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In celebration of the 100th anniversary of its publication, a beautifully illustrated annotation of The Wizard of Oz, complete with an exact reproduction of the original 1900 edition. The Wonderful Wizard of Oz is the quintessential American fairy tale. Michael Patrick Hearn, the world's leading Oz scholar, now provides a fascinating new annotation that not only reacquaints readers with the Tin Woodman, Scarecrow, and Cowardly Lion, but also illuminates the colorful background of this treasured American classic. This edition explores numerous contemporary references, provides character sources, and explains the actual meaning of the word "Oz." A facsimile of the rare 1900 first edition appears with the original drawings by W.W. Denslow, as well as 25 previously unpublished illustrations. There is a bibliography of L. Frank Baum's published work, every notable "Oz" edition, and the stage and cinematic productions from 1939's The Wizard of Oz, to the 1974 Broadway hit, The Wiz. A beautiful, awe-inspiring work, The Annotated Wizard of Oz is an enduring tribute to the timeless joy of The Wizard of Oz, and a classic to rival Baum's own.

Some of their past the Tudors wanted to remember, other parts they preferred to forget: a new history, a new story, the family behind the myths.The Tudors are a national obsession; they are our most notorious royal family. But, as Leanda de Lisle shows in this gripping new history, beyond the well-worn headlines is a family still more extraordinary than the one we thought we knew.The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family’'s obscure Welsh origins, the ordinary man known as Owen Tudor who would fall (literally) into a Queen’'s lap, and later her bed. It passes by the courage of Margaret Beaufort, the pregnant thirteen-year-old girl who would help found the Tudor dynasty; and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past -- those parts they wished to remember and those they wished to forget.By creating a full family portrait set against the background of this past, Leanda de Lisle enables us to see the Tudors in their own terms, rather than ours; and presents new perspectives and revelations on key figures and events. We see a family dominated by remarkable women doing everything possible to secure its future; understand why the Princes in the Tower disappeared; look again at the bloodiness of Mary’'s reign; at Elizabeth’'s relationships with her cousins; and re-discover the true significance of previously overlooked figures. We see the supreme importance of achieving peace and stability in a violent and uncertain world, and of protecting and securing the bloodline. Tudor tells a family story like no other, and brings it once more to vivid life.

Since its publication in 1908, Anne of Green Gables has been an enduring bestseller and arguably Canada’s most famous novel. This Norton Critical Edition offers an unrivaled selection of contextual and critical material, edited by two leading Montgomery scholars. “Backgrounds” brings together fourteen relevant excerpts from Montgomery’s journals, letters, and juvenilia along with literary selections from, among others, Sir Walter Scott, Byron, Caroline Oliphant, Henry Wadsworth Longfellow, and Louisa May Alcott. The cultural context of Anne of Green Gables is explored through the writings of Carole Gerson, Kate Wood, and Mary Henley Rubio. “Criticism” is divided into “Early Reviews and Responses” and “Modern Critical Views.” Eight reviews from 1908 to 1942 include Canadian, American, and British assessments. Critical essays are provided by, among others, Northrop Frye, Elizabeth Epperly, T. D. MacLulich, Juliet McMaster, Carol Shields, Margaret Atwood, and Elizabeth Waterston. A Chronology and Selected Bibliography are also included.

Tennyson’s central poem is presented with an extensive introduction that provides background information on the poet and poem as well as an overview of In Memoriam’s formal and thematic peculiarities, including Tennyson’s use of the stanza and the poem’s rhyme scheme. The authoritative text is again that of the Eversley Edition of Tennyson’s Works, published in 1901–8, which is accompanied by detailed explanatory annotations.“Criticism” contains thirteen essays-―seven of which are new to the Second Edition―among them examples of formal (Sarah Gates), contextual (W. David Shaw), reader-response (Timothy Peltason), queer (Jeff Nunokawa), and genre (Alan Sinfield) criticism. A chapter from Christopher Ricks’s influential biography, Tennyson, is included.A Chronology, Selected Bibliography, and Index of First Lines are also included.

Winner of both the National Book Critics Circle Award and the Pulitzer Prize, Oscar Wilde is the definitive biography of the tortured poet and playwright and the last book by renowned biographer and literary critic Richard Ellmann. Ellmann dedicated two decades to the research and writing of this biography, resulting in a complex and richly detailed portrait of Oscar Wilde. Ellman captures the wit, creativity, and charm of the psychologically and sexually complicated writer, as well as the darker aspects of his personality and life. Covering everything from Wilde's rise as a young literary talent to his eventual imprisonment and death in exile with exquisite detail, Ellmann's fascinating account of Wilde's life and work is a resounding triumph.

