Empfehlungen basierend auf "The Grass Arena An Autobiography"

From Holden Caulfield to Moses Herzog, our best literature has been narrated by malcontents. To this lineage add Peter Jernigan, who views the world with ferocious intelligence, grim rapture, and a chainsaw wit that he turns, with disastrous consequences, on his wife, his teenaged son, his dangerously vulnerable mistress—and, not least of all, on himself. This novel is a bravura performance: a funny, scary, mesmerizing study of a man walking off the edge with his eyes wide open—wisecracking all the way.

In one complete volume, here are the five classic novels from Douglas Adams’s beloved Hitchhiker series. Now celebrating the pivotal 42nd anniversary of The Hitchhiker’s Guide to the Galaxy, soon to be a Hulu original series! The Hitchhiker’s Guide to the Galaxy (Nominated as one of America’s best-loved novels by PBS’s The Great American Read) Seconds before the Earth is demolished for a galactic freeway, Arthur Dent is saved by Ford Prefect, a researcher for the revised Guide. Together they stick out their thumbs to the stars and begin a wild journey through time and space. The Restaurant at the End of the Universe The moment before annihilation at the hands of warmongers is a curious time to crave tea. It could only happen to the cosmically displaced Arthur Dent and his comrades as they hurtle across the galaxy in a desperate search for a place to eat. Life, the Universe and Everything The unhappy inhabitants of planet Krikkit are sick of looking at the night sky– so they plan to destroy it. The universe, that is. Now only five individuals can avert Armageddon: mild-mannered Arthur Dent and his stalwart crew. So Long, and Thanks for All the Fish Back on Earth, Arthur Dent is ready to believe that the past eight years were all just a figment of his stressed-out imagination. But a gift-wrapped fishbowl with a cryptic inscription thrusts him back to reality. So to speak. Mostly Harmless Just when Arthur Dent makes the terrible mistake of starting to enjoy life, all hell breaks loose. Can he save the Earth from total obliteration? Can he save the Guide from a hostile alien takeover? Can he save his daughter from herself? Includes the bonus story “Young Zaphod Plays It Safe” “With droll wit, a keen eye for detail and heavy doses of insight . . . Adams makes us laugh until we cry.”—San Diego Union-Tribune “Lively, sharply satirical, brilliantly written . . . ranks with the best set pieces in Mark Twain.”—The Atlantic

Updike is Adam Begley’s masterful, much-anticipated biography of one of the most celebrated figures in American literature: Pulitzer Prize-winning author John Updike—a candid, intimate, and richly detailed look at his life and work.In this magisterial biography, Adam Begley offers an illuminating portrait of John Updike, the acclaimed novelist, poet, short-story writer, and critic who saw himself as a literary spy in small-town and suburban America, who dedicated himself to the task of transcribing “middleness with all its grits, bumps and anonymities.”Updike explores the stages of the writer’s pilgrim’s progress: his beloved home turf of Berks County, Pennsylvania; his escape to Harvard; his brief, busy working life as the golden boy at The New Yorker; his family years in suburban Ipswich, Massachusetts; his extensive travel abroad; and his retreat to another Massachusetts town, Beverly Farms, where he remained until his death in 2009. Drawing from in-depth research as well as interviews with the writer’s colleagues, friends, and family, Begley explores how Updike’s fiction was shaped by his tumultuous personal life—including his enduring religious faith, his two marriages, and his first-hand experience of the “adulterous society” he was credited with exposing in the bestselling Couples.With a sharp critical sensibility that lends depth and originality to his analysis, Begley probes Updike’s best-loved works—from Pigeon Feathers to The Witches of Eastwick to the Rabbit tetralogy—and reveals a surprising and deeply complex character fraught with contradictions: a kind man with a vicious wit, a gregarious charmer who was ruthlessly competitive, a private person compelled to spill his secrets on the printed page. Updike offers an admiring yet balanced look at this national treasure, a master whose writing continues to resonate like no one else’s.

The hilarious 1980s political satire by Jonathan Coe, published as a Penguin Essential for the first time.It is the 1980s and the Winshaw family are getting richer and crueller by the year:Newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; Thomas is making a killing on the stock exchange; and Mark is selling arms to dictators.But once their hapless biographer Michael Owen starts investigating the family's trail of greed, corruption and immoral doings, the time growing ripe for the Winshaws to receive their comeuppance. . .This wickedly funny take on life under the Thatcher government was the winner of the 1995 John Llewellyn Rhys Prize'A sustained feat of humour, suspense and polemic, full of twists and ironies' Hilary Mantel, Sunday Times'A riveting social satire on the chattering and all-powerful upper classes' Time Out'Big, hilarious, intricate, furious, moving' Guardian

Wodehouse died before finishing this novel, first published in 1977. Containing the bare-bones narrative and dialogue of the first 16 chapters, its story keeps to the Blandings formula: a pretty niece brought to the castle to separate her from an "impossible" (ie poor) suitor in London.

