Empfehlungen basierend auf "The Ghostwriter"

#1 NEW YORK TIMES BESTSELLER • The “mercilessly entertaining” (Vanity Fair) instant classic “about the nature of identity and the terrible secrets that can survive and thrive in even the most intimate relationships” (Lev Grossman, Time “One of the Best Books of the Decade”)ONE OF TIME'S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME, ONE OF CNN'S MOST INFLUENTIAL BOOKS OF THE DECADE, AND ONE OF ENTERTAINMENT WEEKLY'S BEST BOOKS OF THE DECADEONE OF THE TEN BEST BOOKS OF THE YEAR: Janet Maslin, The New York Times, People, Entertainment Weekly, O: The Oprah Magazine, Slate, Kansas City Star, USA Today, Christian Science MonitorOn a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?ONE OF THE BEST BOOKS OF THE YEAR: San Francisco Chronicle, St. Louis Post-Dispatch, Chicago Tribune, HuffPost, Newsday

“Abdullah’s legal thrillers make John Grisham seem like a maiden aunt.” Sunday Times Crime Club “An enthralling, heartbreaking and thrilling courtroom drama that had me shouting out loud and gripped until the last page.” Nadine Matheson, author of The Jigsaw Man

ENTERTAINMENT WEEKLY’S BREAKOUT AUTHOR TO WATCH IN 2020“Brilliant and stunning . . . an absolute must read.” – GILLIAN FLYNN“A well-constructed package of dynamite.” – STEPHEN KINGA most anticipated book by The New York Times • USA Today • Entertainment Weekly • Marie Claire • Elle • Harper's Bazaar • Bustle • Newsweek • New York Post • Esquire • Real Simple • The Sunday Times • The GuardianONE OF THE MOST BUZZED ABOUT DEBUTS IN YEARSAN INTERNATIONAL SENSATION SOLD IN 24 TERRITORIES AND COUNTINGExploring the psychological dynamics of the relationship between a precocious yet naïve teenage girl and her magnetic and manipulative teacher, a brilliant, all-consuming read that marks the explosive debut of an extraordinary new writer.2000. Bright, ambitious, and yearning for adulthood, fifteen-year-old Vanessa Wye becomes entangled in an affair with Jacob Strane, her magnetic and guileful forty-two-year-old English teacher.2017. Amid the rising wave of allegations against powerful men, a reckoning is coming due. Strane has been accused of sexual abuse by a former student, who reaches out to Vanessa, and now Vanessa suddenly finds herself facing an impossible choice: remain silent, firm in the belief that her teenage self willingly engaged in this relationship, or redefine herself and the events of her past. But how can Vanessa reject her first love, the man who fundamentally transformed her and has been a persistent presence in her life? Is it possible that the man she loved as a teenager—and who professed to worship only her—may be far different from what she has always believed?Alternating between Vanessa’s present and her past, My Dark Vanessa juxtaposes memory and trauma with the breathless excitement of a teenage girl discovering the power her own body can wield. Thought-provoking and impossible to put down, this is a masterful portrayal of troubled adolescence and its repercussions that raises vital questions about agency, consent, complicity, and victimhood. Written with the haunting intimacy of The Girls and the creeping intensity of Room, My Dark Vanessa is an era-defining novel that brilliantly captures and reflects the shifting cultural mores transforming our relationships and society itself.Includes a bonus conversation with Kate Elizabeth Russell, Grace Gummer, and Jessica Williams (editor of My Dark Vanessa).

‘vividly Examines Some Of The Issues That Shape (and Deform) Society . . . A Gritty, Extremely Hard-hitting Drama’ Adele Parks, Platinum Magazine ‘gripping, Sensitive, Nuanced And Heart-breaking, It Will Stay With You Long After You Read It’ Roz Watkins, Author Of Cut To The Bone

Both of them loved him. One of them killed him . . .Louise has had to watch her husband, Andrew, start a new family in the four years since he left her. The ‘other woman’ is now his wife – but Louise isn’t ready to let Caz enjoy the life that was once hers, or to let go of the man she still loves.As Louise starts to dig into Caz’s past, the two women’s pretence of civility starts to slip. But in trying to undermine each other, they discover more about the man they both married.And when Andrew is murdered at a family party, both women are found standing over the body.It’s always the wife. But which one?

Detective Cassie Maddox is still trying to deal with the events of In the Woods. She is out of the Murder Squad and has started a relationship with fellow detective Sam O'Neill but is too badly shaken to commit to Sam or to her career. Then Sam is allocated a new case, that of a young woman stabbed to death just outside Dublin. He calls Cassie to the murder scene and she finds the victim is strangely familiar. In fact, she is Cassie's double. Not only that, but her ID says she is Lexie Madison the identity Cassie used, years ago, as an undercover detective. With no leads, no suspects and no clues, Cassie's old undercover boss spots the opportunity of a lifetime: to send Cassie undercover in the dead girl's place. She could pick up information the police would never hear and tempt the killer to finish the job. So Cassie moves into Whitethorn House, poses as a post-grad student, and prepares to enter Lexie's world.

