Empfehlungen basierend auf "The Bewitching"

An instant New York Times bestseller!“This is an absolute, can’t-put-it-down thriller. . . . It’s truly a wild ride that had me flying through chapter after chapter—which I think is the perfect way to kick off your year of reading.”—Reese Witherspoon (Reese’s Book Club Pick January 2023)Armed with only hazy memories, a woman who long ago witnessed her friend’s sudden, mysterious death, and has since spent her life trying to forget, sets out to track down answers. What she uncovers, deep in the woods, is hardly to be believed. . . .Maya was a high school senior when her best friend, Aubrey, dropped dead in front of the enigmatic man named Frank whom they’d been spending time with all summer.Seven years later, Maya lives in Boston with a loving boyfriend and is kicking the secret addiction that has allowed her to cope with what happened years ago, the gaps in her memories, and the lost time that she can’t account for. But her past comes rushing back when she comes across a recent YouTube video in which a young woman suddenly keels over and dies in a diner while sitting across from none other than Frank. Plunged into the trauma that has defined her life, Maya heads to her Berkshires hometown to relive that fateful summer—the influence Frank once had on her and the obsessive jealousy that nearly destroyed her friendship with Aubrey.At her mother’s house, she excavates fragments of her past and notices hidden messages in her deceased Guatemalan father’s book that didn’t stand out to her earlier. To save herself, she must understand a story written before she was born, but time keeps running out, and soon, all roads are leading back to Frank’s cabin. . . .Utterly unique and captivating, The House in the Pines keeps you guessing about whether we can ever fully confront the past and return home.

"A gorgeous and thrilling paean to the ferocious power of women. The characters live, bleed, and roar. "―Laini Taylor, New York Times bestselling authorA NEW YORK TIMES BESTSELLER • Winner of the British Fantasy Award for Best Fantasy Novel • Named One of the Best Books of the Year by NPR Books • Barnes and Noble • BookPageIn the late 1800s, three sisters use witchcraft to change the course of history in this powerful novel of magic, family, and the suffragette movement.In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box.But when the Eastwood sisters―James Juniper, Agnes Amaranth, and Beatrice Belladonna―join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote―and perhaps not even to live―the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive.There's no such thing as witches. But there will be.An homage to the indomitable power and persistence of women, The Once and Future Witches reimagines stories of revolution, motherhood, and women's suffrage—the lost ways are calling.Praise for The Once and Future Witches:"A glorious escape into a world where witchcraft has dwindled to a memory of women's magic, and three wild, sundered sisters hold the key to bring it back...A tale that will sweep you away."―Yangsze Choo, New York Times bestselling author"This book is an amazing bit of spellcraft and resistance so needed in our times, and a reminder that secret words and ways can never be truly and properly lost, as long as there are tongues to speak them and ears to listen."―P. Djèlí Clark, author The Black God's DrumFor more from Alix E. Harrow, check out The Ten Thousand Doors of January.

AN INSTANT NEW YORK TIMES BESTSELLER"Wildly entertaining."-The New York Times"Ingenious."-The Washington PostNew York Times bestselling author Grady Hendrix takes on the haunted house in a thrilling new novel that explores the way your past—and your family—can haunt you like nothing else.When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world.Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success. Unfortunately, she’ll need his help to get the house ready for sale because it’ll take more than some new paint on the walls and clearing out a lifetime of memories to get this place on the market.But some houses don’t want to be sold, and their home has other plans for both of them…Like his novels The Southern Book Club’s Guide to Slaying Vampires and The Final Girl Support Group, How to Sell a Haunted House is classic Hendrix: equal parts heartfelt and terrifying—a gripping new read from “the horror master” (USA Today).

“Superb and almost unbearably charming, Her Majesty’s Royal Coven… expertly launches an exciting new trilogy." —The New York Times Book Review"Talk about a gut punch of a novel. …A provocative exploration of intersectional feminism, loyalty, gender and transphobia [that] invites readers into an intricately woven web of magic, friendship and power." —The Nerd DailyA Discovery of Witches meets The Craft in this epic fantasy about a group of childhood friends who are also witches.If you look hard enough at old photographs, we’re there in the background: healers in the trenches; Suffragettes; Bletchley Park oracles; land girls and resistance fighters. Why is it we help in times of crisis? We have a gift. We are stronger than Mundanes, plain and simple.At the dawn of their adolescence, on the eve of the summer solstice, four young girls--Helena, Leonie, Niamh and Elle--took the oath to join Her Majesty's Royal Coven, established by Queen Elizabeth I as a covert government department. Now, decades later, the witch community is still reeling from a civil war and Helena is the reigning High Priestess of the organization. Yet Helena is the only one of her friend group still enmeshed in the stale bureaucracy of HMRC. Elle is trying to pretend she's a normal housewife, and Niamh has become a country vet, using her powers to heal sick animals. In what Helena perceives as the deepest betrayal, Leonie has defected to start her own more inclusive and intersectional coven, Diaspora. And now Helena has a bigger problem. A young warlock of extraordinary capabilities has been captured by authorities and seems to threaten the very existence of HMRC. With conflicting beliefs over the best course of action, the four friends must decide where their loyalties lie: with preserving tradition, or doing what is right.Juno Dawson explores gender and the corrupting nature of power in a delightful and provocative story of magic and matriarchy, friendship and feminism. Dealing with all the aspects of contemporary womanhood, as well as being phenomenally powerful witches, Niamh, Helena, Leonie and Elle may have grown apart but they will always be bound by the sisterhood of the coven.

