the personal and the political, the ambiguous and the opaque, Art Monsters is a radical intervention that forces us to consider how the idea of the art monster might transform the way we imagine—and enact—our lives.

Winner of the National Book AwardA New York Times Bestseller"The queer romance we’ve been waiting for.”—Ms. MagazineSeventeen-year-old Lily Hu can't remember exactly when the feeling took root—that desire to look, to move closer, to touch. Whenever it started growing, it definitely bloomed the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club. Suddenly everything seemed possible.But America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father—despite his hard-won citizenship—Lily and Kath risk everything to let their love see the light of day.(Cover image may vary.)

A Must-Read: Vogue, Nylon, Chicago Review of Books, Literary Hub, Frieze, The Millions, Publishers Weekly, InsideHook, The Next Big Idea Club,“[Lauren] Elkin is a stylish, determined provocateur . . . Sharp and cool . . . [Art Monsters is] exemplary. It describes a whole way to live, worthy of secret admiration.” ―Maggie Lange, The Washington Post“Destined to become a new classic . . . Elkin shatters the truisms that have evolved around feminist thought.” ―Chris Kraus, author of I Love Dick and After Kathy Acker: A Literary BiographyWhat kind of art does a monster make? And what if monster is a verb? Noun or a verb, the idea is a dare: to overwhelm limits, to invent our own definitions of beauty.In this dazzlingly original reassessment of women’s stories, bodies, and art, Lauren Elkin―the celebrated author of Flâneuse―explores the ways in which feminist artists have taken up the challenge of their work and how they not only react against the patriarchy but redefine their own aesthetic aims. How do we tell the truth about our experiences as bodies? What is the language, what are the materials, that we need to transcribe them? And what are the unique questions facing those engaged with female bodies, queer bodies, sick bodies, racialized bodies?Encompassing a rich genealogy of work across the literary and artistic landscape, Elkin makes daring links between disparate points of reference―among them Julia Margaret Cameron’s photography, Kara Walker’s silhouettes, Vanessa Bell’s portraits, Eva Hesse’s rope sculptures, Carolee Schneemann’s body art, Theresa Hak Kyung Cha’s trilingual masterpiece DICTEE―and steps into the tradition of cultural criticism established by Susan Sontag, Hélène Cixous, and Maggie Nelson.An erudite, potent examination of beauty and excess, sentiment and touch, the personal and the political, the ambiguous and the opaque, Art Monsters is a radical intervention that forces us to consider how the idea of the art monster might transform the way we imagine―and enact―our lives.

Nan Goldin (b.1953) is most famous for her long-term photographic record of her immediate circle, The Ballad of Sexual Dependency. Her work often breaks social taboos with its explicit exploration of relationships, sexuality and eroticism. More recently, her images have shown the devastating effects AIDS has had on this community of friends.

A hilarious, heartfelt sequel to How to Build a Girl, the breakout novel from feminist sensation Caitlin Moran who the New York Times called, "rowdy and fearless . . . sloppy, big-hearted and alive in all the right ways."You can’t have your best friend be famous if you’re not famous. It doesn’t work. You’re emotional pen-friends. You can send each other letters—but you’re not doing anything together. You live in different countries.Johanna Morrigan (AKA Dolly Wilde) has it all: at eighteen, she lives in her own flat in London and writes for the coolest music magazine in Britain. But Johanna is miserable. Her best friend and man of her dreams John Kite has just made it big in 1994’s hot new BritPop scene. Suddenly John exists on another plane of reality: that of the Famouses.Never one to sit on the sidelines, Johanna hatches a plan: she will Saint Paul his Corinthians, she will Jimmy his Pinocchio—she will write a monthly column, by way of a manual to the famous, analyzing fame, its power, its dangers, and its amusing aspects. In stories, girls never win the girl—they are won. Well, Johanna will re-write the stories, and win John, through her writing.But as Johanna’s own star rises, an unpleasant one-night stand she had with a stand-up comedian, Jerry Sharp, comes back to haunt in her in a series of unfortunate consequences. How can a girl deal with public sexual shaming? Especially when her new friend, the up-and-coming feminist rock icon Suzanne Banks, is Jimmy Cricketing her?For anyone who has been a girl or known one, who has admired fame or judged it, and above all anyone who loves to laugh till their sides ache, How to Be Famous is a big-hearted, hilarious tale of fame and fortune-and all they entail.

Here, from the incomparable John Waters, is a paean to the power of subversive inspiration that will delight, amuse, enrich―and happily horrify readers everywhere.Role Models is, in fact, a self-portrait told through intimate profiles of favorite personalities―some famous, some unknown, some criminal, some surprisingly middle-of-the-road. From Esther Martin, owner of the scariest bar in Baltimore, to the playwright Tennessee Williams; from the atheist leader Madalyn Murray O'Hair to the insane martyr Saint Catherine of Siena; from the English novelist Denton Welch to the timelessly appealing singer Johnny Mathis―these are the extreme figures who helped the author form his own brand of neurotic happiness.Role Models is a personal invitation into one of the most unique, perverse, and hilarious artistic minds of our time.

Eve Babitz captured the voluptuous quality of L.A. in the1960s in a wildly original, totally unique voice. These stories are time capsule gems, as poignant and startling today as they were when published in the early 1970s. Eve Babitz is not well known today, but she should be. Her first hand experiences in the L.A. cultural scene, translated into haunting fiction, are an unforgettable glimpse at a lost world and a magical time.

From one of the UK’s most followed journalists comes a mythbusting call-to-arms that exposes sex misinformation and champions inclusive and equitable sex.Clueless about everything from her own anatomy to relationships, Sophia Smith Galer’s sex education classes left her with more questions than answers. But what she didn’t know was that this lack of knowledge was about to turn her life upside down – as it does to countless people in the UK every year.Thanks to inadequate sex education, many of us are finishing school knowing more about STDs and condoms than the bigger sexual picture – our own physicality, pleasure and consent. And the effects can last a lifetime.In Losing It, Smith Galer shares the eye-opening stories of ordinary people affected by sex misinformation and finds that many of us are unable to access the world of sexual freedom that we’ve been promised. She draws on her own experiences – and the expertise of a new generation of sex educators – to uncover a world that subscribes to a wide catalogue of sex myths. This book Virginity Does having sex for the first time alter us biologically?The Sexlessness Who is abstaining and why?The Virility Why do men feel so much pressure to have sex?The Consent Is there more to it than just saying no?Losing It challenges the status quo and empowers people from all backgrounds and any age to rewrite the story of their sex lives.

Brings together a wealth of research and an expansive selection of photographs to create an enduring account of America's first-known trans network, Casa Susanna.

“I know I’m not a man . . . and I’ve come to the conclusion that I’m probably not a woman, either. . . . . The trouble is, we’re living in a world that insists we be one or the other.” With these words, Kate Bornstein ushers readers on a funny, fearless, and wonderfully scenic journey across the terrains of gender and identity. On one level, Gender Outlaw details Bornstein’s transformation from heterosexual male to lesbian woman, from a one-time IBM salesperson to a playwright and performance artist. But this particular coming-of-age story is also a provocative investigation into our notions of male and female, from a self-described nonbinary transfeminine diesel femme dyke who never stops questioning our cultural assumptions.Gender Outlaw was decades ahead of its time when it was first published in 1994. Now, some twenty-odd years later, this book stands as both a classic and a still-revolutionary work—one that continues to push us gently but profoundly to the furthest borders of the gender frontier.