Empfehlungen basierend auf "The Last Picture Show"

Summer 2005 finally sees the release of THE HITCHHIKER’S GUIDE TO THE GALAXY movie from Touchstone Pictures. Stars include Martin Freeman as Arthur Dent, Sam Rockwell as Zaphod Beeblebrox, Bill Nighy as Slartibartfast, supercool hip-hop artist Mos Def as Ford Prefect and the gorgeous Zooey Deschanel as Trillian. Completely new characters were developed specially for the film by Douglas Adams before his death and will be played by John Malkovich and Anna Chancellor.Pan`s tie-in edition of this cult classic will include substantial extras from Executive Producer, Robbie Stamp: exclusive cast interviews, stories and photographs from the set.

The magnificent second novel from the legendary author of One Flew Over the Cuckoo's NestFollowing the astonishing success of his first novel, One Flew Over the Cuckoo's Nest, Ken Kesey wrote what Charles Bowden calls "one of the few essential books written by an American in the last half century." This wild-spirited tale tells of a bitter strike that rages through a small lumber town along the Oregon coast. Bucking that strike out of sheer cussedness are the Stampers. Out of the Stamper family's rivalries and betrayals Ken Kesey has crafted a novel with the mythic impact of Greek tragedy.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A new, affordable paperback edition of one O’Neill’s late masterpiecesEugene O’Neill’s last completed play, A Moon for the Misbegotten is a sequel to his autobiographical Long Day’s Journey Into Night. Moon picks up eleven years after the events described in Long Day’s Journey Into Night, asJim Tyrone (based on O’Neill’s older brother Jamie) grasps at a last chance at love under the full moonlight. This paperback edition features an insightful introduction by Stephen A. Black, helpful to anyone who desires a deeper understanding of O’Neill’s work.

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A RADIO 4 BOOK OF THE WEEK 'An affectionate and revealing account … Funny, sad, real, rueful.' The Times 'Warm, rambling and self-aware' Guardian The long-awaited, rambling, tender, and very funny memoir from Adam Buxton Ramble /?ramb(?)l/ Verb 1. walk for pleasure in the countryside. 'Dr Buckles and Rosie the dog love rambling in the countryside.' 2. talk or write at length in a confused or inconsequential way. 'Adam rambles on about lots of consequential, compelling and personal matters in his tender, insightful, hilarious and totally unconfused memoir, Ramble Book.' Ramble Book is about parenthood, boarding school trauma, arguing with your partner, bad parties, confrontations on trains, friendship, wanting to fit in, growing up in the 80s, dead dads, teenage sexual anxiety, failed artistic endeavours, being a David Bowie fan; and how everything you read, watch and listen to as a child forms a part of the adult you become. It's also a book about the joys of going off topic and letting your mind wander. And it's about a short, hairy, frequently confused man called Adam Buxton.

Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books. As volume six, The Kindly Ones (1962), opens, rumblings from Germany recall memories of Nick Jenkins’s boyhood and his father’s service in World War I; it seems clear that all too soon, uniforms will be back in fashion. The looming threat throws the ordinary doings of life into stark relief, as Nick and his friends continue to negotiate the pitfalls of adult life. Moreland’s marriage founders, Peter Templer’s wife—his second—is clearly going mad, and Widmerpool is, disturbingly, gaining prominence in the business world even as he angles for power in the coming conflict. War, with all its deaths and disruptions, is on the way.  "Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--Chicago Tribune "A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New York Times "One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker   “The most brilliant and penetrating novelist we have.”--Kingsley Amis

Adrian Mole faces the same agonies which life sets before most adolescents: troubles with girls, school, parents, and an uncaring world. The difference, though, between young Master Mole and his peers is that this British lad keeps a diary -- an earnest chronicle of longing and disaster that has convulsed more than five million readers since its two-volume initial publication. From teenaged Adrian's obsession with intellectuality after understanding "nearly every word" of a Malcolm Muggeridge broadcast to his anguished adoration of a lovely, mercurial schoolmate, from his view of his parents' constantly creaking relationship to his heartfelt but hilarious attempts at cathartic verse, here is an outrageous triumph of deadpan, and deadly accurate, satire. ABBA, Princess Di's wedding, street punks. Monty Python, the Falklands campaign -- all the cultural pageantry of a keenly observed era marches past the unique perspective of Sue Townsend's brilliant comic creation: A. Mole, the unforgettable lad whose self-absorption only gets funnier as his life becomes more desperate.Adrian Mole faces the same agonies which life sets before most adolescents: troubles with girls, school, parents, and an uncaring world. The difference, though, between young Master Mole and his peers is that this British lad keeps a diary--an earnest chronicle of longing and disaster that has convulsed more than five million readers since its two-volume initial publication. From teenaged Adrian's obsession with intellectuality after understanding "nearly every word" of a Malcolm Muggeridge broadcast to his anguished adoration of a lovely, mercurial schoolmate, from his view of his parents' constantly creaking relationship to his heartfelt but hilarious attempts at cathartic verse, here is an outrageous triumph of deadpan, and deadly accurate, satire. ABBA, Princess Di's wedding, street punks, Monty Python, the Falklands campaign--all the cultural pageantry of a keenly observed era marches past the unique perspective of Sue Townsend's brilliant comic creation: A. Mole, the unforgettable lad whose self-absorption only gets funnier as his life becomes more desperate.

David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother's wedding. He mops his sister's floor. He gives directions to a lost traveller. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn't it? In his new book David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives - a world where forgiveness is automatic and an argument can be the highest form of love. Dress Your Family in Corduroy and Denim finds one of the wittiest and most original writers at work today at the peak of his form.

Is this the end for the Mennyms? For the forty years of their existence, the Mennyms assumed that their life would go on forever. Hidden in the safety of their home at 5 Brockenhurst Grove, the Mennyms carefully guarded the secret that they were actually a family of life-size rag dolls. Now Sir Magnus, the family patriarch, has had a premonition that their world is about to come to an end.Granny tulip is furious with her husband for even suggesting such a fate. Soobie, who has always been the troublesome grandchild, is suddenly serious, concerned with how his sister Pilbeam will take the news. And as the fateful day draws near, Vinetta, Joshua, Wimpey, Poopie, and the rest of the Mennyms think about how they will be remembered. Will they be seen merely as the finest rag dolls ever made, or will someone recognize them as the incredible family who was magically brought to life by the loving hands and heart of their creator?

Maurice, James Ivory's 1987 adaptation of the E.M. Forster novel, follows an Edwardian man's journey from the awakening of his desire for and love of men to self-acceptance. One of the most politically resistant films of the 1980s, Maurice dared to depict a young man's coming-out story and a happy ending for its lovers, Maurice and Alec. James Ivory and producer Ismail Merchant, a couple whose cinema is synonymous with period film adaptation, released Maurice during the first AIDS decade, a time of flagrant transatlantic homophobia. Criticism following its release described Ivory as a superficial and staid director, while the film was received as a regression to the uncinematic and overly faithful style that characterized the early adaptations by Merchant Ivory Productions. Offering a close reading of Forster's novel and an analysis of Ivory's distinctive visual style, Richard Robbins's indelible score, and the performances of James Wilby, Hugh Grant, and Rupert Graves, David Greven argues that the film is a model of sympathetic adaptation. This study champions the film as the finest of the Merchant Ivory works, making a case for Ivory's underappreciated talents as a director of great subtlety and intelligence, and for the film as one worth recuperating from its detractors. Understanding Maurice as a fully realized work of art and adaptation, this volume offers insight into how a stunning novel of gay love became a classic of queer film.