Paul Tremblay’s terrifying twist to the home invasion novel—inspiration for the upcoming major motion picture from Universal Pictures“Tremblay’s personal best. It’s that good.” — Stephen KingSeven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, “None of what’s going to happen is your fault.” Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.”Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

"A young woman living in a rigid, repressive society discovers dark powers within herself, with terrifying and far-reaching consequences. Immanuelle Moore's very existence is blasphemy. The daughter of an union with an outsider that cast her once-proud family into disgrace, but a chance mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still walking there, and they bestow a gift on Immanuelle: the diary of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood. Fascinated by secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. "--

The highly anticipated new novel from the New York Times bestselling author of The Clockmaker’s Daughter, a sweeping novel that begins with a shocking crime, the effects of which echo across continents and generationsAdelaide Hills, Christmas Eve, 1959: At the end of a scorching hot day, beside a creek on the grounds of a grand country house, a local man makes a terrible discovery. Police are called, and the small town of Tambilla becomes embroiled in one of the most baffling murder investigations in the history of South Australia.Many years later and thousands of miles away, Jess is a journalist in search of a story. Having lived and worked in London for two decades, she now finds herself unemployed and struggling to make ends meet. A phone call out of nowhere summons her back to Sydney, where her beloved grandmother Nora, who raised Jess when her mother could not, has suffered a fall and is seriously ill in the hospital.At Nora's house, Jess discovers a true crime book chronicling a long-buried police case: the Turner Family Tragedy of 1959. It is only when Jess skims through its pages that she finds a shocking connection between her own family and this notorious event – a mystery that has never been satisfactorily resolved.An epic story that spans generations, Homecoming asks what we would do for those we love, how we protect the lies we tell, and what it means to come home. Above all, it is an intricate and spellbinding novel from one of the finest writers working today.

A young couple find themselves haunted by a string of gruesome murders committed along an old deserted road in this terrifying new novel from the New York Times bestselling author of The Book of Cold Cases.July 1995. April and Eddie have taken a wrong turn. They’re looking for the small resort town where they plan to spend their honeymoon. When they spot what appears to a lone hitchhiker along the deserted road, they stop to help. But not long after the hitchiker gets into their car, they see the blood seeping from her jacket and a truck barreling down Atticus Line after them.When the hitchhiker dies at the local hospital, April and Eddie find themselves in the crosshairs of the Coldlake Falls police. Unexplained murders have been happening along Atticus Line for years and the cops finally have two witnesses who easily become their only suspects. As April and Eddie start to dig into the history of the town and that horrible stretch of road to clear their names, they soon learn that there is something supernatural at work, something that could not only tear the town and its dark secrets apart, but take April and Eddie down with it all.

Secrets. Lies. Murder. Let the festivities begin..."An irresistible whodunit with an irresistible Blair Witch-meets-Fyre Festival backdrop." -- People"Sharp, stylish and stunning...Foley's best yet." -- Chris Whitaker, New York Times bestselling author of We Begin at the End"Agatha Christie for the Instagram age." -- GuardianThe deliciously twisty new locked room murder mystery from the #1 New York Times bestselling author of The Guest List and The Paris ApartmentIt’s the opening night of The Manor, and no expense, small or large, has been spared. The infinity pool sparkles; crystal pouches for guests’ healing have been placed in the Seaside Cottages and Woodland Hutches; the “Manor Mule” cocktail (grapefruit, ginger, vodka, and a dash of CBD oil) is being poured with a heavy hand. Everyone is wearing linen.But under the burning midsummer sun, darkness stirs. Old friends and enemies circulate among the guests. Just outside the Manor’s immaculately kept grounds, an ancient forest bristles with secrets. And the Sunday morning of opening weekend, the local police are called. Something’s not right with the guests. There’s been a fire. A body’s been discovered.THE FOUNDER * THE HUSBAND * THE MYSTERY GUEST * THE KITCHEN HELPIt all began with a secret, fifteen years ago. Now the past has crashed the party. And it’ll end in murder at…The Midnight Feast.

A darkly funny, frightening novel about a young woman learning how to take what she wants from a witch who may be too good to be true, from the author of The Return.All her life, Annie has played it nice and safe. After being unceremoniously dumped by her longtime boyfriend, Annie seeks a fresh start. She accepts a teaching position that moves her from Manhattan to a small village upstate. She’s stunned by how perfect and picturesque the town is. The people are all friendly and warm. Her new apartment is dreamy too, minus the oddly persistent spider infestation.Then Annie meets Sophie. Beautiful, charming, magnetic Sophie, who takes a special interest in Annie, who wants to be her friend. More importantly, she wants Annie to stop apologizing and start living for herself. That’s how Sophie lives. Annie can’t help but gravitate toward the self-possessed Sophie, wanting to spend more and more time with her, despite the fact that the rest of the townsfolk seem…a little afraid of her. And like, okay. There are some things. Sophie’s appearance is uncanny and ageless, her mansion in the middle of the woods feels a little unearthly, and she does seem to wield a certain power…but she couldn’t be…could she?