Empfehlungen basierend auf "The Letters of Virginia Woolf"

Unable to stay on to high school, Tove starts her first job (which lasts only one day) and soon embarks on a varied and chequered career: as au pair, cleaner, stock-room assistant and office worker. But Tove is hungry, for poetry, for love, for real life to begin. As she navigates exploitative bosses, uninspiring boyfriends and a Nazi landlady, she struggles to keep her poetic vocation in sight - until she finally realizes the 'miracle' that she has always dreamed of.The second volume in Ditlvesen's autobiographical trilogy, Youth is a sensitive, often funny and almost painfully truthful portrayal of adolescence.

In A Room of One's Own and Three Guineas, Virginia Woolf considers with energy and wit the implications of the historical exclusion of women from education and from economic independence. In A Room of One's Own (1929), she examines the work of past women writers, and looks ahead to a time when women's creativity will not be hampered by poverty, or by oppression. In Three Guineas (1938), however, Woolf argues that women's historical exclusion offers them the chance to form a political and cultural identity which could challenge the drive towards fascism and war.

A Room Of One's Own, Based On A Lecture Given At Girton College Cambridge, Is One Of The Great Feminist Polemics. Woolf's Blazing Writing On Female Creativity, The Role Of The Writer, And The Silent Fate Of Shakespeare's Imaginary Sister Remains A Powerful Reminder Of A Woman's Need For Financial Independence And Intellectual Freedom.

Vita Sackville-West, novelist, poet, and biographer, is best known as the friend of Virginia Woolf, who transformed her into an androgynous time-traveler in Orlando. The story of Sackville-West's marriage to Harold Nicolson is one of intrigue and bewilderment. In Portrait of a Marriage, their son Nigel combines his mother's memoir with his own explanations and what he learned from their many letters. Even during her various love affairs with women, Vita maintained a loving marriage with Harold. Portrait of a Marriage presents an often misunderstood but always fascinating couple."Portrait of a Marriage is as close to a cry from the heart as anybody writing in English in our time has come, and it is a cry that, once heard, is not likely ever to be forgotten. . . . Unexpected and astonishing."—Brendan Gill, New Yorker"The charm of this book lies in the elegance of its narration, the taste with which their son has managed to convey the real, enduring quality of his parents' love for each other."—Doris Grumbach, New Republic

“A book that will leave no one indifferent, and no one affected in quite the same way.” —New York TimesA superb autobiography by one of the great literary figures of the twentieth centurySimone de Beauvoir's Memoirs of a Dutiful Daughter offers an intimate picture of growing up in a bourgeois French family, rebelling as an adolescent against the conventional expectations of her class, and striking out on her own with an intellectual and existential ambition exceedingly rare in a young woman in the 1920s.Beauvoir vividly evokes her friendships, love interests, mentors, and the early days of the most important relationship of her life, with fellow student Jean-Paul Sartre, against the backdrop of a turbulent political time.

Armistead Maupin's uproarious and moving Tales of the City novels—the first three of which are collected in this omnibus volume—have earned a unique niche in American literature and are considered indelible documents of cultural change from the seventies through the first two decades of the new millennium.“These novels are as difficult to put down as a dish of pistachios. The reader starts playing the old childhood game of 'Just one more chapter and I'll turn out the lights,' only to look up and discover it's after midnight.”—Los Angeles Times Book ReviewOriginally serialized in the San Francisco Chronicle, Armistead Maupin’s Tales of the City (1978), More Tales of the City (1980), and Further Tales of the City (1982) afforded a mainstream audience of millions its first exposure to straight and gay characters experiencing on equal terms the follies of urban life.Among the cast of this groundbreaking saga are the lovelorn residents of 28 Barbary Lane: the bewildered but aspiring Mary Ann Singleton, the libidinous Brian Hawkins; Mona Ramsey, still in a sixties trance, Michael "Mouse" Tolliver, forever in bright-eyed pursuit of Mr. Right; and their marijuana-growing landlady, the indefatigable Mrs. Madrigal.Hurdling barriers both social and sexual, Maupin leads them through heartbreak and triumph, through nail-biting terrors and gleeful coincidences. The result is a glittering and addictive comedy of manners that continues to beguile new generations of readers.

The successful country-western star discusses her life, including her first visit to Nashville at age eighteen, marriage to the private Carl, difficult partnership with Porter Wagoner, business ventures, and personal relationships. Reprint.

Winner of the National Book AwardThe publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find.O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death—is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.

When 22-year-old Jennifer Worth, from a comfortable middle-class upbringing, went to work as a midwife in the poorest section of postwar London, she not only delivered hundreds of babies and touched many lives, she also became the neighborhood's most vivid chronicler. Call the Farewell to the East End is the last book in Worth's memoir trilogy, which the Times Literary Supplement described as "powerful stories with sweet charm and controlled outrage" in the face of dire circumstances.

Elizabeth Gaskell, alone among the great women Victorian writers, combined her art with the determined respectability that prompts her readers even today to think of her as Mrs. Gaskell. In her writing she was a radical: her novels shocked her readers with their portrayals of industrial England with its class wars and fallen women; and her biography of her friend Charlotte Brontë was revolutionary in introducing its audience to the injustices suffered by a women writer. That radicalism had its roots in her thoroughly conventional domestic life as a devoted mother and Unitarian minister's wife, roles which held places in her life at least as important to her as those of write rand activist. Using Gaskell's own extensive correspondence to introduce her to us in her own words, Jenny Uglow's warmly affectionate biography is a unique portrait of a Victorian woman's world, filled with storytelling, life, and work. -- From publisher's description.