Empfehlungen basierend auf "The Color Master"

The AlchemistThe Devil and Miss PrymEleven MinutesVeronica Decides To DieThe Fifth Mountain

Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.

'Nobody before Borges had ever attempted this strange and wonderful mixture of arcana, popular literature, national myth, the nature of time and classical themes. Now we can see it in all its intense and disturbing brilliance, certain that we will never see anything like it again' - Justin Cartwright, "Independent on Sunday".

A series of lectures which Italo Calvino wrote in the final year of his life. Drawing on the works of Lucretius, Ovid, Boccaccio, Flaubert, Kundera, Perec and many more, he pinpoints the universal laws and literary lightness, quickness, exactitude, visibility and multiplicity.

In the stories that make up Oblivion, David Foster Wallace joins the rawest, most naked humanity with the infinite involutions of self-consciousness -- a combination that is dazzlingly, uniquely his.These are worlds undreamt of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion").Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate."Stunning...Wallace is an astonishing storyteller whose fiction reminds us why we learned to read in the first place." --San Francisco Chronicle

In a provocative parable of loss, disorientation, and weakness, a city is hit by an epidemic of "white blindness" whose victims are confined to a vacant mental hospital, while a single eyewitness to the nightmare guides seven oddly assorted strangers through the barren urban landscape. 25,000 first printing.

Thomas Bernhard was one of the most original writers of the twentieth century. His formal innovation ranks with Beckett and Kafka, his outrageously cantankerous voice recalls Dostoevsky, but his gift for lacerating, lyrical, provocative prose is incomparably his own.One of Bernhard's most acclaimed novels, The Loser centers on a fictional relationship between piano virtuoso Glenn Gould and two of his fellow students who feel compelled to renounce their musical ambitions in the face of Gould's incomparable genius. One commits suicide, while the other-- the obsessive, witty, and self-mocking narrator-- has retreated into obscurity. Written as a monologue in one remarkable unbroken paragraph, The Loser is a brilliant meditation on success, failure, genius, and fame.

A gargantuan, mind-altering comedy about the Pursuit of Happiness in AmericaSet in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction, Infinite Jest explores essential questions about what entertainment is and why it has come to so dominate our lives; about how our desire for entertainment affects our need to connect with other people; and about what the pleasures we choose say about who we are.Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. It is an exuberant, uniquely American exploration of the passions that make us human - and one of those rare books that renew the idea of what a novel can do."The next step in fiction...Edgy, accurate, and darkly witty...Think Beckett, think Pynchon, think Gaddis. Think." —Sven Birkerts, The Atlantic

A brilliantly crafted collection of stories from celebrated science fiction writer Stanislaw Lem Trurl and Klaupacius are constructor robots who try to out-invent each other. Over the course of their adventures inThe Cyberiad, they travel to the far corners of the cosmos to take on freelance problem-solving jobs, with dire consequences for their unsuspecting employers. Playfully written, and ranging from the prophetic to the surreal, these stories demonstrate Stanislaw Lem's vast talent and remarkable ability to blend meaning and magic into a wholly entertaining and captivating work.

Vineland is hardly anyone’s favorite Thomas Pynchon novel. Marking Pynchon’s return after vanishing for nearly two decades following his epic Gravity’s Rainbow, it was initially regarded as slight, a middling curiosity. However, for Peter Coviello, the oft-overlooked Vineland opens up new ways of thinking about Pynchon’s writing and about how we read and how we live in the rough currents of history. Beginning with his early besotted encounters with Vineland, Coviello reads Pynchon’s offbeat novel of sixties insurgents stranded in the Reaganite summer of 1984 as a delirious stoner comedy that is simultaneously a work of heartsick fury and political grief: a portrait of the hard afterlives of failed revolution in a period of stifling reaction. Offering a roving meditation on the uses of criticism and the practice of friendship, the fashioning of publics and counterpublics, the sentence and the police, Coviello argues that Vineland is among the most abundant and far-sighted of late-century American excursions into novelistic possibility. Departing from visions of Pynchon as the arch-postmodernist, erudite and obscure, he discloses an author far more companionable and humane. In Pynchon’s harmonizing of joyousness and outrage, comedy and sorrow, Coviello finds a model for thinking through our catastrophic present.