Empfehlungen basierend auf "The Garden of Forking Paths (PENGUIN MODERN)"

The stand-alone sequel to The Doldrums, which the New York Times called “a dreamy charmer of a book,” is a second tour-de-force by author-illustrator Nicholas Gannon. It brims with the spirit of exploration and celebrates the bond of friendship. The exquisite hardcover package features Gannon’s distinctive full color full-page art throughout, as well as black-and-white spot illustrations. The Doldrums and the Helmsley Curse is a timeless tale and a beautiful gift for a young reader. Archer Helmsley’s grandparents—famous explorers who went missing on an iceberg two years ago—are finally coming home. Archer is overjoyed, but he may be the only one. Rumors are flying that Archer’s grandparents were never really abandoned on the iceberg; that they’re making it all up. Archer knows that the rumors are false. With his best friends, Oliver and Adélaïde, and their new neighbor, Kana, Archer sets out during a snowstorm to rescue his grandparents’ reputation. In the tradition of Roald Dahl, Lemony Snicket, and Brian Selznick, Nicholas Gannon’s wildly imaginative world of The Doldrums and the Helmsley Curse is packed with sly humor, an undeniably charming cast of characters, and the thrill of discovering secrets and adventures right in your own backyard. With approximately twenty pieces of full color full-page artwork, as well as spot illustrations, and deft, literary writing, Nicholas Gannon once again creates a fully realized world and a story to sink into and explore. “Irresistible.”—Booklist

Twenty five years ago, T.C. Boyle published his first novel, Water Music—a funny, bawdy, extremely entertaining novel of imaginative and stylistic fancy that announced to the world Boyle's tremendous gifts as a storyteller. Set in the late eighteenth century, Water Music follows the wild adventures of Ned Rise, thief and whoremaster, and Mungo Park, a Scottish explorer, through London's seamy gutters and Scotland's scenic highlands—to their grand meeting in the heart of darkest Africa. There they join forces and wend their hilarious way to the source of the Niger.

THESE NEWCOMERS ARE DIFFERENT. THEY WILL CHANGE EVERYTHING.For fans of The Essex Serpent and The Mermaid and Mrs Hancock.‘By far my favourite book of of the year’ Guardian‘One of only two novels I've ever loved whose main characters are not human’ Barbara KingsolverOne cold night, two newcomers emerge onto the streets of 1899 New York, and it is never the same again.But these two are more than strangers to this land, they are strangers to this world. From the depths of folkloric history come Chava the golem, a creature made of clay, brought to life by a disgraced rabbi and Ahmad, a djinni, born in the ancient Syrian desert and trapped in an old copper flask released accidentally by a tinsmith in a Lower Manhattan shop.Two companions who were never meant to be released, and never meant to meet. And when they do, their opposing natures will be sealed by a special bond, but one that is threatened by watching eyes, roaming owners and a misunderstanding world.A glittering gem of a novel, as spell-binding as it is compelling, The Golem and The Djinni asks us what we’re made of and how we can break free.

Artemis is no stranger to trouble. In fact he's a magnet for it. Now his mother is gravely ill. Artemis Fowl must travel back through time to steal the cure from the clutches of the young criminal mastermind ... Artemis Fowl. That's right, with fairy ally Captain Holly Short by his side, Artemis is going back in time to do battle with himself. Suggested level: intermediate, junior secondary.

Pod, Homily, and Arrietty Clock -- the family of tiny Borrowers -- think they have at last found an ideal home. They've moved into a house in a miniature village built as a hobby by a retired railroad man. The village is the perfect size for the Borrowers, and after the hardships they've faced, the Clocks gratefully settle into the luxury of having a "proper" house. The easy life makes them careless. Or, rather, it makes Arrietty careless. She befriends a "human bean," and the next thing Arrietty knows, she and her family have been kidnapped. Their captors are a greedy married couple, called the Platters, who have big plans for the little people. They have created their own miniature village in a glass case and plan to imprison the Borrowers within -- like animals in a zoo -- for the rest of their lives.

This last installment of the beloved series recounts the long-ago beginnings of Green Knowe, a time when Roger, the son of a Norman lord, was the first child to live in the grand old manor. Roger finds some ancient stones on the grounds, which magically transport him back and forth in time so he can meet and befriend Toby, Linnet, Susan, and Tolly--the future inhabitants of Green Knowe and the heroes of the five other magical books in the series.

In The Golden Cat, Gabriel King continues the enchanting quest that began with The Wild Road—the novel the San Francisco Chronicle crowned “mythical,” and Richard Adams, author of Watership Down, deemed “absolutely magical. . .” The ancient prophecy speaks of a golden cat whose coming will heal the troubled world. But the Queen of Cats has three golden kittens—and when two are stolen away, the distraught parents turn to Tag, the brave young cat who is the protector of the magical Wild Road.The desperate search moves from the water-lit Oceanarium and sun-dappled Tintagel to the distant Louisiana bayous and the pyramids of Egypt. As Tag and his friends struggle on, so does a terrifying, unearthly force—a preternatural vortex threatening the Wild Road, tearing at the very fabric of existence. But Tag is disastrously unprepared for the powerful darkness that threatens to consume everything in its wake . . .

As school trips go, this one is pretty awesome.When I was told we were going to London to study Living History, I thought they were joking. But here I am! Rafe Khatchadorian - global jetsetter!Now all I need to do is find a way of avoiding the school bully, getting Jeanne Galletta to talk to me, and try not to get lost in London.But things are never that simple. So fasten your seatbelts and hold on tight, because this could be a very bumpy flight.

Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.

As a result of an experiment with a chemistry set, three children smell very strongly of the food each detests the most--sauerkraut, corned beef and cabbage, and tomato soup--while the dog smells of apple pie.