Empfehlungen basierend auf "The Big Gold"
Based on your reading history, we think you will also enjoy the following books.
von William Boyd
A fictional autobiography of John James Todd, and his life growing up in the early years of the twentieth century, from the trenches of World War I to the moviemaking circles of Weimar Berlin, London, and Hollywood
von Jack Ballas
Losing control of his anger and nearly killing Simon Bauman, the spoiled son of a rich horse breeder, hard-working farmer Jess Sanford finds himself on the run from the law and the infuriated, embarrassed Simon. Original.
von Andrew Delbanco
If Dickens was nineteenth-century London personified, Herman Melville was the quintessential American. With a historian’s perspective and a critic’s insight, award-winning author Andrew Delbanco marvelously demonstrates that Melville was very much a man of his era and that he recorded — in his books, letters, and marginalia; and in conversations with friends like Nathaniel Hawthorne and with his literary cronies in Manhattan — an incomparable chapter of American history. From the bawdy storytelling of Typee to the spiritual preoccupations building up to and beyond Moby Dick, Delbanco brilliantly illuminates Melville’s life and work, and his crucial role as a man of American letters.
von Robert Ruark
This classic captures the endearing relationship between a man and his grandson as they fish and hunt the lakes and woods of North Carolina. All the while the Old Man acts as teacher and guide, passing on his wisdom and life experiences to the boy, who listens in rapt fascination.
von Tom Pocock
Collects firsthand accounts of the battle of Trafalgar, telling the story of the events before, during, and after the battle through letters, diaries, and other unpublished documents.
von Ann Charters
Now that Kerouac's major novel, On the Road is accepted as an American classic, academic critics are slowly beginning to catch up with his experimental literary methods and examine the dozen books comprising what he called 'the legend of Duluoz.' Nearly all of his books have been in print internationally since his death in 1969, and his writing has been discovered and enjoyed by new readers throughout the world. Kerouac's view of the promise of America, the seductive and lovely vision of the beckoning open spaces of our continent, has never been expressed better by subsequent writers, perhaps because Kerouac was our last writer to believe in America's promise--and essential innocence--as the legacy he would explore in his autobiographical fiction.
von Eric Lott
For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes served to usefully intensify these conflicts. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America". Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear - a dialectic of "love and theft" - the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.
von Ruskin Bond
Rusty Travels Abroad To Fulfil His Dream Of Becoming A WriterRusty Goes To London Is The Fourth Book In Puffin'S New Series Of The Complete Escapades Of Rusty; This Is The First Time That All The Rusty Stories Are Available In Chronological Order. In His Early Twenties Now, Rusty Finally Severs Ties With Dehra And Books A Passage To England, With The Dream Of Writing And Selling His Novel Abroad. First In His Aunt'S House In Jersey, And Then In Rented Lodgings In London, He Works As A Clerk By Day And Writes Away In The Evenings. Eventually The Novel Is Finished And Rusty Even Finds A Publisher. But This, He Discovers, Does Not Mean That His Book Will See The Light Of Day Soon ...While In London, Rusty Has Myriad Adventures, Each More Incredible Than The Last. Strolling Down Baker Street, He Runs Into Sherlock Holmes, Who Gives Him A Few Lessons In Investigative Techniques. At The Victoria And Albert Museum, He Is Accosted By Rudyard Kipling. And Then, Of Course, There Is The Strange Incident At The Chinese Quarter, The Calypso Christmas In His Lodgings, And The Story Of The Vietnamese Girl Vu-Phuong. After Three Years Abroad, However, Rusty Realizes That He Wants To Make India His Permanent Home; All He Really Needs Is A Room Of His Own To Live And Write In, As The Vibrant World That He Has Known And Loved All Along Unfolds Outside. Returning To Dehra, He Renews Some Acquaintances And Makes A Few New Ones, And Settles Into His Role As Full-Time Author. Full Of Interesting Stories And Memorable Characters, Rusty Goes To London Is A Book That Will Delight All Of Ruskin Bond'S Young Fans.
von Elizabeth Jameson
At the turn of the century, Colorado's Cripple Creek District captured the national imagination with the extraordinary wealth of its gold mines and the unquestionable strength of the militant Western Federation of Miners.In All That Glitters, Elizabeth Jameson tells the better-than-fiction story of Cripple Creek, the scene in 1894 of one of radical labor's most stunning victories and in 1903-4 of one of its most crushing defeats.Jameson's sources include working-class oral histories, the Victor and Cripple Creek Daily Press, published by thirty-four of the local labor unions, and the 1900 manuscript census. She connects unions with lodges and fraternal associations, ethnic identity, families, households, and partisan politics. Through these ties, she probes the differences in age, skill, gender, marital status, and ethnicity that strained working class unity and contributed to the fall of labor in Cripple Creek.Jameson's book will be required reading for western, ethnic, and working-class historians seeking an alternative interpretation of western mining struggles that emphasizes class, gender, and multiple sources of social identity.