Empfehlungen basierend auf "The Dead and the Living Poems"

The first biography of an American masterThe Songs We Know Best, the first comprehensive biography of the early life of John Ashbery―the winner of nearly every major American literary award―reveals the unusual ways he drew on the details of his youth to populate the poems that made him one of the most original and unpredictable forces of the last century in arts and letters.Drawing on unpublished correspondence, juvenilia, and childhood diaries as well as more than one hundred hours of conversation with the poet, Karin Roffman offers an insightful portrayal of Ashbery during the twenty-eight years that led up to his stunning debut, Some Trees, chosen by W. H. Auden for the 1955 Yale Younger Poets Prize. Roffman shows how Ashbery’s poetry arose from his early lessons both on the family farm and in 1950s New York City―a bohemian existence that teemed with artistic fervor and radical innovations inspired by Dada and surrealism as well as lifelong friendships with painters and writers such as Frank O’Hara, Jane Freilicher, Nell Blaine, Kenneth Koch, James Schuyler, and Willem de Kooning. Ashbery has a reputation for being enigmatic and playfully elusive, but Roffman’s biography reveals his deft mining of his early life for the flint and tinder from which his provocative later poems grew, producing a body of work that he calls “the experience of experience,” an intertwining of life and art in extraordinarily intimate ways.

“if you read this after I am deadIt means I made it”-“The Creation Coffin”The People Look like Flowers at Last is the last of five collections of never-before published poetry from the late great Dirty Old Man, Charles Bukowski.In it, he speaks on topics ranging from horse racing to military elephants, lost love to the fear of death. He writes extensively about writing, and about talking to people about writers such as Camus, Hemingway, and Stein. He writes about war and fatherhood and cats and women. Free from the pressure to present a consistent persona, these poems present less of an aggressively disruptive character, and more a world-weary and empathetic person.

In the summer of 1820, Keats published this collection, his third and final volume of poetry. A few months earlier, he had started coughing up blood; the following February, he would die of tuberculosis in Rome, aged just twenty-five. This volume contains his greatest work, written in an astonishing burst of creative genius in 1819. It includes 'Lamia', his tale of love and betrayal in ancient Corinth; the haunting medieval romance of 'The Eve of St Agnes'; and his six famous odes, now considered among the most famous verse in the language.

This highly accessible collection gathers together the best-loved gems of English language verse, from the deeply moving to the hilariously silly. The poems span the entire range of verse from high drama to stuff-and-nonsense and are presented in nine sections: Poems of Childhood and Youth; Poems of Love and Marriage; Poems of Life; Poems of Loss and Comfort; Poems of War and Peace; Poems to Read Aloud; Poems to Read Quietly; Poems of Animals and Nature and Poems of Magic and Mystery.The anthology includes works by William Blake, Dylan Thomas, Seamus Heaney, Robert Burns, T S Eliot, Rudyard Kipling, W B Yeats and many, many more. The poems have all been chosen and arranged by Neil Philip and the volume is illustrated throughout with watercolour borders and decorative motifs by Isabelle Brent, glowing with her trademark gold leaf.

THE SUNDAY TIMES BESTSELLER'An intoxicating mixture of poetry and prose, Slug is a taboo-busting delight' SCOTSMAN'One of the best poets we have' MATT HAIG'She writes with honesty, conviction, humour and love' KAE TEMPESTThe bestselling collection of poetry and prose from the Ted Hughes Award-winning author of Nobody Told MeFrom Finnish saunas and soppy otters to grief, grandparents and Kellogg's anti-masturbation pants, Slug is a book which holds a mirror lovingly up to the world, past and present, through Hollie's driving, funny, hopeful poetry and prose. Slug is about the human condition: of birth and death and how we manage the possibilities in between.'The inimitable words of poet/goddess Hollie McNish once again hold up honest, damn funny and refreshing takes on the everydayness of our lives . . . Never have we needed her more' STYLIST'Hollie always articulates exactly how I feel' CHARLY COX'A tribute to life itself' RED