The fourth book in the Grant County series from Karin Slaughter, the New York Times bestselling author of Pieces of Her.“[A] page-turner . . . Slaughter’s plot has more twists than a Slinky factory and the characters’ relationships are sharply drawn.”—People, starred review“Scary, shocking and perfectly suspenseful.”—BookPageAn officer is shot point blank in the police station lobby and sherrif Jeffrey Tolliver is wounded, setting off a terrifying hostage situation with medical examiner Sara Linton at the center. It’s up to Lena Adams and Frank Going back and forth between present and past,The narrative takes place in two time frames: present and ten years prior to the shooting. The “present” narration evolves over one hour; the “past” takes place over the course of a week. Lena will primarily get the present narration, working outside the station with Frank trying to figure out who the shooter is and how to resolve the hostage situation. Inside the station, Jeffrey has not been fatally wounded, but Sara knows he could easily die if the bleeding is not stopped. He drifts in and out of consciousness and through Sara and Jeffrey we get the past, and the case that leads up to the present day shooting.

‘In the running for the best mystery of 2026. With a trove of tropes that mystery lovers will love, it will remind you, in the best way, of Agatha Christie.’ Stephen King * It’s the perfect plot. All it needs is a killer ending. Six authors. One private island. Seventy-two hours to write the ending. * World-famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. When six struggling authors are invited to Fletch's private Scottish island and presented with the opportunity of a lifetime, the plot thickens: whoever writes a worthy ending will receive a game-changing book deal and two million dollars. Why have they been chosen to attend? Who is behind the invitation? And just how far would they go to secure a place on the bestseller list? They have just seventy-two hours, a typewriter and a blank page. All they have to do is write... Starting is often the hardest part. But getting to the end could be murder. * ‘Agatha Christie's And Then There Were None meets Yellowface... Great fun!’ Kate Mosse ‘A great locked-room thriller and a brilliant satire on the publishing industry’ Karin Slaughter ‘Fiendishly clever and compulsively readable... An absolute must read’ Ellery Lloyd ‘Funny, razor sharp and scarily relatable’ Sarah Crossan

LOUISE PENNY says the Frieda Klein novels are "fabulous."JOSEPH FINDER says they're "in the rich vein of Kate Atkinson."And TAMI HOAG calls them "truly unique."Now the final book in this extraordinary series is here. And it's an ending you'll never forget.A decade ago, psychologist Frieda Klein was sucked into the orbit of Dean Reeve -- a killer able to impersonate almost anyone, a man who can disappear without a trace, a psychopath obsessed with Frieda herself.In the years since, Frieda has worked with -- and sometimes against -- the London police in solving their most baffling cases. But now she's in hiding, driven to isolation by Reeve. When a series of murders announces his return, Frieda must emerge from the shadows to confront her nemesis. And it's a showdown she might not survive.Criminology student Lola Hayes has tracked Frieda down with a single-minded pursuit: she wants to delve inside the mind of a woman besieged by darkness. But in following every move Frieda makes, Lola is exposing herself to the same terrors—and the same twisted fixation of a diabolical psychopath.  This gripping cat-and-mouse thriller pits one of the most fascinating characters in contemporary fiction against an enemy like none other. Smart, sophisticated, and spellbinding, it's a novel to leave you breathless. 

*The No.1 Irish bestseller* Winner of Crime Book of the Year at the Irish Book Awards A Times Crime Book of the Year The gripping new detective thriller from the Top Ten Sunday Times bestselling author Every mother's worst nightmare ... When nine-year-old Rosalie Marshall vanished from her bed one summer night, her disappearance tore her family apart. Now, sixteen years later, her mother Helena is found dead, her husband by her side. It looks like a straightforward murder-suicide but DS Maeve Kerrigan and DI Josh Derwent soon discover nothing about this case is straightforward. The Marshalls have been keeping secrets. And someone is prepared to kill to hide the truth. Until Maeve finds out what happened to Rosalie, no one will be safe ... You don't want to miss the book that everyone is talking about! 'With every breath in my body, I'm BEGGING you to read Jane Casey's books!' Marian Keyes 'The ultimate just-one-more-chapter read' Abigail Dean 'Simply one of the best writers of detective fiction today' Liz Nugent 'A cliffhanger that will make you clutch your pearls' The Times 'A twisting, seductive, sensational thriller' Chris Whitaker 'The twist in the end was as surprising as it was satisfying' Stig Abell 'As tense as piano wire, intricately plotted' Neil Lancaster 'The undisputed queen of simmering tension' Sarah Hilary 'One of the very best authors writing today' Andrea Mara 'Smart, gripping and stylish' Catherine Ryan Howard 'Funny, sexy, and a character and a case that will break your heart' Jo Callaghan 'This book hit the ground running and didn't let up' Sam Holland 'Blew my mind. One of my books of the year' Jo Spain 'A slow-burn sizzle that would put romance writers to shame' Claire McGowan 'Add a frisson of romance and you have a devilishly potent mixture' Daily Mail 'Another gripping case' Heat 'This is Casey at her insightful best' Financial Times 'Reading a Jane Casey case is such a pleasure' Irish Independent 'A gripping and absorbing read' Irish Examiner 'A pleasingly twisty and taut thriller' Red Magazine 'The Kerrigan series remains among the most satisfying reading experiences anywhere in crime fiction' Irish Times 'A masterclass in plot, suspense and tension' Woman's Weekly A Stranger in the Family was the No.1 Irish bestselling book w/c 18/3/24