For more than two decades, Terry Pratchett has been regaling readers with tales of Discworld—a flat world balanced on the backs of four elephants, which are standing on the back of a giant turtle, flying through space. It is a world populated by ineffectual wizards and sharp-as-tacks witches, by tired policemen and devious dictators, by reformed thieves and vampires who have sworn to drink no blood. It is a world that is vastly different from our own . . . except when it isn't. Now, in The Wit and Wisdom of Discworld, various nuggets of Pratchett's witty commentary and sagacious observations have been compiled by Pratchett expert Stephen Briggs, a man who, they say, knows even more about Discworld than Terry Pratchett. Within these pages, you'll find musings on: Interior decorating: "It's a fact known throughout the universes that no matter how carefully the colors are chosen, institutional decor ends up as either vomit green, unmentionable brown, nicotine yellow, or surgical appliance pink. By some little-understood process of sympathetic resonance, corridors painted in those colors always smell slightly of boiled cabbage—even if no cabbage is ever cooked in the vicinity." (Equal Rites) Travel: "Any seasoned traveler soon learns to avoid anything wished on them as a 'regional speciality,' because all the term means is that the dish is so unpleasant the people living everywhere else will bite off their own legs rather than eat it. But hosts still press it upon distant guests anyway: 'Go on, have the dog's head stuffed with macerated cabbage and pork noses—it's a regional speciality.'" (The Last Continent) Young men: "And then there was the young male walk. At least women swung only their hips. Young men swung everything, from the shoulders down. You have to try to occupy a lot of space. It makes you look bigger, like a tomcat fluffing his tail. The boys tried to walk big in self-defense against all those other big boys out there. I'm bad, I'm fierce, I'm cool, I'd like a pint of shandy and me mam wants me home by nine." (Monstrous Regiment) Class: "'Old money' meant that it had been made so long ago that the black deeds that had originally filled the coffers were now historically irrelevant. Funny, that; a brigand for a father was something you kept quiet about, but a slave-taking pirate for a great-great-great-grandfather was something to boast of over the port. Time turned the evil bastards into rogues, and rogue was a word with a twinkle in its eye and nothing to be ashamed of." (Making Money) . . . and more! Culled from all the Discworld novels, The Wit and Wisdom of Discworld confirms Pratchett's place in the pantheon of great satirists and proves why the Chicago Tribune has praised his Discworld as "entertaining and gloriously funny . . . an accomplishment nothing short of magical."

As Spud Milton continues his diabolical stagger through adolescence, he learns one of life's most important lessons: when dealing with women and cretins, nothing is ever quite as it seems. In this third instalment, Spud, now 16 and growing up, takes on one of Shakespeare's most popular comedies, 'A Midsummer Night's Dream'.

Maurice, James Ivory's 1987 adaptation of the E.M. Forster novel, follows an Edwardian man's journey from the awakening of his desire for and love of men to self-acceptance. One of the most politically resistant films of the 1980s, Maurice dared to depict a young man's coming-out story and a happy ending for its lovers, Maurice and Alec. James Ivory and producer Ismail Merchant, a couple whose cinema is synonymous with period film adaptation, released Maurice during the first AIDS decade, a time of flagrant transatlantic homophobia. Criticism following its release described Ivory as a superficial and staid director, while the film was received as a regression to the uncinematic and overly faithful style that characterized the early adaptations by Merchant Ivory Productions. Offering a close reading of Forster's novel and an analysis of Ivory's distinctive visual style, Richard Robbins's indelible score, and the performances of James Wilby, Hugh Grant, and Rupert Graves, David Greven argues that the film is a model of sympathetic adaptation. This study champions the film as the finest of the Merchant Ivory works, making a case for Ivory's underappreciated talents as a director of great subtlety and intelligence, and for the film as one worth recuperating from its detractors. Understanding Maurice as a fully realized work of art and adaptation, this volume offers insight into how a stunning novel of gay love became a classic of queer film.

Sam Bagshott, son of the late Boko Bagshott, had been at Blandings Castle only a short while, but long enough to know that anyone enjoying its hospitality must get the occasional shock. Sam braced himself as the possibilities flitted through his mind. The house was on fire? The Empress of Blandings had taken to the bottle again? Constable Evans had arrived with a search warrant? There was a wide area of speculation, and he was prepared for bad news in any form. In any form, that is to say, except the one in which it came.

ýWitty and effortlessly fluid. His books are laugh-out-loud funny.ýýArabella Weir Three sparkling volumes featuring that most effervescent of peers, Trederick, fifth Earl of Ickenham Perhaps it is due to the fact that his wife Jane keeps a watchful eye on him for much of the time, but when Lord Ickenham breaks free he becomes pure dynamite and bumps-a-daisy as billy-o. These three stories, ýUncle Fred in the Springtimeý, ýUncle Dynamiteý and ýCocktail Timeý, will vouch for that. Foiling a plot to relieve Lord Emsworth of his beloved prize pig, the Empress; arranging a little match-making for his love-lorn nephew Pongo Twistleton; knocking off Sir Raymond Bastableýs topper with a Brazil nut: there really are, as Uncle Fred himself admits, ýno limits, literally none, to what I can accomplish in the springtimeý.