Longlisted for the 2022 National Book Award for PoetryLonglisted for the 2023 PEN Open Book AwardFinalist for the Poetry Society of America's Norma Farber First Book Award“Outstanding . . . the poetry in these pages is intelligent, lyrical, as invested in the past as the present and future with witty nods to pop culture.” —Roxane Gay, author of Hunger “I’ve never read anything like it. Truly a sublime experience.” —Jason Reynolds, author of Ain’t Burned All the BrightA groundbreaking collection about Afropioneerism past and present from Pushcart Prize-nominated poet and New York Times bestselling author Rio CortezFrom a visionary writer praised for her captivating work on Black history and experience comes a poetry collection exploring personal, political, and artistic frontiers, journeying from her family's history as "Afropioneers" in the American West to shimmering glimpses of transcendent, liberated futures.  In poems that range from wry, tongue-in-cheek observations about contemporary life to more nuanced meditations on her ancestors—some of the earliest Black pioneers to settle in the western United States after Reconstruction—Golden Ax invites readers to re-imagine the West, Black womanhood, and the legacies that shape and sustain the pursuit of freedom.

This year's winner of the Yale Series of Younger Poets competition is Maurice Manning's Lawrence Booth's Book of Visions. These compelling poems take us on a wild ride through the life of a man child in the rural South. Presenting a cast of allegorical and symbolic, yet very real, characters, the poems have "authority, daring, and] a language of color and sure movement," says series judge W.S. Merwin. From Seven Chimeras The way Booth makes a love story: same as a regular story, except under one rock is a trapdoor that leads to a room full of belly buttons; each must be pushed, one is a landmine. The way Booth makes hope: thirty-seven acres, Black Damon, Red Dog. Construct a pillar of fire in the Great Field and let it become unquenchable. The way Booth ends the Jack-in-the-Box charade: shoot the weasel in the neck and toss it to the buzzards. The way Booth thinks of salvation: God holding a broken abacus, colored beads falling away.

Winner of the 2014 Yale Series of Younger Poets prize Originated in 1919 to showcase the works of exceptional American poets under the age of forty, the Yale Series of Younger Poets prize is the oldest annual literary award presented in the United States. Ansel Elkins's poetry collection, Blue Yodel, is the 109th volume to be so honored. Esteemed poet and competition judge Carl Phillips praises Elkins for her "arresting use of persona," calling her poems "razor-edged in their intelligence, Southern Gothic in their sensibility." In her imaginative and haunting debut collection, Elkins introduces readers to a multitude of characters whose "otherness" has condemned them to live on the margins of society. She weaves blues, ballads, folklore, and storytelling into an intricate tapestry that depicts the violence, poverty, and loneliness of the Deep South, as well as the compassion, generosity, and hope that brings light to people in their darkest times. The blue yodel heard throughout this diverse compilation is a raw, primal, deeply felt expression of the human experience, calling on us to reach out to the isolated and disenfranchised and to find the humanity in every person.

Winner of the 2018 Yale Series of Younger Poets prizeHow can a search for self‑knowledge reveal art as a site of community? Yanyi’s arresting and straightforward poems weave experiences of immigration as a Chinese American, of racism, of mental wellness, and of gender from a queer and trans perspective. Between the contrast of high lyric and direct prose poems, Yanyi invites the reader to consider how to speak with multiple identities through trauma, transition, and ordinary life. These poems constitute an artifact of a groundbreaking and original author whose work reflects a long journey self‑guided through tarot, therapy, and the arts. Foregrounding the power of friendship, Yanyi’s poems converse with friends as much as with artists both living and dead, from Agnes Martin to Maggie Nelson to Robin Coste Lewis. This instructive collection gives voice to the multifaceted humanity within all of us and inspires attention, clarity, and hope through art-making and community.

"After / the afterlife, there's an afterlife."In Silverchest, his twelfth book, Carl Phillips considers how our fears and excesses, the damage we cause both to others and to ourselves, intentional and not, can lead not only to a kind of wisdom but also to renewal, maybe even joy, if we're willing to commit fully to a life in which "I love you / means what, exactly?" In poems shot through with his signature mix of eros, restless energy, and moral scrutiny, Phillips argues for the particular courage it takes to look at the self squarely—not with judgment but with understanding—and extend that self more honestly toward others. It's a risk, there's a lot to lose, but if it's true that "we'll drown anyway—why not / in color?"