George III came to the throne in 1760 with a mission: he wanted to be a new kind of king, one whose power was rooted in the affection and approval of his people. 'The Strangest Family' is the story of how the best intentions can produce unhappy consequences.

"When King Charles came home from Scotland in the autumn of 1641, London was bright with hangings and the fountains ran wine..."With these words C V Wedgwood begins the second volume of her history of the Great Rebellion which carries the story from 1641 to 1647, from the Parliamentary passage of the Grand Remonstrance to the dramatic moment when the Scots surrendered the captive King Charles to the English.These were the years when the great battles of Marston Moor and Naseby were fought; when Prince Rupert emerged as the King's chief general; and Montrose conducted his brilliant but forlorn Scottish campaign. On the Parliamentary side the death of Pym was followed by the rise of Cromwell, both in Parliament and in the field. The New Model Army, which won the war for Parliament, was largely his creation. It was not merely an army but a new social force in English life.By the end of this volume, the Royalist cause had suffered a political and military defeat from which it could not recover. As the centre of power moved from King to Parliament; so it moved within Parliament itself to groups led by Cromwell, and at all times, the course of the struggle was profoundly influenced by events in Scotland and Ireland.Miss Wedgwood depicts this violent welter of military, political and religous developments with clarity, humour and sympathy; at the same time she communicates the tension and uncertainty, the texture of day-to-day life in a country at war with vivid and unforgettable immediacy.

Instead of the dying Old Regime, Schama presents an ebullient country, vital and inventive, infatuated with novelty and technology -- a strikingly fresh view of Louis XVI's France. A New York Times bestseller in hardcover. 200 illustrations.From the Trade Paperback edition.

Ever found yourself grasping in vain for that ideal descriptive word lost somewhere within the misty recesses of your vocabulary? Or felt frustrated that an oddly shaped structure or pretty setting you wished to portray in writing didn't quite translate clearly to paper? If you've ever stalled trying to depict the look of an object or animal or the looks of a particular person, The Describer's Dictionary is exactly the book you need. Open it, and you have not only just the right words but - bringing them to life - stellar literary examples of descriptive writing as well. The Dictionary concerns itself with the observable, from discrete shapes and patterns to buildings, terrain, furry and unfurry creatures, and human beings. "Referably" organized, the book uses a handy reverse, definition-to-term format that makes it easy for you to zero in on the term or terms you're seeking. For example, for a word that denotes an object's proper or harmonious dimensions, flip to the "Shapes" category and there you'll find "proportional", "proportionate", "commensurate", and "eurythmic". In some instances, where meanings are self-evident, simple listings of apt words are provided. As an inspiration to any writer - showing how it's done by the best - hundreds of colorful and evocative descriptive passages appear on facing pages, making this a singularly and richly different kind of reference book. The quotations are first-rate examples of how the book's terminology can be used. The excerpts are drawn from the best American and British novelists, naturalists, and other nonfiction writers, from Dickens to Updike, from Darwin to McPhee. The Describer's Dictionary - uniquely focused on the physical and freeof the categorical and multiple-meaning confusions of a thesaurus - is a must for anyone wanting to have at hand just the right words to describe exactly what is being observed or depicted. Within these covers you will find the answers to such questions as: What is the adjective for something shaped like a keyhole? How many words are there that mean silvery white in color? What do you call a treeless plain, or a lake situated in a mountain basin? What features of an animal are important to keep in mind in describing it? What is a woman's conical coil of hair worn at the back of the neck called? The craft of description lives not only in great literature but in conversation, journalism, and personal letters written every day. For help in painting pictures with the English language, The Describer's Dictionary is one of the most indispensable reference tools you could own.

In this new assessment of Henry VI, David Grummitt synthesizes a wealth of detailed research into Lancastrian England that has taken place throughout the last three decades to provide a fresh appraisal of the house's last King. The biography places Henry in the context of Lancastrian political culture and considers how his reign was shaped by the times in which he lived. Henry VI is one of the most controversial of England's medieval kings. Coming to the throne in 1422 at the age of only nine months and inheriting the crowns of both England and France, he reigned for 39 years before losing his position to the Yorkist king, Edward IV, in the early stages of the Wars of the Roses. Almost a decade later, in 1470, he briefly regained the throne, only for his cause to be decisively defeated in battle the following year, after which Henry himself was almost certainly murdered. Henry continues to perplex and fascinate the modern reader, who struggles to understand how such an obviously ill-suited king could continue to reign for nearly forty years and command such loyalty, even after his cause was lost. From his coronation at nine months old, to the legacy of his reign in the centuries after his death, this is a balanced, detailed and engaging biography of one of England's most enigmatic kings and will be essential reading for all students of late medieval England, and the Wars of the Roses.